Skip to content
MovieCove

Carlo Crivelli

Composer · Born April 15, 1953 (73) · Rome, Lazio, Italy

Born
April 15, 1953 (73)
From
Rome, Lazio, Italy
Works as
Composer
Titles
12 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 7% in 30 days

What are Carlo Crivelli's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Genres

Drama5 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Drama movies
Biography3 titlesTypical Midcredits score: 38th percentile
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 46th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
23%
Power
22%
Morality
19%
Survival
17%
Self
8%
Society
8%
Ideas
2%
Oppression4 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeSacrifice2 titles, browse their movies with this themeClass2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 2 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 8 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 4 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 5 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 1 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 8 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 9

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Tense
5
Contemplative
4
Elegiac
3
Dread
2
Other
8

How their films linger

Thought-provoking6 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Bittersweet3
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlo Crivelli's films?

As of October 24, 2026, 3 of their 12 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Carlo Crivelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 12 with a MovieCove page.

  • Temps nouveaux (not in the MovieCove catalog yet)(2025)

    Composer

  • Duse(2025)

    Composer

    Midcredits score: 38th percentile of all films

  • Dark Matter (not in the MovieCove catalog yet)(2023)

    Composer

  • Il giorno più bello (not in the MovieCove catalog yet)(2022)

    Composer

  • Once Upon a Time in Bethlehem(2019)

    Composer

    Midcredits score: 31st percentile of all films

  • Io sono Tempesta(2018)

    Composer

    Midcredits score: 31st percentile of all films

  • Cern and the Sense of Beauty (not in the MovieCove catalog yet)(2017)

    Composer

  • L'ora legale(2017)

    Composer

    Midcredits score: 61st percentile of all films

  • Sweet Dreams(2016)

    Composer

    Midcredits score: 62nd percentile of all films

  • Blood of My Blood(2015)

    Composer

    Midcredits score: 50th percentile of all films

  • Let's Go to the Country (not in the MovieCove catalog yet)(2014)

    Composer

  • Other Times (not in the MovieCove catalog yet)(2013)

    Show 2 episodes · Composer

  • Dormant Beauty(2012)

    Composer

    Midcredits score: 58th percentile of all films

  • It Was the Son (not in the MovieCove catalog yet)(2012)

    Composer

  • Il sogno del maratoneta (not in the MovieCove catalog yet)(2012)

    Composer

  • Sorelle Mai (not in the MovieCove catalog yet)(2011)

    Composer

  • La passione (not in the MovieCove catalog yet)(2010)

    Composer

  • Weddings and Other Disasters (not in the MovieCove catalog yet)(2010)

    Composer

  • Vincere(2009)

    Composer

    Midcredits score: 77th percentile of all films

  • 7 and 8 (not in the MovieCove catalog yet)(2007)

    Composer

  • The Wedding Director (not in the MovieCove catalog yet)(2006)

    Compositor

  • Little Red Flowers (not in the MovieCove catalog yet)(2006)

    Composer

  • The Spectator (not in the MovieCove catalog yet)(2004)

    Composer

  • Salvo D'Acquisto (not in the MovieCove catalog yet)(2003)

    Show 2 episodes · Composer

  • Ginostra(2002)

    Composer

    Midcredits score: 6th percentile of all films

  • A Scandalous Journey(2002)

    Composer

    Midcredits score: 34th percentile of all films

  • Malefemmene (not in the MovieCove catalog yet)(2001)

    Composer

  • The Nanny(1999)

    Composer

    Midcredits score: 60th percentile of all films

  • Del perduto amore (not in the MovieCove catalog yet)(1998)

    Composer

  • The Prince of Homburg (not in the MovieCove catalog yet)(1997)

    Composer

  • Elective Affinities (not in the MovieCove catalog yet)(1996)

    Composer

  • The Butterfly's Dream (not in the MovieCove catalog yet)(1994)

    Composer

  • La ribelle (not in the MovieCove catalog yet)(1993)

    Composer

  • Gli assassini vanno in coppia (not in the MovieCove catalog yet)(1992)

    Composer

  • The Conviction (not in the MovieCove catalog yet)(1991)

    Composer

  • Un Bambino in Fuga - Tre Anni Dopo (not in the MovieCove catalog yet)(1990)

    Show 2 episodes · Composer

  • Appuntamento a Liverpool (not in the MovieCove catalog yet)(1988)

    Composer

  • The Witches' Sabbath (not in the MovieCove catalog yet)(1988)

    Composer

  • Devil in the Flesh(1986)

    Composer

    Midcredits score: 33rd percentile of all films

Career shape

A full career of 37 titles from 1986 to 2025.

Biggest box office

Once Upon a Time in Bethlehem (2019)

$17M worldwide

Highest rated

Vincere (2009)

Midcredits 77th

Most popular right now

Devil in the Flesh (1986)

By role

only this rolewith another role
Music36 of 37: 36 only music, 0 with another role · typical Midcredits score36thOther crew1 of 37: 1 only other crew, 0 with another role

By decade

1980s3 · crew1990s8 · crew2000s9 · crew2010s13 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Carlo Crivelli's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 12

Approval · how many liked their films

37thpercentile
Typical film, the median of 12

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

5 of their 12 titles are Mixed.

  • Crowd Pleaser4
  • Broadly Agreed3
  • Mixed5

Most divisive · composer

Ginostra (2002)

52nd percentile spread · 48% rated it 4 or lower

Most loved · composer

Vincere (2009)

Midcredits 77th · 63% liked

Reviewers score the sound and music 63/100 in their films, across 4 reviewed titles; fans 78, detractors 30. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlo Crivelli work with?

People who share at least 2 of Carlo Crivelli's MovieCove titles, grouped by what they did on them; Marco Bellocchio shares the most, 6.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles