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Lamar Trotti

Lamar Trotti

Writer and producer · Died August 28, 1952, aged 51 · Atlanta, Georgia, USA

From Wikipedia, the free encyclopedia Lamar Jefferson Trotti (October 18, 1900 – August 28, 1952) was an American screenwriter, producer, and motion picture executive. In the silent film era, he was a reporter for the daily Atlanta Georgian, where he interviewed many show business people, such as Viola Dana. Later, Trotti became an executive at Fox Film Corporation in 1933 and after its 1935 merger with Twentieth Century Pictures to become 20th Century Fox, he remained with the company until his death. He wrote about fifty films for the studio, producing many of them. He only wrote one screenplay for another studio, You Can't Buy Everything (1934) for MGM. He won an Academy Award for Writing Original Screenplay in 1944 for Wilson and was nominated for Young Mr. Lincoln (1939) and There's No Business Like Show Business (1952). He received the Laurel Award for Screenwriting Achievement, the lifetime achievement award of the WGA, in 1983. Trotti was in ill heath towards the end of his life and had taken six months leave from Fox when he died of a heart attack at hospital near his summer home in St Malo. He was survived by a widow, a son and a daughter. His eldest son had died in a car crash in 1950. Henry Koster later wrote that he thought Trotti died of "a broken heart" because of his son's death. He is interred at Forest Lawn Memorial Park in Glendale, California.

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Biography from TMDB.

Born
October 18, 1900
Died
August 28, 1952 (aged 51)
From
Atlanta, Georgia, USA
Works as
Writer and producer
Titles
36 on MovieCove · 58 credits in all
TMDB popularity, last 37 days to Oct 26Down 79% in 30 days

What are Lamar Trotti's films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 35 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 18 · Serious 12 · Dark 5

A split, not a type: Grounded 19 · Stylized 15 · Heightened 1

Gentle 14 · Charged 15 · Intense 6

Steady 20 · Shifting 12 · Whiplash 3

Straight-faced 13 · Some laughs 17 · Funny 5

A split, not a type: Slow burn 17 · Even-paced 18 · Relentless 0

Casual 23 · Engaged 11 · Full focus 1

A split, not a type: Easy watch 18 · Affecting 12 · Heavy 5

Resolved 33 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
17
Warm
14
Hopeful
13
Joyful
9
Romantic
9
Other
28

How their films end · 1 with a twist

  • Happy19
  • Bittersweet13
  • Tragic1
  • Ambiguous1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lamar Trotti's films?

As of October 24, 2026, 5 of their 36 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Lamar Trotti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

58 credits, 36 with a MovieCove page.

  • The Jackals (not in the MovieCove catalog yet)(1967)

    Screenplay

  • Midcredits score: 58th percentile of all films
  • Stars and Stripes Forever(1952)

    Producer · Screenplay

    Midcredits score: 82nd percentile of all films
  • O. Henry's Full House(1952)

    Screenplay

    Midcredits score: 83rd percentile of all films
  • With a Song in My Heart(1952)

    Producer · Writer

    Midcredits score: 67th percentile of all films
  • As Young as You Feel(1951)

    Producer · Writer

    Midcredits score: 59th percentile of all films
  • I'd Climb the Highest Mountain (not in the MovieCove catalog yet)(1951)

    Producer · Screenplay

  • American Guerrilla in the Philippines(1950)

    Producer · Screenplay

    Midcredits score: 43rd percentile of all films
  • Cheaper by the Dozen(1950)

    Producer · Screenplay

    Midcredits score: 76th percentile of all films
  • My Blue Heaven(1950)

    Writer

    Midcredits score: 46th percentile of all films
  • You're My Everything(1949)

    Producer · Writer

    Midcredits score: 34th percentile of all films
  • Yellow Sky(1948)

    Producer · Screenplay

    Midcredits score: 90th percentile of all films
  • The Walls of Jericho(1948)

    Producer · Writer

    Midcredits score: 64th percentile of all films
  • When My Baby Smiles at Me (not in the MovieCove catalog yet)(1948)

    Screenplay

  • Captain from Castile(1947)

    Producer · Writer

    Midcredits score: 76th percentile of all films
  • Mother Wore Tights (not in the MovieCove catalog yet)(1947)

    Producer · Screenplay

  • The Razor's Edge(1946)

    Screenplay

    Midcredits score: 87th percentile of all films
  • Midcredits score: 33rd percentile of all films
  • A Bell for Adano(1945)

    Producer · Writer

    Midcredits score: 66th percentile of all films
  • Wilson(1944)

