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Martin G. Cohn

Editor, also producer · Died November 19, 1953, aged 60 · New City, New York, USA

Born
May 5, 1893
Died
November 19, 1953 (aged 60)
From
New City, New York, USA
Works as
Editor, also producer
Titles
24 on MovieCove · 59 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Martin G. Cohn's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Comedy7 titlesTypical Midcredits score: 34th percentile, at or above their average across these genres
: browse their Comedy movies
Crime5 titlesTypical Midcredits score: 12th percentile
: browse their Crime movies
Drama4 titlesTypical Midcredits score: 28th percentile, at or above their average across these genres
: browse their Drama movies
Action3 titlesTypical Midcredits score: 29th percentile, at or above their average across these genres
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
52%
Bonds
24%
Self
11%
Power
7%
Survival
4%
Society
3%
Justice13 titles, browse their movies with this themeDeception9 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeGreed3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 14 · Serious 4 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 13 · Stylized 6 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 11 · Charged 8 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 12 · Shifting 7 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 9 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 16 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 13 · Engaged 6 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Thrilling
6
Absurd
5
Melancholic
5
Romantic
4
Other
14

How their films linger

Feel-good11 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy13
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Martin G. Cohn's films?

As of October 24, 2026, 21 of their 24 MovieCove titles stream on a subscription or free service, most on MGM+ (15).

Also on these channels

Subscription and free streaming for Martin G. Cohn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

59 credits, 24 with a MovieCove page.

  • Tokyo File 212 (not in the MovieCove catalog yet)(1951)

    Editor

  • Oriental Evil(1951)

    Editor

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • The Cisco Kid(1950)

    Show 1 episode · Editor

    Midcredits score: 49th percentile of all shows

  • The Girl from San Lorenzo (not in the MovieCove catalog yet)(1950)

    Editor

  • Satan's Cradle (not in the MovieCove catalog yet)(1949)

    Editor

  • Zamba (not in the MovieCove catalog yet)(1949)

    Editor

  • The Strange Mrs. Crane (not in the MovieCove catalog yet)(1948)

    Editor

  • Lady at Midnight (not in the MovieCove catalog yet)(1948)

    Editor

  • Deadline (not in the MovieCove catalog yet)(1948)

    Editor

  • Heading for Heaven(1947)

    Editor

    Midcredits score: 18th percentile of all films

  • God's Country (not in the MovieCove catalog yet)(1946)

    Editor

  • In Old New Mexico (not in the MovieCove catalog yet)(1945)

    Editor

  • The Cisco Kid Returns (not in the MovieCove catalog yet)(1945)

    Editor

  • Song of the Range (not in the MovieCove catalog yet)(1944)

    Editor

  • When Strangers Marry(1944)

    Editor

    Midcredits score: 59th percentile of all films

  • Call of the Jungle(1944)

    Editor

    Midcredits score: 4th percentile of all films (provisional, few ratings)

  • Johnny Doesn't Live Here Anymore(1944)

    Editor

    Midcredits score: 36th percentile of all films

  • Charlie Chan in the Secret Service(1944)

    Editor

    Midcredits score: 60th percentile of all films

  • Shadow of Suspicion(1944)

    Editor

    Midcredits score: 38th percentile of all films

  • The Unknown Guest (not in the MovieCove catalog yet)(1943)

    Editor

  • Spy Train (not in the MovieCove catalog yet)(1943)

    Editor

  • The Sultan's Daughter(1943)

    Editor

    Midcredits score: 10th percentile of all films (provisional, few ratings)

  • The Deadly Game (not in the MovieCove catalog yet)(1941)

    Editor

  • Murder by Invitation (not in the MovieCove catalog yet)(1941)

    Editor

  • Gangs Inc. (not in the MovieCove catalog yet)(1941)

    Editor

  • Danger Ahead (not in the MovieCove catalog yet)(1940)

    Editor

  • Yukon Flight(1940)

    Editor

    Midcredits score: 5th percentile of all films

  • Fighting Mad(1939)

    Editor

    Midcredits score: 12th percentile of all films (provisional, few ratings)

  • The Terror of Tiny Town(1938)

    Editor

    Midcredits score: 5th percentile of all films

  • Sunset Murder Case (not in the MovieCove catalog yet)(1938)

