Harold Fong
Actor · Died June 1, 1982, aged 71 · Sacramento, California, USA
Harold Fong was born on 8 February 1911 in Sacramento, California, USA. He was an actor, known for The Steel Helmet (1951), Up in Smoke (1978) and A Yank in Indo-China (1952). He died on 18 June 1982 in Los Angeles, California, USA.
Biography from IMDb.
- February 8, 1911
- June 1, 1982 (aged 71)
- Sacramento, California, USA
- Actor
- 8 on MovieCove · 15 credits in all
What are Harold Fong's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 2 · Serious 2 · Dark 0
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 2
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Roles they play
- Allyas Toy in The Pleasure of His Company (1961)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Harold Fong's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Harold Fong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 8 with a MovieCove page.

Up in Smoke(1978)
Midcredits score: 77th percentile of all films
Rabbit, Run (not in the MovieCove catalog yet)(1970)

Honey West (not in the MovieCove catalog yet)(1965)

Diamond Head(1962)
Midcredits score: 38th percentile of all films
Ensign O'Toole (not in the MovieCove catalog yet)(1962)
Midcredits score: 68th percentile of all films
Hong Kong (not in the MovieCove catalog yet)(1960)

Not of This Earth(1957)
Midcredits score: 46th percentile of all films
The Shanghai Story (not in the MovieCove catalog yet)(1954)

Storm Over Tibet (not in the MovieCove catalog yet)(1952)

Submarine Command(1951)
Midcredits score: 49th percentile of all films
The Steel Helmet(1951)
Midcredits score: 90th percentile of all films
Saigon (not in the MovieCove catalog yet)(1947)

Back to Bataan(1945)
Midcredits score: 64th percentile of all films
Betrayal from the East(1945)
Midcredits score: 30th percentile of all films
Career shape
Star power in the 74th percentile of 239,109 people with a billed film role, over a full career of 15 titles from 1945 to 1978.

Biggest box office
Up in Smoke (1978)

Highest rated
The Steel Helmet (1951)

Most popular right now
Up in Smoke (1978)
Film career
- 1945Screen debut· Back to Bataan
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Harold Fong's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th4
Shape of the crowd
None of their 8 titles divides audiences: 5 are Crowd Pleasers.
- Crowd Pleaser5
- Broadly Agreed2
- Mixed1
Reviewers score the acting 73/100 in their films, across 4 reviewed titles; fans 79, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.