    Writer

    Midcredits score: 48th percentile of all films
  • Guadalcanal Diary(1943)

    Screenplay

    Midcredits score: 67th percentile of all films
  • Immortal Sergeant (not in the MovieCove catalog yet)(1943)

    Producer · Screenplay

  • The Ox-Bow Incident(1943)

    Producer · Screenplay

    Midcredits score: 97th percentile of all films
  • Thunder Birds (not in the MovieCove catalog yet)(1942)

    Producer · Screenplay

  • Tales of Manhattan(1942)

    Writer

    Midcredits score: 86th percentile of all films
  • To the Shores of Tripoli(1942)

    Screenplay

    Midcredits score: 42nd percentile of all films
  • Belle Starr(1941)

    Screenplay

    Midcredits score: 36th percentile of all films
  • A Yank in the RAF(1941)

    Writer

    Midcredits score: 54th percentile of all films
  • Man Hunt(1941)

    Writer

    Midcredits score: 85th percentile of all films
  • Hudson's Bay (not in the MovieCove catalog yet)(1940)

    Writer

  • Brigham Young(1940)

    Screenplay

    Midcredits score: 54th percentile of all films
  • Drums Along the Mohawk(1939)

    Screenplay

    Midcredits score: 79th percentile of all films
  • Young Mr. Lincoln(1939)

    Story · Writer

    Midcredits score: 94th percentile of all films
  • Midcredits score: 74th percentile of all films
  • Kentucky(1938)

    Screenplay

    Midcredits score: 49th percentile of all films
  • Gateway (not in the MovieCove catalog yet)(1938)

    Writer

  • Alexander's Ragtime Band(1938)

    Screenplay

    Midcredits score: 74th percentile of all films
  • In Old Chicago(1938)

    Screenplay

    Midcredits score: 69th percentile of all films
  • Midcredits score: 61st percentile of all films
  • Wife, Doctor and Nurse (not in the MovieCove catalog yet)(1937)

    Writer

  • Slave Ship (not in the MovieCove catalog yet)(1937)

    Screenplay

  • This Is My Affair(1937)

    Screenplay · Story

    Midcredits score: 66th percentile of all films
  • Midcredits score: 18th percentile of all films (provisional, few ratings)
  • Career Woman (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Can This Be Dixie? (not in the MovieCove catalog yet)(1936)

    Screenplay · Story

  • Ramona (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Pepper (not in the MovieCove catalog yet)(1936)

    Screenplay

  • The Country Beyond (not in the MovieCove catalog yet)(1936)

    Writer

  • Gentle Julia (not in the MovieCove catalog yet)(1936)

    Screenplay

  • The First Baby (not in the MovieCove catalog yet)(1936)

    Screenplay · Story

  • This Is the Life (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Steamboat Round the Bend(1935)

    Screenplay

    Midcredits score: 79th percentile of all films
  • Life Begins at 40(1935)

    Screenplay

    Midcredits score: 74th percentile of all films
  • Judge Priest(1934)

    Screenplay

    Midcredits score: 53rd percentile of all films
  • Call It Luck (not in the MovieCove catalog yet)(1934)

    Screenplay

  • Hold That Girl (not in the MovieCove catalog yet)(1934)

    Writer

  • You Can't Buy Everything (not in the MovieCove catalog yet)(1934)

    Screenplay

  • The Man Who Dared (not in the MovieCove catalog yet)(1933)

    Writer

Career shape

A full career of 53 titles from 1933 to 1967.

By role

only this rolewith another role
Writing52 of 53: 37 only writing, 15 with another role · typical Midcredits score68thProducing16 of 53: 1 only producing, 15 with another role · typical Midcredits score67th

53 titles, 15 with more than one role — writing and producing overlap on 15 of them.

By decade

1930s25 · crew1940s19 · crew1950s8 · crew1960s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lamar Trotti's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 36; across their 35 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 35

Approval · how many liked their films

70thpercentile
Typical film, the median of 35

Reach · how many have seen their films

55thpercentile
Typical film, the median of 35

Midcredits score across 36 titles, by percentile

  • 75th and up12
  • 50th to 74th15
  • 25th to 49th8
  • Below 25th1

Shape of the crowd

None of their 36 titles divides audiences: 26 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser26
  • Broadly Agreed4
  • Mixed4

Reviewers score the dialogue 57/100 and the plot and story 48/100 in their films, across 35 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lamar Trotti work with?

People who share at least 2 of Lamar Trotti's MovieCove titles, grouped by what they did on them; Alfred Newman shares the most, 18.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles