
Barry Fitzgerald
Actor · Died January 14, 1961, aged 72 · Dublin, Ireland
Brother of actor Arthur Shields, with whom he performed in several films, most notably John Ford's The Quiet Man (1952). One of the very few character actors ever to achieve star status. Fitzgerald was the only player ever nominated for the Academy Award for both Best Actor and Best Supporting Actor in the same year for the same role. The recognition was for Going My Way (1944). After he received this double nomination, the Academy immediately changed their rules to prevent this from happening again, rules which have remained unchanged to this day. One of Hollywood's finest character actors and most accomplished scene stealers, Barry Fitzgerald was born William Joseph Shields in 1888 in Dublin, Ireland. Educated to enter the banking business, the diminutive Irishman with the irresistible brogue was bitten by the acting bug in the 1920s and joined Dublin's world-famous Abbey Players. He subsequently starred in the Abbey Theatre production of Sean O'Casey's Juno And The Paycock, a role that he recreated in his film debut for director Alfred Hitchcock in 1930. He was coaxed to the U.S. in 1935 by John Ford to appear in Ford's film adaptation of another O'Casey masterpiece, The Plough and the Stars (1936). Fitzgerald took up residence in Hollywood and went on to give outstanding performances in such films as The Long Voyage Home (1940), How Green Was My Valley (1941), None But the Lonely Heart (1944), And Then There Were None (1945), Two Years Before the Mast (1946) and what is probably the role for which he is most fondly remembered, The Quiet Man (1952). He won the Academy Award For Best Supporting Actor for his portrayal of gruff, aging Father Fitzgibbon in Going My Way (1944). He was also nominated for the Best Actor Oscar for the same role and was the only actor to ever be so honored. Barry Fitzgerald died in his beloved Dublin in 1961.
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Biography from TMDB.
- March 9, 1888
- January 14, 1961 (aged 72)
- Dublin, Ireland
- Actor
- 29 on MovieCove · 49 credits in all
What are Barry Fitzgerald's films like?
Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 24
A split, not a type: Light 12 · Serious 5 · Dark 8
Grounded 17 · Stylized 8 · Heightened 0
Gentle 5 · Charged 12 · Intense 8
Steady 10 · Shifting 14 · Whiplash 1
Straight-faced 10 · Some laughs 11 · Funny 4
Slow burn 8 · Even-paced 15 · Relentless 2
Casual 16 · Engaged 8 · Full focus 1
Easy watch 13 · Affecting 5 · Heavy 7
Resolved 21 · Open-ended 4 · Ambiguous 0
Roles they play
Usually the Trickster: 7 of 19 analyzed roles.
Show the 19 rolesHide the roles
- Allyas Fluther in The Plough and the Stars (1936)
- Tricksteras Zipper Dyson in The Saint Strikes Back (1939)
- Threshold guardianas Cooky in The Sea Wolf (1941)
- Allyas Timothy Blake in The Amazing Mrs. Holliday (1943)
- Tricksteras Timothy Blake in The Amazing Mrs. Holliday (1943)
- Allyas Stooky O'Meara in Corvette K-225 (1943)
- Mentoras Father Fitzgibbon in Going My Way (1944)
- Tricksteras Henry Twite in None But the Lonely Heart (1944)
- Allyas Terence O'Feenaghty in Two Years Before the Mast (1946)
- Allyas Michael Fabian in California (1947)
- Tricksteras Martin L. Donovan in Easy Come, Easy Go (1947)
- Mentoras Dr. Joseph McRory in Welcome Stranger (1947)
- Tricksteras Denno Noonan in Miss Tatlock's Millions (1948)
- Heroas Det. Lt. Dan Muldoon in The Naked City (1948)
- Mentoras Shawn O'Hara in The Story of Seabiscuit (1949)
- Threshold guardianas Sergeant Briany McNaughton in Top o' the Morning (1949)
- Shadowas R.R. Jarboe in Silver City (1951)
- Tricksteras Michaleen Oge Flynn in The Quiet Man (1952)
- Tricksteras Uncle Jack Conlon in The Catered Affair (1956)
Moods and endings
- Happy12
- Bittersweet8
- Tragic2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Barry Fitzgerald's films?
As of October 24, 2026, 8 of their 29 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Barry Fitzgerald's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
49 credits, 29 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

