Richard Llewellyn
- Writer
- 5 on MovieCove
What are Richard Llewellyn's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 1 · Serious 2 · Dark 2
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 3
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Richard Llewellyn's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for Richard Llewellyn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
A Tale of Five Women(1951)
Midcredits score: 10th percentile of all films
The Silk Noose(1948)
Midcredits score: 48th percentile of all films
Midcredits score: 58th percentile of all films
How Green Was My Valley(1941)
Midcredits score: 95th percentile of all films
Poison Pen(1939)
Midcredits score: 56th percentile of all films
Career shape
Across their 5 MovieCove titles from 1939 to 1951.
How do Richard Llewellyn's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 5 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed2
Reviewers score the dialogue 59/100 and the plot and story 48/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Richard Llewellyn work with?
People who share at least 2 of Richard Llewellyn's MovieCove titles, grouped by what they did on them; Edward Rigby shares the most, 2.
Actors
- Edward RigbyShared titles: The Silk Noose (1948), Poison Pen (1939)See all 2 shared titles with Edward Rigby
- Reginald TateShared titles: The Silk Noose (1948), Poison Pen (1939)See all 2 shared titles with Reginald Tate
- Barry FitzgeraldShared titles: None But the Lonely Heart (1944), How Green Was My Valley (1941)See all 2 shared titles with Barry Fitzgerald
