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Ferris Webster

Editor · Died February 4, 1989, aged 76 · Walla Walla, Washington, USA

Oscar nominee

From Wikipedia, the free encyclopedia Ferris Webster (April 29, 1912 – February 4, 1989) was an American film editor with approximately seventy-two film credits. He was nominated for Academy Awards for Best Film Editing for his work on Blackboard Jungle (1955), The Manchurian Candidate (1962), and The Great Escape (1963). Webster was raised in the state of Washington, and was a student at the University of Southern California, where he was an outstanding track and field athlete. He was trained as an editor at the MGM Studios, and received his first feature-film credit in 1943 for Harrigan's Kid. At MGM, Webster edited six films with director Vincente Minnelli: Undercurrent (1946), Madame Bovary (1949), Father of the Bride (1950), Father's Little Dividend (1951), The Long, Long Trailer (1954), and Tea and Sympathy (1956). Film critic Bruce Eder has written of Madame Bovay that, "the cutting of the film in the gala ball sequence, in particular, was a marvel of the editor's art in the service of old Hollywood's restrained, elegant storytelling." In the mid-1950s, he edited three films with director Richard Brooks: Blackboard Jungle (1955), Something of Value (1957), and Cat on a Hot Tin Roof (1958); Webster received his first nomination for the Academy Award for Blackboard Jungle. His last film at MGM was Key Witness (1960). Bruce Eder has written, "If ever a film editor deserved public recognition in the 1960s, it was Ferris Webster." Webster edited the three films of director John Frankenheimer's "paranoia trilogy": The Manchurian Candidate (1962), Seven Days in May (1964), and Seconds (1966). Eder writes that The Manchurian Candidate was "the editor's magnum opus. The shooting, cutting, and intercutting of one extended brainwashing sequence, seen from multiple points-of-view, is still striking decades later, and the movie earned Webster his second Academy Award nomination." Frankenheimer cast Webster in his only appearance as a film actor, as Air Force Gen. Bernard "Barney" Rutkowski in Seven Days in May. Webster was nominated for an Academy Award for the editing of The Great Escape (1963), which was directed by John Sturges. Webster and Sturges' notable collaboration included fifteen films between 1950 and 1972, which is about half of Sturges' films in that period. It started with The Magnificent Yankee and Mystery Street (1950), and included The Law and Jake Wade (1958), The Magnificent Seven (1960), and Ice Station Zebra (1968). The final film of their collaboration was Joe Kidd (1972), which was near the end of Sturges' career. Joe Kidd starred Clint Eastwood. In the last phase of his career, Webster edited and co-edited eight films that were directed by Eastwood, starting with High Plains Drifter (1973), which was Eastwood's second film as a director. Webster edited Breezy (1973), The Eiger Sanction (1975), The Outlaw Josey Wales (1976), The Gauntlet (1977), Bronco Billy (1980), Firefox (1982) and Honkytonk Man (both 1982). These latter two films with Eastwood concluded Webster's career as an editor, apparently after a falling-out between the two men. Additional credits include The Picture of Dorian Gray (1945), Lili (1953), Forbidden Planet (1956), Les Girls (1957), Divorce American Style (1967).

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Biography from TMDB.

Born
April 29, 1912
Died
February 4, 1989 (aged 76)
From
Walla Walla, Washington, USA
Works as
Editor
Titles
62 on MovieCove · 70 credits in all

What are Ferris Webster's films like?

Across their 61 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 61 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 23 · Serious 13 · Dark 25

A split, not a type: Grounded 36 · Stylized 17 · Heightened 8

Gentle 12 · Charged 27 · Intense 22

Steady 24 · Shifting 33 · Whiplash 4

A split, not a type: Straight-faced 41 · Some laughs 10 · Funny 10

Slow burn 28 · Even-paced 31 · Relentless 2

A split, not a type: Casual 29 · Engaged 27 · Full focus 5

A split, not a type: Easy watch 25 · Affecting 20 · Heavy 16

Resolved 49 · Open-ended 10 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
42
Melancholic
24
Warm
15
Thrilling
14
Dread
12
Other
51

How their films end · 10 with a twist

  • Happy21
  • Bittersweet29
  • Tragic6
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ferris Webster's films?

As of October 24, 2026, 19 of their 62 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Ferris Webster's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

70 credits, 62 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Honkytonk Man(1982)

    Editor

    Midcredits score: 65th percentile of all films
  • Firefox(1982)

    Editor

    Midcredits score: 37th percentile of all films
  • Midcredits score: 45th percentile of all films
  • Bronco Billy(1980)

    Editor

    Midcredits score: 48th percentile of all films
  • Midcredits score: 96th percentile of all films
  • Midcredits score: 52nd percentile of all films
  • The Gauntlet(1977)

    Editor

    Midcredits score: 60th percentile of all films
  • The Enforcer(1976)

    Editor

    Midcredits score: 70th percentile of all films
  • Midcredits score: 97th percentile of all films
  • The Eiger Sanction(1975)

    Editor

    Midcredits score: 54th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Magnum Force(1973)

    Editor

    Midcredits score: 87th percentile of all films
  • Breezy(1973)

    Editor

    Midcredits score: 78th percentile of all films
  • Midcredits score: 92nd percentile of all films
  • Joe Kidd(1972)

    Editor

    Midcredits score: 57th percentile of all films
  • The Organization(1971)

    Editor

    Midcredits score: 38th percentile of all films
  • My Old Man's Place(1971)