Play of the Week (not in the MovieCove catalog yet)(1959)
Broth of a Boy (not in the MovieCove catalog yet)(1959)

Rooney (not in the MovieCove catalog yet)(1958)

The Catered Affair(1956)
Midcredits score: 88th percentile of all films
Midcredits score: 96th percentile of all shows
Santa Claus and the Tenth Avenue Kid (not in the MovieCove catalog yet)(1955)

Happy Ever After (not in the MovieCove catalog yet)(1954)

General Electric Theater (not in the MovieCove catalog yet)(1953)

The Quiet Man(1952)
Midcredits score: 94th percentile of all films
Ha da venì... don Calogero! (not in the MovieCove catalog yet)(1952)

Silver City(1951)
Midcredits score: 31st percentile of all films
Union Station(1950)
Midcredits score: 75th percentile of all filmsLux Video Theatre (not in the MovieCove catalog yet)(1950)

The Story of Seabiscuit(1949)
Midcredits score: 45th percentile of all films
Top o' the Morning(1949)
Midcredits score: 44th percentile of all films
Miss Tatlock's Millions(1948)
Midcredits score: 70th percentile of all films
The Sainted Sisters (not in the MovieCove catalog yet)(1948)

The Naked City(1948)
Midcredits score: 93rd percentile of all films
Variety Girl(1947)
Midcredits score: 58th percentile of all films
Welcome Stranger(1947)
Midcredits score: 74th percentile of all films
Easy Come, Easy Go(1947)
Midcredits score: 62nd percentile of all films (provisional, few ratings)
California(1947)
Midcredits score: 51st percentile of all films
Midcredits score: 77th percentile of all films
The Stork Club (not in the MovieCove catalog yet)(1945)

And Then There Were None(1945)
Midcredits score: 88th percentile of all films
Duffy's Tavern (not in the MovieCove catalog yet)(1945)

Incendiary Blonde (not in the MovieCove catalog yet)(1945)
Midcredits score: 58th percentile of all films
I Love a Soldier (not in the MovieCove catalog yet)(1944)

Going My Way(1944)
Midcredits score: 79th percentile of all films
Corvette K-225(1943)
Midcredits score: 68th percentile of all films
Two Tickets to London (not in the MovieCove catalog yet)(1943)
Midcredits score: 61st percentile of all films
Tarzan's Secret Treasure(1941)
Midcredits score: 65th percentile of all films
How Green Was My Valley(1941)
Midcredits score: 95th percentile of all films
The Sea Wolf(1941)
Midcredits score: 92nd percentile of all films
San Francisco Docks (not in the MovieCove catalog yet)(1940)

The Long Voyage Home(1940)
Midcredits score: 77th percentile of all films
Full Confession (not in the MovieCove catalog yet)(1939)

The Saint Strikes Back(1939)
Midcredits score: 49th percentile of all films
Pacific Liner (not in the MovieCove catalog yet)(1939)

The Dawn Patrol (not in the MovieCove catalog yet)(1938)

Marie Antoinette(1938)
Midcredits score: 87th percentile of all films
Four Men and a Prayer(1938)
Midcredits score: 47th percentile of all films
Bringing Up Baby(1938)
Midcredits score: 96th percentile of all films
Ebb Tide (not in the MovieCove catalog yet)(1937)

The Plough and the Stars(1936)
Midcredits score: 25th percentile of all films
Guests of The Nation (not in the MovieCove catalog yet)(1935)

