- Editor
- 17 on MovieCove · 23 credits in all
Known for
What are Alexandre de Franceschi's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 15
Light 1 · Serious 2 · Dark 13
A split, not a type: Grounded 9 · Stylized 6 · Heightened 1
A split, not a type: Gentle 1 · Charged 7 · Intense 8
Steady 5 · Shifting 11 · Whiplash 0
Straight-faced 14 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 10 · Even-paced 6 · Relentless 0
Casual 2 · Engaged 9 · Full focus 5
Easy watch 1 · Affecting 5 · Heavy 10
Resolved 5 · Open-ended 7 · Ambiguous 4
Moods and endings
- Bittersweet12
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alexandre de Franceschi's films?
As of October 24, 2026, 11 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Alexandre de Franceschi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 17 with a MovieCove page.
Pressure(2026)
Midcredits score: 93rd percentile of all films
Midcredits score: 62nd percentile of all shows
Force of Nature(2024)
Midcredits score: 34th percentile of all films
The Dry(2020)
Midcredits score: 78th percentile of all films
Mary Magdalene(2018)
Midcredits score: 44th percentile of all films
Family Happiness (not in the MovieCove catalog yet)(2017)
Lion(2016)
Midcredits score: 99th percentile of all films
Tracks(2013)
Midcredits score: 86th percentile of all films
The Broken Shore(2013)
Midcredits score: 67th percentile of all films
Dead Europe (not in the MovieCove catalog yet)(2012)
Stone(2010)
Midcredits score: 19th percentile of all films
Bright Star(2009)
Midcredits score: 81st percentile of all films
Disgrace(2008)
Midcredits score: 62nd percentile of all films
To Each His Own Cinema(2007)
Midcredits score: 70th percentile of all films
The Painted Veil(2006)
Midcredits score: 92nd percentile of all films
Little Fish(2005)
Midcredits score: 55th percentile of all films
Midcredits score: 49th percentile of all films
In the Cut(2003)
Midcredits score: 29th percentile of all films
La spagnola(2001)
Midcredits score: 36th percentile of all films
Praise (not in the MovieCove catalog yet)(1999)
Down Rusty Down (not in the MovieCove catalog yet)(1997)
Book of Dreams: Dream 7 - Ruben's Dream (not in the MovieCove catalog yet)(1995)
The Place at the Coast (not in the MovieCove catalog yet)(1987)
Career shape
A full career of 20 titles from 1987 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for a Primetime Emmy in 2013, Outstanding Single-Camera Picture Editing for a Miniseries or a Movie.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Alexandre de Franceschi's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th5
- Below 25th1
Shape of the crowd
9 of their 17 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser9
- Broadly Agreed4
- Mixed2
Reviewers score the pacing 39/100 in their films, across 16 reviewed titles; fans 51, detractors 21. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Alexandre de Franceschi's work okay for kids?
Across up to 12 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Alexandre de Franceschi work with?
People who share at least 2 of Alexandre de Franceschi's MovieCove titles, grouped by what they did on them; John Curran shares the most, 4.
Directors
- John CurranShared titles: Tracks (2013), Stone (2010), The Painted Veil (2006), We Don't Live Here Anymore (2004)See all 4 shared titles with John Curran
- Jane CampionShared titles: Bright Star (2009), To Each His Own Cinema (2007), In the Cut (2003)See all 3 shared titles with Jane Campion
- Robert ConnollyShared titles: Force of Nature (2024), The Dry (2020)See all 2 shared titles with Robert Connolly
- Garth DavisShared titles: Mary Magdalene (2018), Lion (2016)See all 2 shared titles with Garth Davis
Writers
- Jane HarperShared titles: Force of Nature (2024), The Dry (2020)See all 2 shared titles with Jane Harper
- Anna Maria MonticelliShared titles: Disgrace (2008), La spagnola (2001)See all 2 shared titles with Anna Maria Monticelli
Actors
- Eric BanaShared titles: Force of Nature (2024), The Dry (2020)See all 2 shared titles with Eric Bana
- Tony BriggsShared titles: Force of Nature (2024), The Broken Shore (2013)See all 2 shared titles with Tony Briggs
- Rooney MaraShared titles: Mary Magdalene (2018), Lion (2016)See all 2 shared titles with Rooney Mara
- Noni HazlehurstShared titles: The Broken Shore (2013), Little Fish (2005)See all 2 shared titles with Noni Hazlehurst
Composers and cinematographers
- Greig FraserShared titles: Mary Magdalene (2018), Lion (2016), Bright Star (2009), To Each His Own Cinema (2007)See all 4 shared titles with Greig Fraser
- Peter RaeburnShared titles: Force of Nature (2024), The Dry (2020)See all 2 shared titles with Peter Raeburn
- Cezary SkubiszewskiShared titles: The Broken Shore (2013), La spagnola (2001)See all 2 shared titles with Cezary Skubiszewski
- Maryse AlbertiShared titles: Stone (2010), We Don't Live Here Anymore (2004)See all 2 shared titles with Maryse Alberti
Producers
- Emile ShermanShared titles: Mary Magdalene (2018), Lion (2016), Tracks (2013), Disgrace (2008)See all 4 shared titles with Emile Sherman
- Iain CanningShared titles: Mary Magdalene (2018), Lion (2016), Tracks (2013)See all 3 shared titles with Iain Canning
- Andrew MyerShared titles: Force of Nature (2024), The Dry (2020)See all 2 shared titles with Andrew Myer
- Bruna PapandreaShared titles: Force of Nature (2024), The Dry (2020)See all 2 shared titles with Bruna Papandrea
Mixed roles
- Nicole KidmanShared titles: Lion (2016), In the Cut (2003)See all 2 shared titles with Nicole Kidman
