Hong Tao
- Producer
- 3 on MovieCove
What are Hong Tao's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 0 · Stylized 1 · Heightened 2
A split, not a type: Gentle 0 · Charged 1 · Intense 2
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hong Tao's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Hong Tao's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 30th percentile of all films
Dragon(2011)
Midcredits score: 81st percentile of all films
White Vengeance(2011)
Midcredits score: 54th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2011 to 2014.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Hong Tao's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hong Tao work with?
People who share at least 2 of Hong Tao's MovieCove titles, grouped by what they did on them; Peter Kam shares the most, 2.
Composers
- Peter KamShared titles: The White Haired Witch of Lunar Kingdom (2014), Dragon (2011)See all 2 shared titles with Peter Kam
Producers
- Jianxin HuangShared titles: The White Haired Witch of Lunar Kingdom (2014), Dragon (2011)See all 2 shared titles with Jianxin Huang
- Zhigang JingShared titles: Dragon (2011), White Vengeance (2011)See all 2 shared titles with Zhigang Jing