Albert Sendrey
Composer · Died May 18, 2003, aged 91
- December 26, 1911
- May 18, 2003 (aged 91)
- Composer
- 23 on MovieCove · 28 credits in all
What are Albert Sendrey's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
Light 12 · Serious 0 · Dark 0
Grounded 5 · Stylized 5 · Heightened 2
Gentle 11 · Charged 1 · Intense 0
Steady 12 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 6 · Funny 5
Slow burn 6 · Even-paced 6 · Relentless 0
Casual 12 · Engaged 0 · Full focus 0
Easy watch 12 · Affecting 0 · Heavy 0
Resolved 12 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy12
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Albert Sendrey's films?
As of October 24, 2026, 6 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Albert Sendrey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 23 with a MovieCove page.
Bloody Wednesday (not in the MovieCove catalog yet)(1988)
Hard Times(1975)
Midcredits score: 88th percentile of all films
Midcredits score: 39th percentile of all films
Midcredits score: 37th percentile of all films
Ride the High Country(1962)
Midcredits score: 93rd percentile of all films
Love in the Afternoon(1957)
Midcredits score: 85th percentile of all films
The Opposite Sex(1956)
Midcredits score: 47th percentile of all films
Peter Pan (not in the MovieCove catalog yet)(1956)
Guys and Dolls(1955)
Midcredits score: 83rd percentile of all films
Flame and the Flesh (not in the MovieCove catalog yet)(1954)
Small Town Girl(1953)
Midcredits score: 49th percentile of all films
Kansas Pacific(1953)
Midcredits score: 29th percentile of all films
A Slight Case of Larceny(1953)
Midcredits score: 33rd percentile of all films
Dangerous When Wet(1953)
Midcredits score: 50th percentile of all films
Midcredits score: 26th percentile of all films
The Merry Widow(1952)
Midcredits score: 35th percentile of all films
Skirts Ahoy!(1952)
Midcredits score: 36th percentile of all films
Callaway Went Thataway (not in the MovieCove catalog yet)(1951)
An American in Paris(1951)
Midcredits score: 85th percentile of all films
Father's Little Dividend(1951)
Midcredits score: 63rd percentile of all films
Duchess of Idaho (not in the MovieCove catalog yet)(1950)
Two Weeks with Love(1950)
Midcredits score: 68th percentile of all films
Watch the Birdie(1950)
Midcredits score: 40th percentile of all films
On an Island with You(1948)
Midcredits score: 39th percentile of all films
A Date with Judy(1948)
Midcredits score: 61st percentile of all films
Big City(1948)
Midcredits score: 65th percentile of all films
The Kissing Bandit(1948)
Midcredits score: 19th percentile of all films
Undercurrent(1946)
Midcredits score: 61st percentile of all films
Career shape
A full career of 20 titles from 1946 to 1988.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Albert Sendrey's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 23; across their 12 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up5
- 50th to 74th6
- 25th to 49th11
- Below 25th1
Shape of the crowd
12 of their 23 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser12
- Broadly Agreed3
- Mixed7
Reviewers score the sound and music 61/100 in their films, across 10 reviewed titles; fans 69, detractors 44. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Albert Sendrey work with?
People who share at least 2 of Albert Sendrey's MovieCove titles, grouped by what they did on them; George Stoll shares the most, 8.
Directors
- Richard ThorpeShared titles: A Date with Judy (1948), On an Island with You (1948)See all 2 shared titles with Richard Thorpe
Writers
- Dorothy KingsleyShared titles: Dangerous When Wet (1953), Small Town Girl (1953), Two Weeks with Love (1950), A Date with Judy (1948), On an Island with You (1948)See all 5 shared titles with Dorothy Kingsley
- Dorothy CooperShared titles: Small Town Girl (1953), A Date with Judy (1948), On an Island with You (1948)See all 3 shared titles with Dorothy Cooper
- Isobel LennartShared titles: Skirts Ahoy! (1952), The Kissing Bandit (1948)See all 2 shared titles with Isobel Lennart
Actors
- Ann MillerShared titles: Small Town Girl (1953), Watch the Birdie (1950), The Kissing Bandit (1948)See all 3 shared titles with Ann Miller
- Esther WilliamsShared titles: Dangerous When Wet (1953), Skirts Ahoy! (1952), On an Island with You (1948)See all 3 shared titles with Esther Williams
- Jane PowellShared titles: Small Town Girl (1953), Two Weeks with Love (1950), A Date with Judy (1948)See all 3 shared titles with Jane Powell
- Clinton SundbergShared titles: Two Weeks with Love (1950), A Date with Judy (1948), The Kissing Bandit (1948)See all 3 shared titles with Clinton Sundberg
Composers, cinematographers and editors
- George StollShared titles: Dangerous When Wet (1953), Skirts Ahoy! (1952), Two Weeks with Love (1950), Watch the Birdie (1950), A Date with Judy (1948), Big City (1948), On an Island with You (1948), The Kissing Bandit (1948)See all 8 shared titles with George Stoll
- Ferris WebsterShared titles: Father's Little Dividend (1951), Watch the Birdie (1950), On an Island with You (1948)See all 3 shared titles with Ferris Webster
- Robert SurteesShared titles: A Date with Judy (1948), Big City (1948), The Kissing Bandit (1948)See all 3 shared titles with Robert Surtees
Producers
- Joe PasternakShared titles: Small Town Girl (1953), Skirts Ahoy! (1952), A Date with Judy (1948), Big City (1948), On an Island with You (1948), The Kissing Bandit (1948)See all 6 shared titles with Joe Pasternak