Juno and the Paycock(1930)
Midcredits score: 4th percentile of all films
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 49 titles from 1930 to 1959.
Film career
Top draw in 6 MovieCove titles.
- 1930Screen debut· Juno and the Paycock
- 1930First top-billed film· Juno and the Paycock
- 1945Career best· And Then There Were None
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Barry Fitzgerald's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 28; across their 25 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up13
- 50th to 74th9
- 25th to 49th6
- Below 25th1
Shape of the crowd
12 of their 29 titles are Crowd Pleasers.
- Universally Loved8
- Crowd Pleaser12
- Broadly Agreed5
- Mixed4
Reviewers score the acting 73/100 in their films, across 24 reviewed titles; fans 79, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Barry Fitzgerald's work okay for kids?
Across up to 5 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Barry Fitzgerald work with?
People who share at least 2 of Barry Fitzgerald's MovieCove titles, grouped by what they did on them; John Ford shares the most, 4.
Directors
- John FordShared titles: The Quiet Man (1952), How Green Was My Valley (1941), The Long Voyage Home (1940), The Plough and the Stars (1936)See all 4 shared titles with John Ford

- John FarrowShared titles: California (1947), Easy Come, Easy Go (1947), Two Years Before the Mast (1946), The Saint Strikes Back (1939)See all 4 shared titles with John Farrow

- Howard HawksShared titles: Corvette K-225 (1943), Bringing Up Baby (1938)See all 2 shared titles with Howard Hawks

Writers
- Dudley NicholsShared titles: And Then There Were None (1945), The Long Voyage Home (1940), Bringing Up Baby (1938), The Plough and the Stars (1936)See all 4 shared titles with Dudley Nichols
- Frank ButlerShared titles: California (1947), Welcome Stranger (1947), Going My Way (1944)See all 3 shared titles with Frank Butler

- Richard L. BreenShared titles: Top o' the Morning (1949), Miss Tatlock's Millions (1948)See all 2 shared titles with Richard L. Breen

- Richard LlewellynShared titles: None But the Lonely Heart (1944), How Green Was My Valley (1941)See all 2 shared titles with Richard Llewellyn
Actors
- Arthur ShieldsShared titles: The Quiet Man (1952), Easy Come, Easy Go (1947), The Long Voyage Home (1940), The Plough and the Stars (1936)See all 4 shared titles with Arthur Shields

- Eileen CroweShared titles: The Quiet Man (1952), Top o' the Morning (1949), The Plough and the Stars (1936)See all 3 shared titles with Eileen Crowe

- Bing CrosbyShared titles: Top o' the Morning (1949), Welcome Stranger (1947), Going My Way (1944)See all 3 shared titles with Bing Crosby

- Frank FaylenShared titles: California (1947), Easy Come, Easy Go (1947), Welcome Stranger (1947)See all 3 shared titles with Frank Faylen

Composers and cinematographers
- Victor YoungShared titles: The Quiet Man (1952), Miss Tatlock's Millions (1948), California (1947), Two Years Before the Mast (1946)See all 4 shared titles with Victor Young

- Roy WebbShared titles: Easy Come, Easy Go (1947), The Saint Strikes Back (1939), Bringing Up Baby (1938), The Plough and the Stars (1936)See all 4 shared titles with Roy Webb

- Lionel LindonShared titles: Top o' the Morning (1949), Welcome Stranger (1947), Going My Way (1944)See all 3 shared titles with Lionel Lindon

- Robert Emmett DolanShared titles: Top o' the Morning (1949), Welcome Stranger (1947), Going My Way (1944)See all 3 shared titles with Robert Emmett Dolan
Producers
- Seton I. MillerShared titles: California (1947), Two Years Before the Mast (1946)See all 2 shared titles with Seton I. Miller

- Buddy G. DeSylvaShared titles: Two Years Before the Mast (1946), Going My Way (1944)See all 2 shared titles with Buddy G. DeSylva
- Robert SiskShared titles: The Saint Strikes Back (1939), The Plough and the Stars (1936)See all 2 shared titles with Robert Sisk
- Cliff ReidShared titles: Bringing Up Baby (1938), The Plough and the Stars (1936)See all 2 shared titles with Cliff Reid
Mixed roles
- Richard HaydnShared titles: Miss Tatlock's Millions (1948), And Then There Were None (1945)See all 2 shared titles with Richard Haydn

- Sherman ToddShared titles: None But the Lonely Heart (1944), The Long Voyage Home (1940)See all 2 shared titles with Sherman Todd
