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Roland Gross

Editor · Died February 11, 1989, aged 80 · San Antonio, Texas, USA

Born
January 13, 1909
Died
February 11, 1989 (aged 80)
From
San Antonio, Texas, USA
Works as
Editor
Titles
22 on MovieCove · 33 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 21% in 30 days

What are Roland Gross' films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama8 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Crime movies
Adventure2 titlesTypical Midcredits score: 41st percentile
: browse their Adventure movies
Comedy2 titlesTypical Midcredits score: 44th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
27%
Self
22%
Bonds
19%
Survival
15%
Power
8%
Society
7%
Ideas
2%
Justice5 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 3 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 8 · Stylized 8 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 8 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 8 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 10 · Some laughs 5 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 13 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 7 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 7 · Affecting 5 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
7
Warm
5
Dread
4
Absurd
4
Other
14

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteWistful5 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy7
  • Bittersweet4
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roland Gross' films?

As of October 24, 2026, 7 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Roland Gross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 22 with a MovieCove page.

  • Cage Without a Key(1975)

    Editor

    Midcredits score: 55th percentile of all films

  • Emperor of the North(1973)

    Associate Editor

    Midcredits score: 87th percentile of all films

  • Letters from Three Lovers(1973)

    Editor

    Midcredits score: 51st percentile of all films

  • Bracken's World (not in the MovieCove catalog yet)(1969)

    Show 1 episode · Editor

  • Lost in Space(1965)

    Show 28 episodes · Editor

    Midcredits score: 63rd percentile of all shows

  • The Twilight Zone(1959)

    Show 1 episode · Editor

    Midcredits score: 97th percentile of all shows

  • Island of Lost Women (not in the MovieCove catalog yet)(1959)

    Editor

  • Rawhide (not in the MovieCove catalog yet)(1959)

    Show 4 episodes · Editor

  • The Story of Mankind(1957)

    Editor

    Midcredits score: 11th percentile of all films

  • Hey, Jeannie! (not in the MovieCove catalog yet)(1956)

    Show 1 episode · Editor

  • Sheena: Queen of the Jungle (not in the MovieCove catalog yet)(1955)

    Show 4 episodes · Editor

  • Son of Sinbad (not in the MovieCove catalog yet)(1955)

    Editor

  • Project Moon Base (not in the MovieCove catalog yet)(1953)

    Editor

  • Androcles and the Lion(1952)

    Editor

    Midcredits score: 42nd percentile of all films

  • On Dangerous Ground(1951)

    Editor

    Midcredits score: 86th percentile of all films

  • The Thing from Another World(1951)

    Editor

    Midcredits score: 79th percentile of all films

  • Gambling House (not in the MovieCove catalog yet)(1950)

    Editor

  • The Woman on Pier 13(1949)

    Editor

    Midcredits score: 38th percentile of all films

  • Stromboli(1950)

    Editor

    Midcredits score: 87th percentile of all films

  • The Set-Up(1949)

    Editor

    Midcredits score: 96th percentile of all films

  • The Velvet Touch(1948)

    Supervising Editor

    Midcredits score: 71st percentile of all films

  • Mourning Becomes Electra (not in the MovieCove catalog yet)(1947)

    Editor

  • The Woman on the Beach(1947)

    Editor

    Midcredits score: 56th percentile of all films

  • Heartbeat(1946)

    Editor

    Midcredits score: 36th percentile of all films

  • Deadline at Dawn (not in the MovieCove catalog yet)(1946)

    Editor

  • West of the Pecos(1945)

    Editor

    Midcredits score: 41st percentile of all films

  • Those Endearing Young Charms(1945)

    Editor

    Midcredits score: 40th percentile of all films

  • Nevada(1944)

    Editor

    Midcredits score: 49th percentile of all films

  • None But the Lonely Heart(1944)

    Editor

    Midcredits score: 58th percentile of all films

  • Tender Comrade (not in the MovieCove catalog yet)(1944)

    Editor

  • Government Girl(1943)

    Editor

    Midcredits score: 26th percentile of all films

  • The Sky's the Limit(1943)

    Editor

    Midcredits score: 51st percentile of all films

  • Flight for Freedom(1943)

    Editor

    Midcredits score: 29th percentile of all films

Career shape

A full career of 30 titles from 1943 to 1975.

Biggest box office

Stromboli (1950)

$18K worldwide

Highest rated

The Set-Up (1949)

Midcredits 96th

Most popular right now

The Thing from Another World (1951)

By role

only this rolewith another role
Editing29 of 30: 29 only editing, 0 with another role · typical Midcredits score56thOther crew1 of 30: 1 only other crew, 0 with another role

By decade

1940s13 · crew1950s13 · crew1960s2 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Roland Gross' films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 20; across their 17 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 17

Approval · how many liked their films

49thpercentile
Typical film, the median of 17

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 17

Midcredits score across 22 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th1

Shape of the crowd

11 of their 22 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser11
  • Broadly Agreed6
  • Mixed4

Most divisive · editor

Cage Without a Key (1975)

58th percentile spread · 19% rated it 4 or lower

Most loved · editor

The Twilight Zone (1959)

Midcredits 97th · 89% liked

Reviewers score the pacing 48/100 in their films, across 17 reviewed titles; fans 57, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Roland Gross work with?

People who share at least 2 of Roland Gross' MovieCove titles, grouped by what they did on them; Robert Ryan shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers