Michael A. Stevenson

What are Michael A. Stevenson's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael A. Stevenson's films?

As of October 24, 2026, 22 of their 30 MovieCove titles stream on a subscription or free service, most on Disney+ (10).

• Disney+10 titles, browse their movies on this service
  • The Sandlot (1993) · editor
  • Honey, I Shrunk the Kids (1989) · editor
  • Three Men and a Baby (1987) · editor
  • Homeward Bound II: Lost in San Francisco (1996) · editor
  • Three Men and a Little Lady (1990) · editor
  • Jungle 2 Jungle (1997) · editor
  • Garfield: The Movie (2004) · editor
  • Flubber (1997) · editor
  • Honey, I Blew Up the Kid (1992) · editor
  • Home Alone 4: Taking Back the House (2002) · editor
• Tubi4 titles, browse their movies on this service
  • The Goodbye Girl (1977) · assistant editor · free
  • The Sunshine Boys (1975) · assistant editor · free
  • Slither (1973) · assistant editor · free
  • Look Who's Talking Now (1993) · editor · free
• Paramount+1 title, browse their movies on this service
  • The Sandlot (1993) · editor
• Prime Video1 title, browse their movies on this service
  • Three Men and a Baby (1987) · editor

Subscription and free streaming for Michael A. Stevenson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 30 with a MovieCove page.

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  Garfield: The Movie(2004)

  Editor

  Midcredits score: 18th percentile of all films18^th
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  Home Alone 4: Taking Back the House(2002)

  Editor

  Midcredits score: 1st percentile of all films1^st
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  Cats & Dogs(2001)

  Editor

  Midcredits score: 17th percentile of all films17^th
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  Just Visiting(2001)

  Editor

  Midcredits score: 29th percentile of all films29^th
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  Muppets from Space(1999)

  Editor

  Midcredits score: 55th percentile of all films55^th
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  Flubber(1997)

  Editor

  Midcredits score: 18th percentile of all films18^th
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  Jungle 2 Jungle(1997)

  Editor

  Midcredits score: 20th percentile of all films20^th
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  Homeward Bound II: Lost in San Francisco(1996)

  Editor

  Midcredits score: 44th percentile of all films44^th
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  Look Who's Talking Now(1993)

  Editor

  Midcredits score: 7th percentile of all films7^th
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  The Sandlot(1993)

  Editor

  Midcredits score: 96th percentile of all films96^th
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  Honey, I Blew Up the Kid(1992)

  Editor

  Midcredits score: 13th percentile of all films13^th
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  Three Men and a Little Lady(1990)

  Editor

  Midcredits score: 31st percentile of all films31^st
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  National Lampoon's Christmas Vacation(1989)

  Editor

  Midcredits score: 90th percentile of all films90^th
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  Honey, I Shrunk the Kids(1989)

  Editor

  Midcredits score: 59th percentile of all films59^th
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  Three Men and a Baby(1987)

  Editor

  Midcredits score: 49th percentile of all films49^th
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  A Smoky Mountain Christmas(1986)

  Editor

  Midcredits score: 79th percentile of all films79^th
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  A Winner Never Quits(1986)

  Editor

  Midcredits score: 72nd percentile of all films72^nd
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  Spot Marks the X(1986)

  Editor

  Midcredits score: 41st percentile of all films41^st
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  Gotcha!(1985)

  Editor

  Midcredits score: 50th percentile of all films50^th
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  The Burning Bed(1984)

  Editor

  Midcredits score: 83rd percentile of all films83^rd
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  The Toy(1982)

  Editor

  Midcredits score: 36th percentile of all films36^th
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  Annie(1982)

  Editor

  Midcredits score: 66th percentile of all films66^th
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  American Pop(1981)

  Associate Editor

  Midcredits score: 85th percentile of all films85^th
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  Seems Like Old Times(1980)

  Editor

  Midcredits score: 68th percentile of all films68^th
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  Chapter Two (not in the MovieCove catalog yet)(1979)

  Editor
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  The Cheap Detective(1978)

  Editor

  Midcredits score: 59th percentile of all films59^th
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  California Suite(1978)

  Editor

  Midcredits score: 46th percentile of all films46^th
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  The Goodbye Girl(1977)

  Assistant Editor

  Midcredits score: 90th percentile of all films90^th
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  Murder by Death(1976)

  Assistant Editor

  Midcredits score: 84th percentile of all films84^th
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  The Sunshine Boys(1975)

  Assistant Editor

  Midcredits score: 80th percentile of all films80^th
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  Slither(1973)

  Assistant Editor

  Midcredits score: 48th percentile of all films48^th

Career shape

A full career of 30 titles from 1973 to 2004.

Biggest box office

Honey, I Shrunk the Kids (1989)

$223M worldwide

Highest rated

The Sandlot (1993)

Midcredits 96^th

Most popular right now

Home Alone 4: Taking Back the House (2002)

How do Michael A. Stevenson's films land?

Their typical MovieCove film has a Midcredits score in the 50^th percentile, the median of all 30; across their 25 films with reception data, the typical film sits in the 51^st percentile for acclaim.

Shape of the crowd

11 of their 30 titles are Crowd Pleasers.

11510

• Universally Loved3
• Universally Panned1
• Crowd Pleaser11
• Broadly Agreed5
• Mixed10

Most divisive · editor

Home Alone 4: Taking Back the House (2002)

56^th percentile spread · 78% rated it 4 or lower

Most loved · editor

The Sandlot (1993)

Midcredits 96^th · 87% liked

Reviewers score the pacing 45/100 in their films, across 23 reviewed titles; fans 55, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael A. Stevenson's work okay for kids?

Across up to 18 MovieCove titles with content scores, violence & gore and frightening / intense run lighter than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Michael A. Stevenson work with?

People who share at least 2 of Michael A. Stevenson's MovieCove titles, grouped by what they did on them; Ray Stark shares the most, 5.