Sönke Wortmann

What are Sönke Wortmann's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sönke Wortmann's films?

As of October 24, 2026, 1 of their 10 MovieCove titles stream on a subscription or free service, on Tubi (1).

• Tubi1 title, browse their movies on this service
  • How About Adolf? (2018) · director · free

Subscription and free streaming for Sönke Wortmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Der Spitzname(2024)

  Director

  Midcredits score: 33rd percentile of all films33^rd
• 

  Family Affairs(2022)

  Director

  Midcredits score: 44th percentile of all films44^th
• 

  Locked-in Society(2022)

  Director

  Midcredits score: 45th percentile of all films45^th
• 

  How About Adolf?(2018)

  Director

  Midcredits score: 79th percentile of all films79^th
• 

  Frau Müller muss weg!(2015)

  Director

  Midcredits score: 45th percentile of all films45^th
• 

  Pope Joan(2009)

  Director · Writer

  Midcredits score: 71st percentile of all films71^st
• 

  The Miracle of Bern(2003)

  Director · Writer

  Midcredits score: 66th percentile of all films66^th
• 

  The Hollywood Sign(2001)

  Director

  Midcredits score: 15th percentile of all films15^th
• 

  Das Superweib(1996)

  Director

  Midcredits score: 9th percentile of all films9^th
• 

  Maybe... Maybe Not(1994)

  Director · Writer

  Midcredits score: 64th percentile of all films64^th

Career shape

Across their 10 MovieCove titles from 1994 to 2024.

Biggest box office

Pope Joan (2009)

$29M worldwide

Highest rated

How About Adolf? (2018)

Midcredits 79^th

Most popular right now

Pope Joan (2009)

How do Sönke Wortmann's films land?

Their typical MovieCove film has a Midcredits score in the 45^th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 50^th percentile for acclaim.

Shape of the crowd

None of their 10 titles divides audiences: 4 are Crowd Pleasers.

44

• Universally Panned1
• Crowd Pleaser4
• Broadly Agreed4
• Mixed1

Most loved · director

How About Adolf? (2018)

Midcredits 79^th · 71% liked

Reviewers score the atmosphere 68/100 and the pacing 56/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sönke Wortmann work with?

People who share at least 2 of Sönke Wortmann's MovieCove titles, grouped by what they did on them; Martin Moszkowicz shares the most, 7.