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Tin-Nam Chun

Writer · Hong Kong, British Crown Colony

From
Hong Kong, British Crown Colony
Works as
Writer
Titles
11 on MovieCove · 15 credits in all
TMDB popularity, last 37 days to Oct 26Down 16% in 30 days

What are Tin-Nam Chun's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 2 · Dark 7

Grounded 2 · Stylized 4 · Heightened 4

Gentle 0 · Charged 5 · Intense 5

Steady 0 · Shifting 10 · Whiplash 0

Straight-faced 9 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 7 · Relentless 2

Casual 0 · Engaged 7 · Full focus 3

A split, not a type: Easy watch 2 · Affecting 3 · Heavy 5

Resolved 6 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
7
Thrilling
5
Joyful
1
Contemplative
1
Other
4

How their films end · 3 with a twist

  • Happy1
  • Bittersweet5
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tin-Nam Chun's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Tin-Nam Chun's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 11 with a MovieCove page.

  • Sword Master(2016)

    Screenplay

    Midcredits score: 48th percentile of all films
  • The Great Magician(2011)

    Writer

    Midcredits score: 38th percentile of all films
  • Triple Tap(2010)

    Screenplay

    Midcredits score: 51st percentile of all films
  • Midcredits score: 74th percentile of all films
  • Shinjuku Incident(2009)

    Writer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 38th percentile of all films
  • The Warlords(2007)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Protégé(2007)

    Writer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 65th percentile of all films
  • Seven Swords(2005)

    Screenplay

    Midcredits score: 49th percentile of all films
  • Crime Story(1993)

    Screenplay

    Midcredits score: 72nd percentile of all films
  • The Glamorous Boys of Tang (not in the MovieCove catalog yet)(1985)

    Screenplay

  • An Amorous Woman of Tang Dynasty (not in the MovieCove catalog yet)(1984)

    Screenplay

  • Coolie Killer (not in the MovieCove catalog yet)(1982)

    Screenplay

  • The Club (not in the MovieCove catalog yet)(1981)

    Writer

Career shape

A full career of 13 titles from 1981 to 2016.

By role

only this rolewith another role
Writing13 of 13: 13 only writing, 0 with another role · typical Midcredits score72nd

By decade

1980s4 · crew1990s1 · crew2000s5 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tin-Nam Chun's films land?

Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 10

Approval · how many liked their films

56thpercentile
Typical film, the median of 10

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th4

Shape of the crowd

None of their 11 titles divides audiences: 6 are Crowd Pleasers.

  • Crowd Pleaser6
  • Broadly Agreed2
  • Mixed3

Reviewers score the dialogue 50/100 and the plot and story 53/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tin-Nam Chun's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 44 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Tin-Nam Chun work with?

People who share at least 2 of Tin-Nam Chun's MovieCove titles, grouped by what they did on them; Peter Kam shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles