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Robert Schwartzman

Robert Schwartzman

Actor, producer, director, composer and writer · Born December 24, 1982 (43) · Los Angeles, California, USA

Robert Coppola Schwartzman (born December 24, 1982), also known as Robert Carmine, is an American filmmaker, actor, musician, and member of the Coppola family. He is best known as the lead vocalist of the rock/pop band Rooney. Schwartzman directed the films Dreamland (2016), The Unicorn (2018), and The Argument (2020), acted in his cousin Sofia Coppola's projects Lick the Star (1998) and The Virgin Suicides (1999), and starred in The Princess Diaries (2001). Description above from the Wikipedia article Robert Schwartzman, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
December 24, 1982 (43)
From
Los Angeles, California, USA
Works as
Actor, producer, director, composer and writer
Titles
19 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 24% in 30 days

What are Robert Schwartzman's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy8 titlesTypical Midcredits score: 28th percentile
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 28th percentile
: browse their Drama movies
Documentary3 titlesTypical Midcredits score: 89th percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
36%
Bonds
27%
Society
15%
Ideas
11%
Survival
8%
Morality
3%
Romantic love5 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeArt2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeFame3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 9 · Serious 3 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 10 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 9 · Shifting 4 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 3 · Funny 5

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 8 · Engaged 7 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 8 · Ambiguous 3

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
9
Contemplative
6
Tense
5
Warm
4
Absurd
5
Other
13

How their films linger

Bittersweet9 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet9
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Schwartzman's films?

As of October 24, 2026, 18 of their 19 MovieCove titles stream on a subscription or free service, most on Prime Video (6).

Also on these channels

Subscription and free streaming for Robert Schwartzman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 19 with a MovieCove page; 8 appearances as themselves are hidden until asked for.

  • Pavements(2024)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • I Live Here Now(2025)

    Producer

    Midcredits score: 28th percentile of all films

  • The Last Showgirl(2024)

    Producer

    Midcredits score: 60th percentile of all films

  • The Zombies: Hung Up on a Dream(2023)

    Director · Composer · Producer

    Midcredits score: 94th percentile of all films

  • The Good Half(2023)

    Director · Composer · Producer

    Midcredits score: 33rd percentile of all films

  • Chestnut(2023)

    Executive Producer

    Midcredits score: 13th percentile of all films

  • Linda Perry: Let It Die Here(2024)

    Executive Producer

    Midcredits score: 89th percentile of all films (provisional, few ratings)

  • Drugstore June(2024)

    Producer

    Midcredits score: 25th percentile of all films

  • Not an Artist(2023)

    Producer · as The Notary

    Midcredits score: 18th percentile of all films (provisional, few ratings)

  • The Argument(2020)

    Director · Producer

    Midcredits score: 21st percentile of all films

  • Lost Transmissions(2019)

    Executive Producer · as Darron

    Midcredits score: 20th percentile of all films

  • Mainstream(2020)

    Producer

    Midcredits score: 30th percentile of all films

  • The Unicorn(2018)

    Director · Additional Editing · Producer · Story · as Beb

    Midcredits score: 18th percentile of all films

  • It Happened In L.A.(2017)

    as Ben

    Midcredits score: 33rd percentile of all films

  • Dreamland (not in the MovieCove catalog yet)(2016)

    Director · Writer

  • Palo Alto(2013)

    Composer

    Midcredits score: 51st percentile of all films

  • Modern/Love (not in the MovieCove catalog yet)(2012)

    as Oscar

  • Casino Moon (not in the MovieCove catalog yet)(2012)

    Composer · as Seymour

  • Somewhere(2010)

    as Man (uncredited)

    Midcredits score: 57th percentile of all films

  • Iron Man: Armored Adventures(2009)

    Show 26 episodes · Theme Song Performance

    Midcredits score: 37th percentile of all shows

  • The Princess Diaries(2001)

    as Michael Moscovitz

    Midcredits score: 70th percentile of all films

  • Wooly Boys (not in the MovieCove catalog yet)(2001)

    Producer

  • The Virgin Suicides(1999)

    as Paul Baldino

    Midcredits score: 90th percentile of all films

  • Lick the Star (not in the MovieCove catalog yet)(1998)

    as Greg

  • The Princess Diaries 3 (not in the MovieCove catalog yet)

    as Michael Moscovitz

  • The Way I Was Made: The Story of a Man Called E (not in the MovieCove catalog yet)

    Producer

Career shape

Star power in the 82nd percentile of 239,109 people with a billed film role, over a full career of 24 titles, 22 of them dated from 1998 to 2025; peak year 2000.

Biggest box office

The Princess Diaries (2001)

$165M worldwide

Highest rated

The Zombies: Hung Up on a Dream (2023)

Midcredits 94th

Most popular right now

The Princess Diaries (2001)

Film career

19982025

Peak 2000 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

  • 1998Screen debut· Lick the Star

By role

only this rolewith another role
Acting11 of 24: 8 only acting, 3 with another role · typical Midcredits score33rdDirecting5 of 24: 2 only directing, 3 with another roleWriting2 of 24: 0 only writing, 2 with another roleProducing10 of 24: 7 only producing, 3 with another role · typical Midcredits score29thMusic3 of 24: 1 only music, 2 with another roleOther crew2 of 24: 1 only other crew, 1 with another role

24 titles, 5 with more than one role — acting and producing overlap on 2 of them.

By decade

1990s1 · acting2000s4 · 2 acting · 2 crew2010s7 · 5 acting · 4 crew2020s10 · 2 acting · 9 crew

Billing

usually 8th · top billed in 0% of 5 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Robert Schwartzman's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 18; across their 16 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 16

Approval · how many liked their films

31stpercentile
Typical film, the median of 16

Reach · how many have seen their films

75thpercentile
Typical film, the median of 16

Midcredits score across 19 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th6
  • Below 25th5

Shape of the crowd

11 of their 19 titles are Mixed.

  • Universally Loved1
  • Cult Classic2
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed11

Most divisive · producer

I Live Here Now (2025)

83rd percentile spread · 35% rated it 4 or lower

Most loved · director, producer, composer

The Zombies: Hung Up on a Dream (2023)

Midcredits 94th · 85% liked

Reviewers score the acting 72/100 in their films, across 13 reviewed titles; fans 81, detractors 48. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Robert Schwartzman's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 9 · minimalMedian of all films: 44
Sex & Nudity7 titles19–55 · median 43 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles24–77 · median 73 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 41 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 23 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Robert Schwartzman work with?

People who share at least 2 of Robert Schwartzman's MovieCove titles, grouped by what they did on them; Michael Rizzi shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles