What are Stephen Fuss' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 0 · Dark 5
Grounded 4 · Stylized 1 · Heightened 0
Gentle 0 · Charged 0 · Intense 5
A split, not a type: Steady 3 · Shifting 1 · Whiplash 1
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 2 · Full focus 2
Easy watch 0 · Affecting 1 · Heavy 4
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Bittersweet2
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stephen Fuss' films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Stephen Fuss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
The Order(2024)
Midcredits score: 76th percentile of all films
Adrift(2018)
Midcredits score: 68th percentile of all films
13 Sins(2014)
Midcredits score: 52nd percentile of all films
Locke(2013)
Midcredits score: 85th percentile of all films
Nothing Left to Fear(2013)
Midcredits score: 4th percentile of all films
Career shape
Across their 5 MovieCove titles from 2013 to 2024.
How do Stephen Fuss' films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- Below 25th1
Shape of the crowd
None of their 5 titles divides audiences: 4 are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Stephen Fuss' work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Stephen Fuss work with?
People who share at least 2 of Stephen Fuss' MovieCove titles, grouped by what they did on them; Stuart Ford shares the most, 3.
Producers
- Stuart FordShared titles: The Order (2024), 13 Sins (2014), Locke (2013)See all 3 shared titles with Stuart Ford
- Charles AutyShared titles: 13 Sins (2014), Locke (2013), Nothing Left to Fear (2013)See all 3 shared titles with Charles Auty
- Sarah MiccicheShared titles: 13 Sins (2014), Locke (2013), Nothing Left to Fear (2013)See all 3 shared titles with Sarah Micciche
- Jason HewittShared titles: 13 Sins (2014), Nothing Left to Fear (2013)See all 2 shared titles with Jason Hewitt