    Editor

    Midcredits score: 45th percentile of all films (provisional, few ratings)
  • Midcredits score: 47th percentile of all films
  • Zig Zag (not in the MovieCove catalog yet)(1970)

    Editor

  • Midcredits score: 58th percentile of all films
  • Ice Station Zebra(1968)

    Editor

    Midcredits score: 64th percentile of all films
  • Hour of the Gun(1967)

    Editor

    Midcredits score: 68th percentile of all films
  • Midcredits score: 52nd percentile of all films
  • Seconds(1966)

    Editor

    Midcredits score: 96th percentile of all films
  • Midcredits score: 59th percentile of all films
  • The Satan Bug(1965)

    Editor

    Midcredits score: 48th percentile of all films
  • Seven Days in May(1964)

    Editor · as Gen. Bernard "Barney" Rutkowski (uncredited)

    Midcredits score: 97th percentile of all films
  • The Great Escape(1963)

    Editor

    Midcredits score: 99th percentile of all films
  • Midcredits score: 97th percentile of all films
  • Sergeants 3(1962)

    Editor

    Midcredits score: 43rd percentile of all films
  • A Thunder of Drums(1961)

    Editor

    Midcredits score: 45th percentile of all films
  • By Love Possessed(1961)

    Editor

    Midcredits score: 22nd percentile of all films
  • Midcredits score: 96th percentile of all films
  • Never So Few(1959)

    Editor

    Midcredits score: 32nd percentile of all films
  • Green Mansions(1959)

    Editor

    Midcredits score: 18th percentile of all films
  • Midcredits score: 97th percentile of all films
  • Midcredits score: 77th percentile of all films
  • The High Cost of Loving (not in the MovieCove catalog yet)(1958)

    Editor

  • Les Girls(1957)

    Editor

    Midcredits score: 68th percentile of all films
  • Something of Value(1957)

    Editor

    Midcredits score: 56th percentile of all films
  • Tea and Sympathy(1956)

    Editor

    Midcredits score: 90th percentile of all films
  • Midcredits score: 86th percentile of all films
  • Forbidden Planet(1956)

    Editor

    Midcredits score: 93rd percentile of all films
  • Ransom! (not in the MovieCove catalog yet)(1956)

    Editor

  • Blackboard Jungle(1955)

    Editor

    Midcredits score: 88th percentile of all films
  • The Glass Slipper(1955)

    Editor

    Midcredits score: 58th percentile of all films
  • Midcredits score: 80th percentile of all films
  • Midcredits score: 48th percentile of all films
  • Scandal at Scourie (not in the MovieCove catalog yet)(1953)

    Editor

  • Lili(1953)

    Editor

    Midcredits score: 80th percentile of all films
  • Lone Star(1952)

    Editor

    Midcredits score: 46th percentile of all films
  • The Girl in White(1952)

    Editor

    Midcredits score: 68th percentile of all films
  • Kind Lady(1951)

    Editor

    Midcredits score: 80th percentile of all films
  • Midcredits score: 63rd percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Mystery Street(1950)

    Editor

    Midcredits score: 85th percentile of all films
  • Midcredits score: 85th percentile of all films
  • Please Believe Me (not in the MovieCove catalog yet)(1950)

    Editor

  • Watch the Birdie(1950)

    Editor

    Midcredits score: 40th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Madame Bovary(1949)

    Editor

    Midcredits score: 78th percentile of all films
  • Midcredits score: 39th percentile of all films
  • Midcredits score: 47th percentile of all films
  • If Winter Comes(1947)

    Editor

    Midcredits score: 59th percentile of all films
  • Undercurrent(1946)

    Editor

    Midcredits score: 61st percentile of all films
  • The Hoodlum Saint (not in the MovieCove catalog yet)(1946)

    Editor

  • Dangerous Partners (not in the MovieCove catalog yet)(1945)

    Editor

  • Midcredits score: 91st percentile of all films
  • Rationing (not in the MovieCove catalog yet)(1944)

    Editor

  • Swing Fever(1943)

    Editor

    Midcredits score: 29th percentile of all films

Career shape

A full career of 67 titles from 1943 to 1982.

By role

only this rolewith another role
Acting1 of 67: 0 only acting, 1 with another roleEditing67 of 67: 66 only editing, 1 with another role · typical Midcredits score65th

By decade

1940s10 · crew1950s24 · crew1960s13 · 1 acting · 13 crew1970s16 · crew1980s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 major nominations and no wins, 1956–1964.

  1. 1964
    • Oscar, nominated · Best Film Editing
  2. 1963
    • Oscar, nominated · Best Film Editing
  3. 1956
    • Oscar, nominated · Best Film Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Ferris Webster's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 62; across their 61 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 61

Approval · how many liked their films

62ndpercentile
Typical film, the median of 61

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 61

Midcredits score across 62 titles, by percentile

  • 75th and up24
  • 50th to 74th20
  • 25th to 49th16
  • Below 25th2

Shape of the crowd

34 of their 62 titles are Crowd Pleasers.

  • Universally Loved11
  • Crowd Pleaser34
  • Broadly Agreed13
  • Mixed4

Reviewers score the pacing 48/100 in their films, across 60 reviewed titles; fans 56, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ferris Webster's work okay for kids?

Across up to 23 MovieCove titles with content scores, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore19 titles19–78 · median 53 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity23 titles9–65 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity19 titles11–63 · median 33 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs20 titles31–58 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense16 titles34–70 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ferris Webster work with?

People who share at least 2 of Ferris Webster's MovieCove titles, grouped by what they did on them; John Sturges shares the most, 15.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles