William Saal
- Producer
- 6 on MovieCove · 10 credits in all
What are William Saal's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 4 · Serious 1 · Dark 1
Grounded 3 · Stylized 3 · Heightened 0
Gentle 2 · Charged 3 · Intense 1
A split, not a type: Steady 3 · Shifting 2 · Whiplash 1
Straight-faced 3 · Some laughs 3 · Funny 0
Slow burn 1 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 5 · Affecting 0 · Heavy 1
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Saal's films?
As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for William Saal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 6 with a MovieCove page.
Ouanga (not in the MovieCove catalog yet)(1935)
Fargo Express (not in the MovieCove catalog yet)(1933)
Deluge (not in the MovieCove catalog yet)(1933)
The Lone Avenger(1933)
Midcredits score: 62nd percentile of all films (provisional, few ratings)
Drum Taps (not in the MovieCove catalog yet)(1933)
A Study in Scarlet(1933)
Midcredits score: 21st percentile of all films
Tombstone Canyon(1932)
Midcredits score: 18th percentile of all films
The Death Kiss(1932)
Midcredits score: 34th percentile of all films
Come on, Tarzan(1932)
Midcredits score: 54th percentile of all films (provisional, few ratings)
The Last Mile(1932)
Midcredits score: 43rd percentile of all films
Career shape
A full career of 8 titles from 1932 to 1935.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do William Saal's films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
- Below 25th2
Shape of the crowd
4 of their 6 titles are Mixed.
- Broadly Agreed2
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Saal work with?
People who share at least 2 of William Saal's MovieCove titles, grouped by what they did on them; Burt Kelly shares the most, 6.
Directors
- Alan JamesShared titles: The Lone Avenger (1933), Come on, Tarzan (1932), Tombstone Canyon (1932)See all 3 shared titles with Alan James
- Edwin L. MarinShared titles: A Study in Scarlet (1933), The Death Kiss (1932)See all 2 shared titles with Edwin L. Marin
Actors
- Ken MaynardShared titles: The Lone Avenger (1933), Come on, Tarzan (1932), Tombstone Canyon (1932)See all 3 shared titles with Ken Maynard
- Jack RockwellShared titles: The Lone Avenger (1933), Come on, Tarzan (1932)See all 2 shared titles with Jack Rockwell
- Niles WelchShared titles: The Lone Avenger (1933), Come on, Tarzan (1932)See all 2 shared titles with Niles Welch
- Al HillShared titles: The Death Kiss (1932), The Last Mile (1932)See all 2 shared titles with Al Hill
Cinematographers and editors
- David BergShared titles: The Lone Avenger (1933), Come on, Tarzan (1932), Tombstone Canyon (1932)See all 3 shared titles with David Berg
- Rose LoewingerShared titles: A Study in Scarlet (1933), The Death Kiss (1932), The Last Mile (1932)See all 3 shared titles with Rose Loewinger
- Arthur EdesonShared titles: A Study in Scarlet (1933), The Last Mile (1932)See all 2 shared titles with Arthur Edeson
- Martin G. CohnShared titles: The Death Kiss (1932), The Last Mile (1932)See all 2 shared titles with Martin G. Cohn
Producers
- Burt KellyShared titles: A Study in Scarlet (1933), The Lone Avenger (1933), Come on, Tarzan (1932), The Death Kiss (1932), The Last Mile (1932), Tombstone Canyon (1932)See all 6 shared titles with Burt Kelly
- Samuel BischoffShared titles: A Study in Scarlet (1933), The Lone Avenger (1933), Come on, Tarzan (1932), The Death Kiss (1932), The Last Mile (1932), Tombstone Canyon (1932)See all 6 shared titles with Samuel Bischoff