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Conrad W. Hall

Conrad W. Hall

Cinematographer · Born November 13, 1958 (67) · Los Angeles, California, USA

Conrad W. Hall (born November 13, 1958) is an American cinematographer. The son of Oscar-winning cinematographer Conrad Hall, he is known for his work in the films Panic Room (2002), The Punisher (2004), and Olympus Has Fallen (2013).

Biography from TMDB.

Born
November 13, 1958 (67)
From
Los Angeles, California, USA
Works as
Cinematographer
Titles
27 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 16% in 30 days

What are Conrad W. Hall's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Action4 titlesTypical Midcredits score: 43rd percentile, at or above their average across these genres
: browse their Action movies
Crime4 titlesTypical Midcredits score: 31st percentile
: browse their Crime movies
Drama3 titlesTypical Midcredits score: 51st percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
25%
Bonds
24%
Society
13%
Survival
12%
Morality
12%
Power
11%
Ideas
2%
Family bonds5 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 4 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 7 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 6 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 6 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 6 · Even-paced 5 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 5 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 9 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
7
Contemplative
4
Thrilling
4
Bittersweet
3
Other
10

How their films linger

Cathartic3 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet7
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Conrad W. Hall's films?

As of October 24, 2026, 20 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Conrad W. Hall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 27 with a MovieCove page; 6 appearances as themselves are hidden until asked for.

  • Echo 3(2022)

    Show 4 episodes · Cinematographer

    Midcredits score: 29th percentile of all shows

  • The King's Daughter(2022)

    Cinematographer

    Midcredits score: 21st percentile of all films

  • The Sleepover(2020)

    Cinematographer

    Midcredits score: 30th percentile of all films

  • The Fanatic(2019)

    Cinematographer

    Midcredits score: 15th percentile of all films

  • Out of Blue(2018)

    Cinematographer

    Midcredits score: 13th percentile of all films

  • It Lives Below (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • American Dream/American Knightmare(2018)

    Cinematographer

    Midcredits score: 49th percentile of all films

  • Air Strike(2018)

    Second Unit Director of Photography

    Midcredits score: 3rd percentile of all films

  • The Truth (not in the MovieCove catalog yet)(2014)

    Cinematographer

  • Olympus Has Fallen(2013)

    Cinematographer

    Midcredits score: 57th percentile of all films

  • Oka!(2011)

    Cinematographer

    Midcredits score: 35th percentile of all films

  • The Longshots(2008)

    Cinematographer

    Midcredits score: 39th percentile of all films

  • Elvis and Anabelle(2007)

    Cinematographer

    Midcredits score: 77th percentile of all films

  • Two for the Money(2005)

    Cinematographer

    Midcredits score: 47th percentile of all films

  • The Punisher(2004)

    Cinematographer

    Midcredits score: 55th percentile of all films

  • A Gentleman's Game(2002)

    Cinematographer

    Midcredits score: 51st percentile of all films

  • Panic Room(2002)

    Cinematographer

    Midcredits score: 76th percentile of all films

  • Sleepy Hollow(1999)

    Second Unit Director of Photography

    Midcredits score: 89th percentile of all films

  • Fight Club(1999)

    Camera Operator

    Midcredits score: 99th percentile of all films

  • American Beauty(1999)

    Second Unit Director of Photography

    Midcredits score: 99th percentile of all films

  • Without Limits(1998)

    Camera Operator

    Midcredits score: 87th percentile of all films

  • Alien: Resurrection(1997)

    Camera Operator · VFX Director of Photography

    Midcredits score: 42nd percentile of all films

  • The Phantom(1996)

    Second Unit Director of Photography

    Midcredits score: 18th percentile of all films

  • Seven(1995)

    Camera Operator

    Midcredits score: 99th percentile of all films

  • Love Affair(1994)

    Second Unit Director

    Midcredits score: 42nd percentile of all films

  • All I Want for Christmas(1991)

    First Assistant Camera

    Midcredits score: 42nd percentile of all films

  • Ferris Bueller's Day Off(1986)

    First Assistant Camera

    Midcredits score: 97th percentile of all films

  • Pretty in Pink(1986)

    First Assistant Camera

    Midcredits score: 71st percentile of all films

  • Sweet Dreams(1985)

    First Assistant Camera

    Midcredits score: 80th percentile of all films

  • Food Fight (not in the MovieCove catalog yet)

    Cinematographer

Career shape

A full career of 30 titles, 29 of them dated from 1985 to 2022.

Biggest box office

Panic Room (2002)

$197M worldwide

Highest rated

Elvis and Anabelle (2007)

Midcredits 77th

Most popular right now

The Punisher (2004)

By role

only this rolewith another role
Cinematography22 of 30: 21 only cinematography, 1 with another role · typical Midcredits score42ndOther crew9 of 30: 8 only other crew, 1 with another role · typical Midcredits score80th

By decade

1980s3 · crew1990s9 · crew2000s6 · crew2010s8 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Conrad W. Hall's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 26; across their 13 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 13

Approval · how many liked their films

41stpercentile
Typical film, the median of 13

Reach · how many have seen their films

87thpercentile
Typical film, the median of 13

Midcredits score across 27 titles, by percentile

  • 75th and up9
  • 50th to 74th4
  • 25th to 49th9
  • Below 25th5

Shape of the crowd

11 of their 27 titles are Crowd Pleasers.

  • Universally Loved4
  • Cult Classic2
  • Crowd Pleaser11
  • Broadly Agreed1
  • Mixed9

Most divisive · cinematographer

The Fanatic (2019)

88th percentile spread · 45% rated it 4 or lower

Most loved · cinematographer

American Beauty (1999)

Midcredits 99th · 90% liked

Reviewers score the cinematography 68/100 in their films, across 9 reviewed titles; fans 75, detractors 51. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Conrad W. Hall's work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles44–91 · median 84 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity6 titles13–48 · median 14 · minimallighter than most filmsMedian of all films: 32
Profanity6 titles44–89 · median 82 · severeheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles13–42 · median 35 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles40–84 · median 74 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Conrad W. Hall work with?

People who share at least 2 of Conrad W. Hall's MovieCove titles, grouped by what they did on them; Fred Durst shares the most, 2.

Directors

Actors