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MovieCove

Amelia Granger

Producer

Primetime Emmy nominee

Works as
Producer
Titles
19 on MovieCove · 21 credits in all
TMDB popularity, last 155 days to Oct 26Up 15% in 30 days

What are Amelia Granger's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 2 · Dark 5

A split, not a type: Grounded 7 · Stylized 4 · Heightened 2

A split, not a type: Gentle 6 · Charged 2 · Intense 5

A split, not a type: Steady 7 · Shifting 5 · Whiplash 1

A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 4

Slow burn 6 · Even-paced 7 · Relentless 0

A split, not a type: Casual 7 · Engaged 3 · Full focus 3

A split, not a type: Easy watch 6 · Affecting 4 · Heavy 3

Resolved 10 · Open-ended 3 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amelia Granger's films?

As of October 24, 2026, 14 of their 19 MovieCove titles stream on a subscription or free service, most on Netflix (5).

Subscription and free streaming for Amelia Granger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 19 with a MovieCove page.

  • The Sheep Detectives(2026)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Crime 101(2026)

    Executive Producer

    Midcredits score: 71st percentile of all films
  • Bridget Jones: Mad About the Boy(2025)

    Executive Producer

    Midcredits score: 66th percentile of all films
  • Matilda: The Musical(2022)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Ticket to Paradise(2022)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • Rebecca(2020)

    Executive Producer

    Midcredits score: 38th percentile of all films
  • Emma.(2020)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Radioactive(2019)

    Producer

    Midcredits score: 50th percentile of all films
  • Mary Queen of Scots(2018)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • King of Thieves(2018)

    Producer

    Midcredits score: 20th percentile of all films
  • The Snowman(2017)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • Victoria & Abdul(2017)

    Producer

    Midcredits score: 71st percentile of all films
  • Bridget Jones's Baby(2016)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • Legend(2015)

    Executive Producer

    Midcredits score: 77th percentile of all films
  • The Theory of Everything(2014)

    Executive Producer

    Midcredits score: 96th percentile of all films
  • Trash(2014)

    Executive Producer

    Midcredits score: 82nd percentile of all films
  • About Time(2013)

    Executive Producer

    Midcredits score: 97th percentile of all films
  • Closed Circuit(2013)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 49th percentile of all films
  • Positano (not in the MovieCove catalog yet)

    Executive Producer

  • The Turn of the Key (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 18 titles, 16 of them dated from 2013 to 2026.

By role

only this rolewith another role
Producing18 of 18: 18 only producing, 0 with another role · typical Midcredits score69th

By decade

2010s9 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2025, Outstanding Television Movie.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Amelia Granger's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 19; across their 13 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 13

Approval · how many liked their films

49thpercentile
Typical film, the median of 13

Reach · how many have seen their films

95thpercentile
Typical film, the median of 13

Midcredits score across 19 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

None of their 19 titles divides audiences: 9 are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser9
  • Broadly Agreed7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Amelia Granger's work okay for kids?

Across up to 12 MovieCove titles with content scores, violence & gore and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles8–40 · median 13 · minimallighter than most filmsMedian of all films: 44
Sex & Nudity12 titles22–52 · median 37 · moderatenear the median of all filmsMedian of all films: 32
Profanity11 titles9–78 · median 43 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs11 titles10–51 · median 37 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles6–43 · median 25 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Amelia Granger work with?

People who share at least 2 of Amelia Granger's MovieCove titles, grouped by what they did on them; Eric Fellner shares the most, 13.

Writers

Actors

Cinematographers and editors

Producers