    Editor

  • Mis dos amores (not in the MovieCove catalog yet)(1938)

    Editor

  • Headline Crasher(1937)

    Editor

    Midcredits score: 21st percentile of all films (provisional, few ratings)

  • Galloping Dynamite (not in the MovieCove catalog yet)(1937)

    Associate Producer

  • The Fighting Texan (not in the MovieCove catalog yet)(1937)

    Associate Producer

  • Whistling Bullets(1937)

    Producer

    Midcredits score: 29th percentile of all films (provisional, few ratings)

  • The Devil Diamond (not in the MovieCove catalog yet)(1937)

    Editorial Staff

  • Young Dynamite(1937)

    Editor

    Midcredits score: 12th percentile of all films (provisional, few ratings)

  • Racing Blood(1936)

    Editor

    Midcredits score: 9th percentile of all films (provisional, few ratings)

  • Black Gold(1936)

    Production Manager

    Midcredits score: 10th percentile of all films

  • Last of the Pagans (not in the MovieCove catalog yet)(1935)

    Editor

  • The Fighting Trooper (not in the MovieCove catalog yet)(1934)

    Production Manager

  • Her Secret (not in the MovieCove catalog yet)(1933)

    Editor

  • The Big Brain (not in the MovieCove catalog yet)(1933)

    Supervising Film Editor

  • A Study in Scarlet(1933)

    Supervising Film Editor

    Midcredits score: 21st percentile of all films

  • The Death Kiss(1932)

    Supervising Editor

    Midcredits score: 34th percentile of all films

  • The Last Mile(1932)

    Editor

    Midcredits score: 43rd percentile of all films

  • Those We Love(1932)

    Editor

    Midcredits score: 24th percentile of all films

  • Uptown New York(1932)

    Editor

    Midcredits score: 55th percentile of all films

  • Morals for Women (not in the MovieCove catalog yet)(1931)

    Editor

  • Left Over Ladies (not in the MovieCove catalog yet)(1931)

    Editor

  • The Arizona Terror (not in the MovieCove catalog yet)(1931)

    Editor

  • Alias: The Bad Man (not in the MovieCove catalog yet)(1931)

    Editor

  • The Two Gun Man(1931)

    Editor

    Midcredits score: 31st percentile of all films

  • Unmasked (not in the MovieCove catalog yet)(1929)

    Editor

  • Stormy Waters (not in the MovieCove catalog yet)(1928)

    Editor

  • The Scarlet Dove (not in the MovieCove catalog yet)(1928)

    Editor

  • The Girl from Gay Paree (not in the MovieCove catalog yet)(1927)

    Editor

  • The Cat and the Canary(1927)

    Editor

    Midcredits score: 80th percentile of all films

  • The World and the Woman (not in the MovieCove catalog yet)(1916)

    Editor

Career shape

A full career of 49 titles from 1916 to 1951.

Highest rated

The Cat and the Canary (1927)

Midcredits 80th

By role

only this rolewith another role
Producing3 of 49: 3 only producing, 0 with another roleEditing43 of 49: 43 only editing, 0 with another role · typical Midcredits score26thOther crew3 of 49: 3 only other crew, 0 with another role

By decade

1910s1 · crew1920s5 · crew1930s21 · crew1940s19 · crew1950s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Martin G. Cohn's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 23; across their 20 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 20

Approval · how many liked their films

19thpercentile
Typical film, the median of 20

Reach · how many have seen their films

8thpercentile
Typical film, the median of 20

Midcredits score across 24 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th7
  • Below 25th13

Shape of the crowd

15 of their 24 titles are Mixed.

  • Crowd Pleaser5
  • Broadly Agreed4
  • Mixed15

Most divisive · editor

The Terror of Tiny Town (1938)

75th percentile spread · 64% rated it 4 or lower

Most loved · editor

The Cat and the Canary (1927)

Midcredits 80th · 72% liked

Reviewers score the pacing 48/100 in their films, across 19 reviewed titles; fans 60, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Martin G. Cohn work with?

People who share at least 2 of Martin G. Cohn's MovieCove titles, grouped by what they did on them; Rose Loewinger shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles