Charles Auty
- Producer
- 18 on MovieCove
What are Charles Auty's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 14
A split, not a type: Light 4 · Serious 4 · Dark 10
Grounded 8 · Stylized 10 · Heightened 0
Gentle 2 · Charged 4 · Intense 12
Steady 4 · Shifting 10 · Whiplash 4
Straight-faced 11 · Some laughs 5 · Funny 2
Slow burn 5 · Even-paced 8 · Relentless 5
Casual 4 · Engaged 12 · Full focus 2
A split, not a type: Easy watch 4 · Affecting 6 · Heavy 8
Resolved 13 · Open-ended 5 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet9
- Tragic3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Charles Auty's films?
As of October 24, 2026, 14 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Charles Auty's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 18 with a MovieCove page.

To Catch a Killer(2023)
Midcredits score: 65th percentile of all films
Boss Level(2020)
Midcredits score: 71st percentile of all films
The War with Grandpa(2020)
Midcredits score: 26th percentile of all films
After(2019)
Midcredits score: 29th percentile of all films
Daughter of the Wolf(2019)
Midcredits score: 25th percentile of all films
Midcredits score: 6th percentile of all films
We Summon the Darkness(2019)
Midcredits score: 15th percentile of all films
Braven(2018)
Midcredits score: 47th percentile of all films
The Row(2018)
Midcredits score: 1st percentile of all films
Journey's End(2017)
Midcredits score: 72nd percentile of all films
Killing Gunther(2017)
Midcredits score: 12th percentile of all films
Mary Shelley(2017)
Midcredits score: 62nd percentile of all films
City of Tiny Lights(2016)
Midcredits score: 25th percentile of all films
The Monster(2016)
Midcredits score: 26th percentile of all films
The Trust(2016)
Midcredits score: 22nd percentile of all films
13 Sins(2014)
Midcredits score: 52nd percentile of all films
Locke(2013)
Midcredits score: 85th percentile of all films
Nothing Left to Fear(2013)
Midcredits score: 4th percentile of all films
Career shape
Across their 18 MovieCove titles from 2013 to 2023.
How do Charles Auty's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 31st percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th6
- Below 25th6
Shape of the crowd
7 of their 18 titles are Crowd Pleasers.
- Universally Panned2
- Cult Classic2
- Crowd Pleaser7
- Broadly Agreed2
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Charles Auty's work okay for kids?
Across up to 16 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and sex & nudity lighter.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Charles Auty work with?
People who share at least 2 of Charles Auty's MovieCove titles, grouped by what they did on them; Arianne Fraser shares the most, 6.
Actors
- Tom SturridgeShared titles: Journey's End (2017), Mary Shelley (2017)See all 2 shared titles with Tom Sturridge

- Danny WebbShared titles: City of Tiny Lights (2016), Locke (2013)See all 2 shared titles with Danny Webb

Producers
- Arianne FraserShared titles: Boss Level (2020), Escape Plan: The Extractors (2019), We Summon the Darkness (2019), Braven (2018), The Row (2018), The Trust (2016)See all 6 shared titles with Arianne Fraser

- Delphine PerrierShared titles: Boss Level (2020), We Summon the Darkness (2019), Braven (2018), The Row (2018), The Trust (2016)See all 5 shared titles with Delphine Perrier

- Wayne Marc GodfreyShared titles: Boss Level (2020), Daughter of the Wolf (2019), Escape Plan: The Extractors (2019), We Summon the Darkness (2019), The Row (2018)See all 5 shared titles with Wayne Marc Godfrey

- Alastair BurlinghamShared titles: To Catch a Killer (2023), Boss Level (2020), After (2019), Escape Plan: The Extractors (2019)See all 4 shared titles with Alastair Burlingham

