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Peter Kam

Peter Kam

Composer, also producer · Born August 23, 1961 (65) · Hong Kong, China

Peter Kam’s father was a nightclub piano teacher of Shanghai descent. In 1974 family moved from Hong Kong to America, and Peter studied in San Francisco State University. After graduating in 1987, he stayed there to compose gospel music for the North American Chinese Christian Music Association. During his stay in the United States, he was often invited by his classmates to participate in fellowship gatherings in the church and was baptized as a Christian In 1981 Guo Duojia, a member of the Christian singing group "Equator", met Wu Bingjian, known as the "Godfather of Sacred Music", and worked with him for the Hong Kong Christian Music Ministry Association. After return to Hong Kong Peter Kam met singer Samantha Lam on Asia-Pacific pop music competition, after that he began work with Mahmood Rumjahn from Blue Max Production. The first work Kam participated in the arrangement was Dickie Cheung 's song "True True False", which added a soundtrack to the suona part. Since then Kam worked as an arranger and composer in Hong Kong. He moved to the Star Factory production studio to produce soundtracks for commercials.

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Biography from TMDB.

Born
August 23, 1961 (65)
From
Hong Kong, China
Works as
Composer, also producer
Titles
58 on MovieCove · 85 credits in all

What are Peter Kam's films like?

Across their 53 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 53 films
ToneFeelDemandtheir average · filled zone: the category

Light 17 · Serious 23 · Dark 13

Grounded 16 · Stylized 20 · Heightened 17

Gentle 8 · Charged 23 · Intense 22

Steady 16 · Shifting 29 · Whiplash 8

A split, not a type: Straight-faced 28 · Some laughs 14 · Funny 11

Slow burn 13 · Even-paced 28 · Relentless 12

Casual 17 · Engaged 31 · Full focus 5

Easy watch 18 · Affecting 23 · Heavy 12

Resolved 36 · Open-ended 12 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
26
Melancholic
25
Thrilling
23
Warm
12
Joyful
11
Other
40

How their films end · 13 with a twist

  • Happy17
  • Bittersweet26
  • Tragic3
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Kam's films?

As of October 24, 2026, 20 of their 58 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Subscription and free streaming for Peter Kam's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

85 credits, 58 with a MovieCove page.

  • Vital Signs (not in the MovieCove catalog yet)(2025)

    Composer

  • Once Upon A Lie (not in the MovieCove catalog yet)(2025)

    Music Director

  • Midcredits score: 88th percentile of all films (provisional, few ratings)
  • Legendary in Action! (not in the MovieCove catalog yet)(2022)

    Composer

  • Restart the Earth(2021)

    Composer

    Midcredits score: 12th percentile of all films
  • Mojin: Kunlun Shrine (not in the MovieCove catalog yet)(2020)

    Composer

  • Double World(2020)

    Composer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 55th percentile of all films
  • Chasing Dream (not in the MovieCove catalog yet)(2019)

    Composer

  • 这样唱好美 (not in the MovieCove catalog yet)(2019)

    Show 22 episodes · Actor

  • A Witness Out of the Blue (not in the MovieCove catalog yet)(2019)

    Composer

  • The Bravest(2019)

    Composer

    Midcredits score: 48th percentile of all films
  • A City Called Macau (not in the MovieCove catalog yet)(2019)

    Composer

  • My People, My Country(2019)

    Composer

    Midcredits score: 56th percentile of all films
  • Concerto of the Bully (not in the MovieCove catalog yet)(2018)

    Composer

  • Love Off the Cuff(2017)

    Composer

    Midcredits score: 62nd percentile of all films
  • Soulmate(2016)

    Composer

    Midcredits score: 90th percentile of all films
  • Cold War II(2016)

    Composer · Music Director

    Midcredits score: 61st percentile of all films
  • Book of Love(2016)

    Composer

    Midcredits score: 44th percentile of all films
  • Sword Master(2016)

    Composer

    Midcredits score: 48th percentile of all films
  • Helios(2015)

    Composer

    Midcredits score: 25th percentile of all films
  • Kung Fu Jungle(2014)

    Composer · as Superintendent

    Midcredits score: 61st percentile of all films
  • Aberdeen(2014)

    Composer · Producer

    Midcredits score: 46th percentile of all films
  • Midcredits score: 30th percentile of all films
  • Christmas Rose (not in the MovieCove catalog yet)(2013)

    Composer

  • Midcredits score: 75th percentile of all films
  • Finding Mr. Right(2013)

    Composer

    Midcredits score: 59th percentile of all films
  • Out of Inferno(2013)

    Composer

    Midcredits score: 33rd percentile of all films
  • Firestorm(2013)

    Composer

    Midcredits score: 46th percentile of all films
  • Cold War(2012)

    Composer · Sound

    Midcredits score: 69th percentile of all films
  • The Viral Factor(2012)

    Composer

    Midcredits score: 36th percentile of all films
  • Speed Angels (not in the MovieCove catalog yet)(2011)

    Composer

  • Midcredits score: 6th percentile of all films
  • Dragon(2011)

    Composer

    Midcredits score: 81st percentile of all films
  • Lover's Discourse (not in the MovieCove catalog yet)(2010)

    Composer

  • Midcredits score: 69th percentile of all films
  • Reign of Assassins(2010)

    Composer · as General Huang

    Midcredits score: 76th percentile of all films
  • Triple Tap(2010)

    Composer · Compositor

    Midcredits score: 51st percentile of all films
  • Midcredits score: 74th percentile of all films
  • Shinjuku Incident(2009)

