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Peter E. Berger

Editor · Died September 22, 2011, aged 67 · Los Angeles, California, USA

Born
May 30, 1944
Died
September 22, 2011 (aged 67)
From
Los Angeles, California, USA
Works as
Editor
Titles
46 on MovieCove · 51 credits in all
TMDB popularity, last 37 days to Oct 26Down 11% in 30 days

What are Peter E. Berger's films like?

Across their 40 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 40 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 20 · Serious 9 · Dark 11

Grounded 28 · Stylized 10 · Heightened 2

A split, not a type: Gentle 16 · Charged 10 · Intense 14

Steady 25 · Shifting 13 · Whiplash 2

A split, not a type: Straight-faced 19 · Some laughs 12 · Funny 9

A split, not a type: Slow burn 20 · Even-paced 18 · Relentless 2

Casual 26 · Engaged 11 · Full focus 3

A split, not a type: Easy watch 20 · Affecting 10 · Heavy 10

Resolved 34 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Warm
15
Joyful
12
Melancholic
11
Dread
8
Other
50

How their films end · 4 with a twist

  • Happy20
  • Bittersweet13
  • Tragic3
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter E. Berger's films?

As of October 24, 2026, 28 of their 46 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Peter E. Berger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 46 with a MovieCove page.

Career shape

A full career of 46 titles from 1973 to 2009.

By role

only this rolewith another role
Editing42 of 46: 42 only editing, 0 with another role · typical Midcredits score44thOther crew4 of 46: 4 only other crew, 0 with another role

By decade

1970s8 · crew1980s17 · crew1990s12 · crew2000s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter E. Berger's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 46; across their 40 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 40

Approval · how many liked their films

36thpercentile
Typical film, the median of 40

Reach · how many have seen their films

88thpercentile
Typical film, the median of 40

Midcredits score across 46 titles, by percentile

  • 75th and up5
  • 50th to 74th13
  • 25th to 49th14
  • Below 25th14

Shape of the crowd

24 of their 46 titles are Mixed.

  • Universally Loved2
  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser13
  • Broadly Agreed4
  • Mixed24

Reviewers score the pacing 46/100 in their films, across 37 reviewed titles; fans 56, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter E. Berger's work okay for kids?

Across up to 19 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore17 titles28–73 · median 47 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity19 titles17–56 · median 29 · mildnear the median of all filmsMedian of all films: 32
Profanity17 titles27–70 · median 47 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles22–64 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense14 titles30–77 · median 45 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter E. Berger work with?

People who share at least 2 of Peter E. Berger's MovieCove titles, grouped by what they did on them; Jon Avnet shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers