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Garth Davis

Garth Davis

Director, producer and writer · Born January 1, 1974 (52) · Australia

Garth Davis (born 1974) is an Australian television, advertising, and film director, best known for directing the films Lion (2016) and biblical drama Mary Magdalene (2018). He directed episodes of Top of the Lake (2013) earlier. Description above from the Wikipedia article Garth Davis, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 1, 1974 (52)
From
Australia
Works as
Director, producer and writer
Titles
5 on MovieCove · 11 credits in all
TMDB popularity, last 37 days to Oct 26Down 21% in 30 days

What are Garth Davis' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
35%
Self
25%
Ideas
20%
Morality
8%
Power
7%
Survival
5%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 2 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
4
Contemplative
3
Tense
3
Dread
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Garth Davis' films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Netflix (2).

Subscription and free streaming for Garth Davis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 5 with a MovieCove page.

  • East of Eden(2026)

    Show 7 episodes · Director · Executive Producer

    Midcredits score: 92nd percentile of all shows
  • Foe(2023)

    Director · Producer · Screenplay

    Midcredits score: 27th percentile of all films
  • Mary Magdalene(2018)

    Director

    Midcredits score: 44th percentile of all films
  • Lion(2016)

    Director

    Midcredits score: 99th percentile of all films
  • Bridge (not in the MovieCove catalog yet)(2016)

    Thanks

  • Top of the Lake(2013)

    Show 5 episodes · Director

    Midcredits score: 68th percentile of all shows
  • Alice (not in the MovieCove catalog yet)(2003)

    Director

  • P.I.N.S (not in the MovieCove catalog yet)(2000)

    Director

  • A House in the Sky (not in the MovieCove catalog yet)

    Director

  • Strange Arrivals (not in the MovieCove catalog yet)

    Executive Producer

  • The Midnight Library (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 11 titles, 8 of them dated from 2000 to 2026.

By role

only this rolewith another role
Directing9 of 11: 7 only directing, 2 with another role · typical Midcredits score68thWriting1 of 11: 0 only writing, 1 with another roleProducing3 of 11: 1 only producing, 2 with another roleOther crew1 of 11: 1 only other crew, 0 with another role

By decade

2000s2 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Garth Davis' films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 3

Approval · how many liked their films

44thpercentile
Typical film, the median of 3

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2

Reviewers score the atmosphere 73/100 and the pacing 27/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Garth Davis' work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 49 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 42 · moderateMedian of all films: 32
Profanity4 titlesmedian 20 · mildMedian of all films: 36
Alcohol & Drugs4 titlesmedian 35 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 55 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Garth Davis work with?

People who share at least 2 of Garth Davis' MovieCove titles, grouped by what they did on them; Emile Sherman shares the most, 3.

Actors

Cinematographers and editors

Producers