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Alexandre de La Patellière

Alexandre de La Patellière

Writer, producer and director · Born June 24, 1971 (55) · Paris, France

Alexandre de La Patellière was born on 24 June 1971 in Paris, France. He is a writer and producer, known for The Count of Monte Cristo (2024), What's in a Name? (2012) and The Best Is Yet to Come (2019).

Biography from IMDb.

Born
June 24, 1971 (55)
From
Paris, France
Works as
Writer, producer and director
Titles
20 on MovieCove · 41 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 8% in 30 days

What are Alexandre de La Patellière's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy11 titlesTypical Midcredits score: 48th percentile
: browse their Comedy movies
Action4 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Action movies
Animation2 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Animation movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
38%
Self
22%
Morality
20%
Society
8%
Survival
8%
Power
4%
Ideas
1%
Family bonds7 titles, browse their movies with this themeFriendship4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeRevenge3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeMortality2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 6 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 7 · Stylized 6 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 9 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 12 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 8

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 13 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 10 · Engaged 6 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Absurd
7
Warm
5
Thrilling
7
Joyful
4
Other
14

How their films linger

Fun9 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy11
  • Bittersweet4
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexandre de La Patellière's films?

As of October 24, 2026, 11 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Alexandre de La Patellière's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 20 with a MovieCove page.

  • Asterix: The Kingdom of Nubia (not in the MovieCove catalog yet)(2026)

    Adaptation · Dialogue · Scenario Writer

  • Le Prénom: Haifa theater (not in the MovieCove catalog yet)(2025)

    Original Story

  • The Count of Monte Cristo(2024)

    Director · Screenplay

    Midcredits score: 97th percentile of all films

  • The Three Musketeers: Milady(2023)

    Producer · Writer

    Midcredits score: 61st percentile of all films

  • Papá o Mamá(2023)

    Original Film Writer

    Midcredits score: 33rd percentile of all films

  • The Three Musketeers - Part I: D'Artagnan(2023)

    Writer

    Midcredits score: 79th percentile of all films

  • Family Affairs(2022)

    Original Film Writer

    Midcredits score: 44th percentile of all films

  • You Keep the Kids(2021)

    Original Film Writer

    Midcredits score: 48th percentile of all films

  • Fly Me Away(2021)

    Producer · Writer

    Midcredits score: 59th percentile of all films

  • The Best Is Yet to Come(2019)

    Director · Co-Producer · Writer

    Midcredits score: 73rd percentile of all films

  • Papa ou Maman (not in the MovieCove catalog yet)(2018)

    Show Creator

  • How About Adolf?(2018)

    Theatre Play

    Midcredits score: 79th percentile of all films

  • El nom (not in the MovieCove catalog yet)(2018)

    Theatre Play

  • Tout ce que vous voulez (not in the MovieCove catalog yet)(2017)

    Writer

  • It’s Your Turn, Honey! (not in the MovieCove catalog yet)(2017)

    Original Film Writer

  • Mom or Dad? (not in the MovieCove catalog yet)(2017)

    Original Film Writer

  • Divorce French Style(2016)

    Producer · Screenplay

    Midcredits score: 44th percentile of all films

  • Pirate Express (not in the MovieCove catalog yet)(2015)

    Show Creator

  • Bis(2015)

    Idea

    Midcredits score: 18th percentile of all films

  • Daddy or Mommy(2015)

    Producer · Screenplay

    Midcredits score: 41st percentile of all films

  • An Italian Name(2015)

    Theatre Play

    Midcredits score: 55th percentile of all films

  • Un diner d'adieu (not in the MovieCove catalog yet)(2014)

    Writer

  • Nobody from Nowhere(2014)

    Writer

    Midcredits score: 72nd percentile of all films

  • Mune: Guardian of the Moon(2014)

    Producer

    Midcredits score: 88th percentile of all films

  • Le Prénom : la pièce de théâtre (not in the MovieCove catalog yet)(2012)

    Author

  • What's in a Name?(2012)

    Director · Producer · Screenplay · Theatre Play

    Midcredits score: 91st percentile of all films

  • Il était une fois, une fois(2012)

    Screenplay

    Midcredits score: 18th percentile of all films

  • The Prodigies (not in the MovieCove catalog yet)(2011)

    Screenplay

  • Sweet Valentine (not in the MovieCove catalog yet)(2010)

    Associate Producer

  • 22 Bullets(2010)

    Dialogue · Screenplay

    Midcredits score: 68th percentile of all films

  • RTT (not in the MovieCove catalog yet)(2009)

    Screenplay

  • Iron Man: Armored Adventures(2009)

    Show Creator · Writer

    Midcredits score: 37th percentile of all shows

  • Jet Groove (not in the MovieCove catalog yet)(2007)

    Show 26 episodes · Writer

  • Pop Secret (not in the MovieCove catalog yet)(2006)

    Show Creator

  • The Jungle (not in the MovieCove catalog yet)(2006)

    Screenplay

  • Renaissance(2006)

    Screenplay

    Midcredits score: 59th percentile of all films

  • The Do-Gooders (not in the MovieCove catalog yet)(2005)

    Writer

  • Ces jours heureux (not in the MovieCove catalog yet)(2002)

    as Camille's father

  • Les Brumes (not in the MovieCove catalog yet)

    Show 1 episode · Creator · Producer

  • Rois maudits (not in the MovieCove catalog yet)

    Director · Screenplay

  • The Iron King (not in the MovieCove catalog yet)

    Screenplay

Career shape

A full career of 40 titles, 36 of them dated from 2002 to 2025.

Biggest box office

The Count of Monte Cristo (2024)

$86M worldwide

Highest rated

The Count of Monte Cristo (2024)

Midcredits 97th

Most popular right now

The Three Musketeers - Part I: D'Artagnan (2023)

By role

only this rolewith another role
Acting1 of 40: 1 only acting, 0 with another roleDirecting4 of 40: 0 only directing, 4 with another roleWriting33 of 40: 27 only writing, 6 with another role · typical Midcredits score59thProducing6 of 40: 1 only producing, 5 with another roleOther crew5 of 40: 4 only other crew, 1 with another role

40 titles, 7 with more than one role — writing and producing overlap on 4 of them.

By decade

2000s8 · 1 acting · 7 crew2010s20 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexandre de La Patellière's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 18

Approval · how many liked their films

61stpercentile
Typical film, the median of 18

Reach · how many have seen their films

86thpercentile
Typical film, the median of 18

Midcredits score across 20 titles, by percentile

  • 75th and up5
  • 50th to 74th7
  • 25th to 49th6
  • Below 25th2

Shape of the crowd

9 of their 20 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser9
  • Broadly Agreed8
  • Mixed1

Most divisive · writer

Papá o Mamá (2023)

87th percentile spread · 35% rated it 4 or lower

Most loved · director, writer

The Count of Monte Cristo (2024)

Midcredits 97th · 85% liked

Reviewers score the dialogue 56/100 and the plot and story 50/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alexandre de La Patellière's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 3 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 57 · moderateMedian of all films: 44
Sex & Nudity6 titles23–42 · median 29 · mildnear the median of all filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 31 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alexandre de La Patellière work with?

People who share at least 2 of Alexandre de La Patellière's MovieCove titles, grouped by what they did on them; Matthieu Delaporte shares the most, 18.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles