
Ann Miller
Actor · Died January 22, 2004, aged 80 · Houston, Texas, USA
From Wikipedia, the free encyclopedia Johnnie Lucille Collier (April 12, 1923 – January 22, 2004), known professionally as Ann Miller, was an American dancer, singer and actress. She is best remembered for her work in the Classical Hollywood musical films of the 1940s and 1950s. At age 13 in 1936, Miller became a showgirl at the Bal Tabarin. She was hired as a dancer in the "Black Cat Club" in San Francisco (she reportedly told them she was 18). It was there that she was discovered by Lucille Ball and talent scout/comic Benny Rubin (although some sources say this occurred at Bal Tabarin). This led Miller to be given a contract with RKO in 1936 at the age of 13 (she had also told them she was 18, and apparently provided a fake birth certificate, procured by her father - with the name "Lucy Ann Collier") and she remained there until 1940. In 1941, she signed with Columbia Pictures, where, starting with Time Out for Rhythm, she starred in 11 B movie musicals from 1941 to 1945. In July 1945, with World War II still raging in the Pacific, she posed in a bathing suit as a Yank magazine pin-up girl. She ended her contract in 1946 with one "A" film, The Thrill of Brazil. The ad in Life magazine featured Miller's leg in a large, red, bow-tied stocking as the "T" in "Thrill". She finally hit her mark in Metro-Goldwyn-Mayer musicals such as Easter Parade (1948), On the Town (1949) and Kiss Me Kate (1953). Miller was famed for her speed in tap dance. Studio publicists concocted press releases claiming she could tap 500 times per minute, but in truth, the sound of ultra-fast "500" taps was looped in later. Because the stage floors were waxed and too slick for regular tap shoes, she had to dance in shoes with rubber treads on the sole. Later she would loop the sound of the taps while watching the film and actually dancing on a "tap board" to match her steps in the film. Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theater and on television. She starred on Broadway in the musical Mame in 1969, in which she wowed the audience in a tap number created just for her. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983, she won the Sarah Siddons Award for her work in Chicago theatre. She appeared in a special 1982 episode of The Love Boat, joined by fellow showbiz legends Ethel Merman, Carol Channing, Della Reese, Van Johnson and Cab Calloway in a storyline that cast them as older relatives of the show's regular characters. Her last stage performance was a 1998 production of Stephen Sondheim's Follies, in which she played hardboiled Carlotta Campion and received rave reviews for her rendition of the song "I'm Still Here". For her contribution to the motion picture industry, Miller has a star on the Hollywood Walk of Fame at 6914 Hollywood Blvd. In 1998, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her. To honor Miller's contribution to dance, the Smithsonian Institution displays her favorite pair of tap shoes, which she playfully nicknamed "Moe and Joe".
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Biography from TMDB.
- April 12, 1923
- January 22, 2004 (aged 80)
- Houston, Texas, USA
- Actor
- 27 on MovieCove · 53 credits in all
What are Ann Miller's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 17
Light 15 · Serious 2 · Dark 1
Grounded 5 · Stylized 9 · Heightened 4
A split, not a type: Gentle 12 · Charged 4 · Intense 2
Steady 12 · Shifting 4 · Whiplash 2
Straight-faced 2 · Some laughs 10 · Funny 6
A split, not a type: Slow burn 9 · Even-paced 7 · Relentless 2
Casual 17 · Engaged 0 · Full focus 1
Easy watch 17 · Affecting 0 · Heavy 1
Resolved 17 · Open-ended 0 · Ambiguous 1
Roles they play
Usually the Ally: 4 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Allyas Violet 'Vi' McMaster in Tarnished Angel (1938)
- Allyas Essie Carmichael in You Can't Take It with You (1938)
- Heraldas Julie Shelton in Melody Ranch (1940)
- Threshold guardianas Julie Carver in Carolina Blues (1944)
- Shadowas Nadine Hale in Easter Parade (1948)
- Allyas Sunshine Jackson in Texas Carnival (1951)
- Allyas Joyce Campbell in Two Tickets to Broadway (1951)
- Heraldas Lisa Bellmount in Small Town Girl (1953)
Moods and endings
- Happy14
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ann Miller's films?
As of October 24, 2026, 8 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Ann Miller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
53 credits, 27 with a MovieCove page; 30 appearances as themselves are hidden until asked for.

Broadway's Lost Treasures (not in the MovieCove catalog yet)(2003)
Cole Porter in Hollywood: Begin the Beguine (not in the MovieCove catalog yet)(2003)

Mulholland Drive(2001)
Midcredits score: 97th percentile of all films
E! True Hollywood Story (not in the MovieCove catalog yet)(1996)

Home Improvement(1991)
Midcredits score: 64th percentile of all shows
That's Dancing!(1985)
Midcredits score: 82nd percentile of all films
The Love Boat(1977)
Midcredits score: 20th percentile of all shows
Midcredits score: 13th percentile of all films
Midcredits score: 86th percentile of all films
That's Entertainment!(1974)
Midcredits score: 92nd percentile of all films
Dames at Sea (not in the MovieCove catalog yet)(1971)

Love, American Style (not in the MovieCove catalog yet)(1969)

Mondo Hollywood (not in the MovieCove catalog yet)(1967)

The Great American Pastime (not in the MovieCove catalog yet)(1956)

