Art Cohn

What are Art Cohn's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Art Cohn's films?

As of October 24, 2026, 2 of their 12 MovieCove titles stream on a subscription or free service.

• HBO Max1 title, browse their movies on this service
  • Stromboli (1950) · writer
• The Criterion Channel1 title, browse their movies on this service
  • Stromboli (1950) · writer
• Tubi1 title, browse their movies on this service
  • Around the World in 80 Days (1956) · unit publicist · free

Subscription and free streaming for Art Cohn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

• 

  Seven Hills of Rome(1957)

  Screenplay

  Midcredits score: 37th percentile of all films37^th
• 

  The Joker Is Wild(1957)

  Novel

  Midcredits score: 84th percentile of all films84^th
• 

  Ten Thousand Bedrooms(1957)

  Writer

  Midcredits score: 25th percentile of all films25^th
• 

  Around the World in 80 Days(1956)

  Unit Publicist

  Midcredits score: 69th percentile of all films69^th
• 

  Men of the Fighting Lady(1954)

  Screenplay

  Midcredits score: 55th percentile of all films55^th
• 

  Tennessee Champ (not in the MovieCove catalog yet)(1954)

  Screenplay
• 

  Fatal Desire (not in the MovieCove catalog yet)(1954)

  Writer
• 

  The Girl Who Had Everything(1953)

  Writer

  Midcredits score: 27th percentile of all films27^th
• 

  Glory Alley (not in the MovieCove catalog yet)(1952)

  Screenplay · Story
• 

  Carbine Williams(1952)

  Screenplay · Story

  Midcredits score: 77th percentile of all films77^th
• 

  Red Skies of Montana(1952)

  Writer

  Midcredits score: 54th percentile of all films54^th
• 

  The Tall Target(1951)

  Screenplay

  Midcredits score: 85th percentile of all films85^th
• 

  Tomorrow Is Another Day(1951)

  Writer

  Midcredits score: 80th percentile of all films80^th
• 

  Stromboli(1950)

  Screenplay

  Midcredits score: 87th percentile of all films87^th
• 

  The Set-Up(1949)

  Screenplay

  Midcredits score: 96th percentile of all films96^th

Career shape

A full career of 14 titles from 1949 to 1957.

Biggest box office

Stromboli (1950)

$18K worldwide

Highest rated

The Set-Up (1949)

Midcredits 96^th

How do Art Cohn's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 63^rd percentile for acclaim.

Shape of the crowd

None of their 12 titles divides audiences: 8 are Crowd Pleasers.

83

• Universally Loved1
• Crowd Pleaser8
• Mixed3

Most loved · writer

The Set-Up (1949)

Midcredits 96^th · 85% liked

Reviewers score the dialogue 47/100 and the plot and story 45/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Art Cohn work with?

People who share at least 2 of Art Cohn's MovieCove titles, grouped by what they did on them; Richard Thorpe shares the most, 3.