Kathryn Scola
- Writer
- 12 on MovieCove · 32 credits in all
What are Kathryn Scola's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 11
A split, not a type: Light 6 · Serious 4 · Dark 2
Grounded 6 · Stylized 5 · Heightened 1
A split, not a type: Gentle 6 · Charged 5 · Intense 1
Steady 8 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 4
Slow burn 6 · Even-paced 6 · Relentless 0
Casual 9 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 6 · Affecting 4 · Heavy 2
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kathryn Scola's films?
As of October 24, 2026, 2 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Kathryn Scola's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
32 credits, 12 with a MovieCove page.
Night Unto Night (not in the MovieCove catalog yet)(1949)
Colonel Effingham's Raid(1946)
Midcredits score: 33rd percentile of all films
Happy Land (not in the MovieCove catalog yet)(1943)
The Constant Nymph(1943)
Midcredits score: 68th percentile of all films
The Lady from Cheyenne (not in the MovieCove catalog yet)(1941)
The House Across the Bay(1940)
Midcredits score: 54th percentile of all films
And One Was Beautiful(1940)
Midcredits score: 54th percentile of all films
One Night in the Tropics(1940)
Midcredits score: 58th percentile of all films
Hotel for Women (not in the MovieCove catalog yet)(1939)
Always Goodbye (not in the MovieCove catalog yet)(1938)
Alexander's Ragtime Band(1938)
Midcredits score: 74th percentile of all films
Midcredits score: 61st percentile of all films
Second Honeymoon (not in the MovieCove catalog yet)(1937)
Wife, Doctor and Nurse (not in the MovieCove catalog yet)(1937)
It Had to Happen (not in the MovieCove catalog yet)(1936)
The Glass Key (not in the MovieCove catalog yet)(1935)
Peter Ibbetson(1935)
Midcredits score: 75th percentile of all films
One Hour Late (not in the MovieCove catalog yet)(1934)
A Lost Lady(1934)
Midcredits score: 37th percentile of all films
The Merry Frinks (not in the MovieCove catalog yet)(1934)
A Modern Hero (not in the MovieCove catalog yet)(1934)
Fashions of 1934(1934)
Midcredits score: 68th percentile of all films
Shadows of Sing Sing (not in the MovieCove catalog yet)(1933)
Female(1933)
Midcredits score: 66th percentile of all films
Baby Face(1933)
Midcredits score: 93rd percentile of all films
Midnight Mary (not in the MovieCove catalog yet)(1933)
Lilly Turner (not in the MovieCove catalog yet)(1933)
Luxury Liner (not in the MovieCove catalog yet)(1933)
Night After Night (not in the MovieCove catalog yet)(1932)
Wicked (not in the MovieCove catalog yet)(1931)
The Lady Who Dared (not in the MovieCove catalog yet)(1931)
One Night at Susie's (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 28 titles from 1930 to 1949.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Kathryn Scola's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up2
- 50th to 74th8
- 25th to 49th2
Shape of the crowd
None of their 12 titles divides audiences: 9 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser9
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 58/100 and the plot and story 45/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kathryn Scola work with?
People who share at least 2 of Kathryn Scola's MovieCove titles, grouped by what they did on them; Gene Markey shares the most, 4.
Directors
- Alfred E. GreenShared titles: A Lost Lady (1934), Baby Face (1933)See all 2 shared titles with Alfred E. Green
- William DieterleShared titles: Fashions of 1934 (1934), Female (1933)See all 2 shared titles with William Dieterle
Writers
- Gene MarkeyShared titles: A Lost Lady (1934), Fashions of 1934 (1934), Baby Face (1933), Female (1933)See all 4 shared titles with Gene Markey
- Lamar TrottiShared titles: Colonel Effingham's Raid (1946), Alexander's Ragtime Band (1938), The Baroness and the Butler (1938)See all 3 shared titles with Lamar Trotti
- Darryl F. ZanuckShared titles: Alexander's Ragtime Band (1938), Baby Face (1933)See all 2 shared titles with Darryl F. Zanuck
Actors
- Douglass DumbrilleShared titles: Peter Ibbetson (1935), Baby Face (1933), Female (1933)See all 3 shared titles with Douglass Dumbrille
- Phillip ReedShared titles: A Lost Lady (1934), Fashions of 1934 (1934), Female (1933)See all 3 shared titles with Phillip Reed
- Charles CoburnShared titles: Colonel Effingham's Raid (1946), The Constant Nymph (1943)See all 2 shared titles with Charles Coburn
- Donald MeekShared titles: Colonel Effingham's Raid (1946), Peter Ibbetson (1935)See all 2 shared titles with Donald Meek
Composers, cinematographers and editors
- Heinz RoemheldShared titles: Peter Ibbetson (1935), A Lost Lady (1934), Fashions of 1934 (1934)See all 3 shared titles with Heinz Roemheld
- Barbara McLeanShared titles: Alexander's Ragtime Band (1938), The Baroness and the Butler (1938)See all 2 shared titles with Barbara McLean
- Jack KilliferShared titles: Fashions of 1934 (1934), Female (1933)See all 2 shared titles with Jack Killifer
- Sidney HickoxShared titles: A Lost Lady (1934), Female (1933)See all 2 shared titles with Sidney Hickox
Producers
- Henry BlankeShared titles: The Constant Nymph (1943), Fashions of 1934 (1934)See all 2 shared titles with Henry Blanke
- Raymond GriffithShared titles: The Baroness and the Butler (1938), Baby Face (1933)See all 2 shared titles with Raymond Griffith
