
Gian-Carla "Gia" Coppola (born January 1, 1987) is an American film director, screenwriter, and actress. She is a granddaughter of Francis Ford Coppola, the daughter of Gian-Carlo Coppola and the niece of Roman Coppola and Sofia Coppola.
Biography from TMDB.
- January 1, 1987 (39)
- Los Angeles, California, USA
- Director, producer and writer
- 7 on MovieCove · 16 credits in all
What are Gia Coppola's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 0 · Stylized 4 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 1 · Shifting 2 · Whiplash 1
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gia Coppola's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gia Coppola's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 7 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

The Last Showgirl(2024)
Midcredits score: 60th percentile of all films
Good Boy (not in the MovieCove catalog yet)(2023)

The Seven Faces of Jane(2022)
Midcredits score: 13th percentile of all films
Mainstream(2020)
Midcredits score: 30th percentile of all films
Paris Can Wait(2016)
Midcredits score: 36th percentile of all films
Strange Love (not in the MovieCove catalog yet)(2015)

Palo Alto(2013)
Midcredits score: 51st percentile of all films
Twixt: A Documentary (not in the MovieCove catalog yet)(2013)

Die Again, Undead One (not in the MovieCove catalog yet)(2012)

Casino Moon (not in the MovieCove catalog yet)(2012)

Non Plus One (not in the MovieCove catalog yet)(2010)

The Godfather Part III(1990)
Midcredits score: 91st percentile of all films
New York Stories(1989)
Midcredits score: 56th percentile of all films
Perfect (not in the MovieCove catalog yet)
Superfans: Screaming. Crying. Throwing Up. (not in the MovieCove catalog yet)
The Secret Life of the Lonely Doll (not in the MovieCove catalog yet)
Career shape
A full career of 16 titles, 13 of them dated from 1989 to 2024.
Awards
2 major nominations and no wins, 2013–2020.
- Venice award, nominated · Best Film
- Venice award, nominated · Best Film
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Gia Coppola's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 7; across a limited sample of 4 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 7 titles are Mixed.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed3
Reviewers score the atmosphere 63/100 and the pacing 44/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Gia Coppola's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Gia Coppola work with?
People who share at least 2 of Gia Coppola's MovieCove titles, grouped by what they did on them; Autumn Durald Arkapaw shares the most, 3.
Actors
- Jason SchwartzmanShared titles: The Last Showgirl (2024), Mainstream (2020)See all 2 shared titles with Jason Schwartzman

- Colleen CampShared titles: Mainstream (2020), Palo Alto (2013)See all 2 shared titles with Colleen Camp

- Nat WolffShared titles: Mainstream (2020), Palo Alto (2013)See all 2 shared titles with Nat Wolff

Composers and cinematographers
- Autumn Durald ArkapawShared titles: The Last Showgirl (2024), Mainstream (2020), Palo Alto (2013)See all 3 shared titles with Autumn Durald Arkapaw

- Devonté HynesShared titles: Mainstream (2020), Palo Alto (2013)See all 2 shared titles with Devonté Hynes

Producers
- Robert SchwartzmanShared titles: The Last Showgirl (2024), Mainstream (2020), Palo Alto (2013)See all 3 shared titles with Robert Schwartzman

Mixed roles
- Nick DarmstaedterShared titles: The Last Showgirl (2024), Mainstream (2020)See all 2 shared titles with Nick Darmstaedter