The Opposite Sex(1956)
Midcredits score: 47th percentile of all films
Hit the Deck(1955)
Midcredits score: 58th percentile of all films
Deep in My Heart(1954)
Midcredits score: 59th percentile of all films
Kiss Me Kate(1953)
Midcredits score: 77th percentile of all films
Small Town Girl(1953)
Midcredits score: 49th percentile of all films
Lovely to Look At(1952)
Midcredits score: 48th percentile of all films
Two Tickets to Broadway(1951)
Midcredits score: 27th percentile of all films
Texas Carnival(1951)
Midcredits score: 33rd percentile of all films
Watch the Birdie(1950)
Midcredits score: 40th percentile of all films
On the Town(1949)
Midcredits score: 89th percentile of all films
The Kissing Bandit(1948)
Midcredits score: 19th percentile of all films
Easter Parade(1948)
Midcredits score: 89th percentile of all films
The Thrill of Brazil (not in the MovieCove catalog yet)(1946)
Eve Knew Her Apples (not in the MovieCove catalog yet)(1945)

Eadie Was a Lady (not in the MovieCove catalog yet)(1945)

Carolina Blues(1944)
Midcredits score: 30th percentile of all films
Jam Session (not in the MovieCove catalog yet)(1944)

Hey, Rookie (not in the MovieCove catalog yet)(1944)

Sailor's Holiday (not in the MovieCove catalog yet)(1944)

What's Buzzin', Cousin? (not in the MovieCove catalog yet)(1943)

Reveille with Beverly (not in the MovieCove catalog yet)(1943)

Priorities on Parade (not in the MovieCove catalog yet)(1942)

True to the Army (not in the MovieCove catalog yet)(1942)

Hedda Hopper's Hollywood No. 2 (not in the MovieCove catalog yet)(1941)

Go West, Young Lady (not in the MovieCove catalog yet)(1941)

Time Out for Rhythm (not in the MovieCove catalog yet)(1941)

Hit Parade of 1941 (not in the MovieCove catalog yet)(1940)

Too Many Girls(1940)
Midcredits score: 41st percentile of all films
Melody Ranch(1940)
Midcredits score: 33rd percentile of all films
Tarnished Angel(1938)
Midcredits score: 32nd percentile of all films
Room Service(1938)
Midcredits score: 66th percentile of all films
Midcredits score: 96th percentile of all films
Having Wonderful Time (not in the MovieCove catalog yet)(1938)

Radio City Revels (not in the MovieCove catalog yet)(1938)

Stage Door(1937)
Midcredits score: 95th percentile of all films
The Life of the Party (not in the MovieCove catalog yet)(1937)

New Faces of 1937 (not in the MovieCove catalog yet)(1937)

The Devil on Horseback(1936)
Midcredits score: 6th percentile of all films (provisional, few ratings)
The Good Fairy (not in the MovieCove catalog yet)(1935)
Career shape
Star power in the 92nd percentile of 239,109 people with a billed film role, over a full career of 53 titles from 1935 to 2003; peak year 2001.
Film career
Peak 2001 · their film career is on the way up. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1935Screen debut· The Good Fairy
- 2001Career best· Mulholland Drive
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Ann Miller's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 25; across their 18 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up9
- 50th to 74th4
- 25th to 49th10
- Below 25th4
Shape of the crowd
10 of their 27 titles are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser10
- Broadly Agreed5
- Mixed6
Reviewers score the acting 61/100 in their films, across 18 reviewed titles; fans 71, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ann Miller's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Ann Miller work with?
People who share at least 2 of Ann Miller's MovieCove titles, grouped by what they did on them; George Stoll shares the most, 4.
Directors
- Charles WaltersShared titles: Texas Carnival (1951), Easter Parade (1948)See all 2 shared titles with Charles Walters

Writers
- Dorothy KingsleyShared titles: Kiss Me Kate (1953), Small Town Girl (1953), Texas Carnival (1951)See all 3 shared titles with Dorothy Kingsley
- George WellsShared titles: Lovely to Look At (1952), Texas Carnival (1951)See all 2 shared titles with George Wells

Actors
- Howard KeelShared titles: Kiss Me Kate (1953), Lovely to Look At (1952), Texas Carnival (1951)See all 3 shared titles with Howard Keel

- Kathryn GraysonShared titles: Kiss Me Kate (1953), Lovely to Look At (1952), The Kissing Bandit (1948)See all 3 shared titles with Kathryn Grayson

- Red SkeltonShared titles: Lovely to Look At (1952), Texas Carnival (1951), Watch the Birdie (1950)See all 3 shared titles with Red Skelton

- J. Carrol NaishShared titles: Hit the Deck (1955), The Kissing Bandit (1948)See all 2 shared titles with J. Carrol Naish

Composers and editors
- George StollShared titles: The Opposite Sex (1956), Hit the Deck (1955), Watch the Birdie (1950), The Kissing Bandit (1948)See all 4 shared titles with George Stoll
- John McSweeney Jr.Shared titles: The Opposite Sex (1956), Hit the Deck (1955), Lovely to Look At (1952)See all 3 shared titles with John McSweeney Jr.
- Conrad SalingerShared titles: Hit the Deck (1955), On the Town (1949), Easter Parade (1948)See all 3 shared titles with Conrad Salinger

- Albert SendreyShared titles: Small Town Girl (1953), Watch the Birdie (1950), The Kissing Bandit (1948)See all 3 shared titles with Albert Sendrey
Producers
- Joe PasternakShared titles: The Opposite Sex (1956), Hit the Deck (1955), Small Town Girl (1953), The Kissing Bandit (1948)See all 4 shared titles with Joe Pasternak

- Jack CummingsShared titles: Kiss Me Kate (1953), Lovely to Look At (1952), Texas Carnival (1951)See all 3 shared titles with Jack Cummings

- Arthur FreedShared titles: On the Town (1949), Easter Parade (1948)See all 2 shared titles with Arthur Freed

- Roger EdensShared titles: On the Town (1949), Easter Parade (1948)See all 2 shared titles with Roger Edens
