Andrea Hanke

What are Andrea Hanke's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea Hanke's films?

As of October 24, 2026, 5 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Styx (2018) · producer · free
  • Enfant Terrible (2020) · producer · free
• Fandor1 title, browse their movies on this service
  • In My Room (2018) · producer
• The Roku Channel1 title, browse their movies on this service
  • Styx (2018) · producer · free

Subscription and free streaming for Andrea Hanke's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 16 with a MovieCove page.

• 

  Cologne 75(2025)

  Associate Producer

  Midcredits score: 84th percentile of all films84^th
• 

  Plünderich (not in the MovieCove catalog yet)(2023)

  Commissioning Editor
• 

  Wolfswinkel (not in the MovieCove catalog yet)(2023)

  Commissioning Editor
• 

  Music(2023)

  Commissioning Editor · Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Vatersland (not in the MovieCove catalog yet)(2020)

  Editorial Staff
• 

  Exile (not in the MovieCove catalog yet)(2020)

  Commissioning Editor
• 

  Enfant Terrible(2020)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  In My Room(2018)

  Producer

  Midcredits score: 55th percentile of all films55^th
• 

  Styx(2018)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Bright Nights(2017)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Toni Erdmann(2016)

  Commissioning Editor · Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Center of My World(2016)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Marija(2016)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Superegos(2014)

  Producer

  Midcredits score: 27th percentile of all films27^th
• 

  The Education (not in the MovieCove catalog yet)(2012)

  Producer
• 

  Colors in the Dark(2010)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Above Us Only Sky(2011)

  Producer

  Midcredits score: 69th percentile of all films69^th
• 

  If Not Us, Who?(2011)

  Producer

  Midcredits score: 50th percentile of all films50^th
• Shadow Kids (not in the MovieCove catalog yet)(2008)

  Producer
• 

  To Faro(2008)

  Associate Producer

  Midcredits score: 58th percentile of all films58^th
• 

  The Free Will (not in the MovieCove catalog yet)(2006)

  Producer
• 

  Going Shopping (not in the MovieCove catalog yet)(2005)

  Makeup Artist
• 

  Snowland (not in the MovieCove catalog yet)(2005)

  Associate Producer
• 

  Stratosphere Girl (not in the MovieCove catalog yet)(2004)

  Co-Producer
• 

  Half the Rent (not in the MovieCove catalog yet)(2004)

  Producer
• 

  Heimatfilm! (not in the MovieCove catalog yet)(2002)

  Editorial Staff
• 

  Olga's Summer(2002)

  Producer

  Midcredits score: 39th percentile of all films39^th
• 

  Let the Devil Wear Black(1999)

  Hairstylist

  Midcredits score: 17th percentile of all films17^th
• Glitzer im Gesicht (not in the MovieCove catalog yet)

  Commissioning Editor

Career shape

A full career of 19 titles, 18 of them dated from 1999 to 2025.

Biggest box office

Toni Erdmann (2016)

$12M worldwide

Highest rated

Toni Erdmann (2016)

Midcredits 91^st

How do Andrea Hanke's films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 54^th percentile for acclaim.

Shape of the crowd

8 of their 16 titles are Crowd Pleasers.

87

• Crowd Pleaser8
• Broadly Agreed1
• Mixed7

Most divisive · producer

Enfant Terrible (2020)

78^th percentile spread · 37% rated it 4 or lower

Most loved · producer

Toni Erdmann (2016)

Midcredits 91^st · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrea Hanke work with?

People who share at least 2 of Andrea Hanke's MovieCove titles, grouped by what they did on them; Georg Steinert shares the most, 6.