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Cornelia Ackers

Producer

Works as
Producer
Titles
13 on MovieCove

What are Cornelia Ackers' films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 0 · Dark 6

A split, not a type: Grounded 7 · Stylized 3 · Heightened 3

Gentle 3 · Charged 6 · Intense 4

A split, not a type: Steady 7 · Shifting 4 · Whiplash 2

A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 3

A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 0

Casual 3 · Engaged 7 · Full focus 3

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cornelia Ackers' films?

As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Cornelia Ackers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • Enfant Terrible(2020)

    Producer

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 57th percentile of all films
  • Midcredits score: 49th percentile of all films
  • Axolotl Overkill(2017)

    Producer

    Midcredits score: 27th percentile of all films
  • Goodbye Berlin(2016)

    Producer

    Midcredits score: 75th percentile of all films
  • Manifesto(2015)

    Producer

    Midcredits score: 71st percentile of all films
  • Punk Berlin 1982(2015)

    Producer

    Midcredits score: 35th percentile of all films
  • Superegos(2014)

    Producer

    Midcredits score: 27th percentile of all films
  • Run Boy Run(2013)

    Producer

    Midcredits score: 87th percentile of all films
  • Hannah Arendt(2012)

    Producer

    Midcredits score: 81st percentile of all films
  • Ludwig II(2012)

    Producer

    Midcredits score: 49th percentile of all films
  • The Wall(2012)

    Producer

    Midcredits score: 71st percentile of all films
  • Grave Decisions(2006)

    Producer

    Midcredits score: 89th percentile of all films

Career shape

Across their 13 MovieCove titles from 2006 to 2020.

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score57th

By decade

2000s1 · crew2010s10 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Cornelia Ackers' films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 13

Approval · how many liked their films

56thpercentile
Typical film, the median of 13

Reach · how many have seen their films

75thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Cornelia Ackers work with?

People who share at least 2 of Cornelia Ackers' MovieCove titles, grouped by what they did on them; Andreas Schreitmüller shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers