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Anne Kopelson

Producer · Born April 18, 1946 (80) · USA

Anne Kopelson was born on 18 April 1946 in the USA. She is a producer and executive, known for Murder at 1600 (1997), Seven (1995) and Outbreak (1995). She was previously married to Arnold Kopelson.

Biography from IMDb.

Born
April 18, 1946 (80)
From
USA
Works as
Producer
Titles
11 on MovieCove · 12 credits in all
TMDB popularity, last 155 days to Oct 26Down 13% in 30 days

What are Anne Kopelson's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 6 · Stylized 1 · Heightened 2

Gentle 0 · Charged 1 · Intense 8

Steady 1 · Shifting 7 · Whiplash 1

Straight-faced 6 · Some laughs 2 · Funny 1

A split, not a type: Slow burn 0 · Even-paced 4 · Relentless 5

Casual 1 · Engaged 5 · Full focus 3

Resolved 6 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
4
Thrilling
4
Warm
2
Contemplative
2
Other
4

How their films end · 3 with a twist

  • Happy4
  • Bittersweet2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne Kopelson's films?

As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on Paramount+ (3).

Subscription and free streaming for Anne Kopelson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 11 with a MovieCove page.

  • Twisted(2004)

    Producer

    Midcredits score: 15th percentile of all films
  • Joe Somebody(2001)

    Producer

    Midcredits score: 23rd percentile of all films
  • Don't Say a Word(2001)

    Producer

    Midcredits score: 48th percentile of all films
  • A Perfect Murder(1998)

    Producer

    Midcredits score: 63rd percentile of all films
  • U.S. Marshals(1998)

    Producer

    Midcredits score: 63rd percentile of all films
  • The Devil's Advocate(1997)

    Producer

    Midcredits score: 94th percentile of all films
  • Mad City(1997)

    Producer

    Midcredits score: 49th percentile of all films
  • Murder at 1600(1997)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • Eraser(1996)

    Producer

    Midcredits score: 46th percentile of all films
  • Seven(1995)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • Outbreak(1995)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Past Tense (not in the MovieCove catalog yet)(1994)

    Executive Producer

Career shape

A full career of 12 titles from 1994 to 2004.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role · typical Midcredits score49th

By decade

1990s9 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anne Kopelson's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 11; across their 9 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 9

Approval · how many liked their films

49thpercentile
Typical film, the median of 9

Reach · how many have seen their films

96thpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

None of their 11 titles divides audiences: 5 are Broadly Agreed.

  • Universally Loved2
  • Crowd Pleaser4
  • Broadly Agreed5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anne Kopelson's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles61–90 · median 66 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles23–61 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity8 titles58–87 · median 69 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles30–63 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles46–87 · median 57 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Anne Kopelson work with?

People who share at least 2 of Anne Kopelson's MovieCove titles, grouped by what they did on them; Arnold Kopelson shares the most, 9.

Writers

Actors

Composers and cinematographers

Producers