    Composer

    Midcredits score: 76th percentile of all films
  • Trivial Matters (not in the MovieCove catalog yet)(2007)

    as Mr. Wong

  • The Warlords(2007)

    Composer

    Midcredits score: 80th percentile of all films
  • 蔡琴:金聲演奏廳 (not in the MovieCove catalog yet)(2007)

    Sound Director

  • Protégé(2007)

    Composer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 33rd percentile of all films
  • Silk(2006)

    Composer

    Midcredits score: 56th percentile of all films
  • Isabella (not in the MovieCove catalog yet)(2006)

    Composer

  • Perhaps Love(2005)

    Composer

    Midcredits score: 75th percentile of all films
  • Drink-Drank-Drunk (not in the MovieCove catalog yet)(2005)

    Composer

  • House of Fury(2005)

    Composer

    Midcredits score: 51st percentile of all films
  • Throw Down(2004)

    Composer

    Midcredits score: 77th percentile of all films
  • One Nite in Mongkok(2004)

    Composer

    Midcredits score: 82nd percentile of all films
  • Papa Loves You (not in the MovieCove catalog yet)(2004)

    Composer

  • Silver Hawk(2004)

    Composer

    Midcredits score: 25th percentile of all films
  • Super Model(2004)

    Composer

    Midcredits score: 40th percentile of all films
  • Golden Chicken 2 (not in the MovieCove catalog yet)(2003)

    Composer

  • Lost in Time(2003)

    Composer

    Midcredits score: 89th percentile of all films
  • Hidden Track (not in the MovieCove catalog yet)(2003)

    Composer

  • Why Me, Sweetie?! (not in the MovieCove catalog yet)(2003)

    Composer

  • Men Suddenly in Black(2003)

    Composer

    Midcredits score: 74th percentile of all films
  • Golden Chicken(2002)

    Composer

    Midcredits score: 80th percentile of all films
  • Three(2002)

    Composer

    Midcredits score: 47th percentile of all films
  • Three: Going Home (not in the MovieCove catalog yet)(2002)

    Composer

  • Inner Senses(2002)

    Composer · Theme Song Performance

    Midcredits score: 55th percentile of all films
  • You Shoot, I Shoot(2001)

    Composer · as Bart's MTV Victim

    Midcredits score: 91st percentile of all films
  • Para Para Sakura(2001)

    Composer

    Midcredits score: 36th percentile of all films
  • The Accidental Spy(2001)

    Composer

    Midcredits score: 33rd percentile of all films
  • Summer Holiday(2000)

    Composer

    Midcredits score: 45th percentile of all films
  • Gen-Y Cops(2000)

    Composer

    Midcredits score: 16th percentile of all films
  • Double Tap(2000)

    Composer

    Midcredits score: 71st percentile of all films
  • Twelve Nights(2000)

    Composer

    Midcredits score: 74th percentile of all films
  • Tokyo Raiders(2000)

    Composer

    Midcredits score: 35th percentile of all films
  • Purple Storm (not in the MovieCove catalog yet)(1999)

    Composer

  • Fly Me to Polaris(1999)

    Composer

    Midcredits score: 80th percentile of all films
  • Hot War(1998)

    Composer

    Midcredits score: 29th percentile of all films
  • And Now You're Dead (not in the MovieCove catalog yet)(1998)

    Composer

  • A True Mob Story (not in the MovieCove catalog yet)(1998)

    Composer

  • Bio-Zombie(1998)

    Composer

    Midcredits score: 61st percentile of all films
  • My Dad Is a Jerk (not in the MovieCove catalog yet)(1997)

    Composer

  • Downtown Torpedoes (not in the MovieCove catalog yet)(1997)

    Composer

  • Full Alert (not in the MovieCove catalog yet)(1997)

    Composer · Sound Director

  • Mr. Nice Guy(1997)

    Composer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 47th percentile of all films
  • Big Bullet(1996)

    Composer

    Midcredits score: 72nd percentile of all films
  • The Age of Miracles(1996)

    Composer

    Midcredits score: 40th percentile of all films

Career shape

A full career of 75 titles from 1996 to 2025.

Film career

By role

only this rolewith another role
Acting5 of 75: 2 only acting, 3 with another roleMusic70 of 75: 63 only music, 7 with another role · typical Midcredits score56thOther crew7 of 75: 3 only other crew, 4 with another role

75 titles, 7 with more than one role — music and other crew overlap on 4 of them.

By decade

1990s13 · crew2000s29 · 2 acting · 28 crew2010s27 · 3 acting · 26 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Kam's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 58; across their 53 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 53

Approval · how many liked their films

55thpercentile
Typical film, the median of 53

Reach · how many have seen their films

71stpercentile
Typical film, the median of 53

Midcredits score across 58 titles, by percentile

  • 75th and up15
  • 50th to 74th20
  • 25th to 49th20
  • Below 25th3

Shape of the crowd

29 of their 58 titles are Crowd Pleasers.

  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser29
  • Broadly Agreed9
  • Mixed18

Reviewers score the sound and music 58/100 in their films, across 40 reviewed titles; fans 66, detractors 41. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Kam's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 75 · intenseMedian of all films: 44
Sex & Nudity6 titles17–50 · median 38 · moderatenear the median of all filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter Kam work with?

People who share at least 2 of Peter Kam's MovieCove titles, grouped by what they did on them; Chi-Leung Kwong shares the most, 17.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles