Daniela Ceselli
Writer · Born February 18, 1968 (58) · Rome, Italy
- February 18, 1968 (58)
- Rome, Italy
- Writer
- 6 on MovieCove · 17 credits in all
Known for
What are Daniela Ceselli's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 0 · Serious 2 · Dark 4
Grounded 1 · Stylized 4 · Heightened 1
A split, not a type: Gentle 1 · Charged 2 · Intense 3
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 4 · Full focus 2
Easy watch 0 · Affecting 1 · Heavy 5
Resolved 1 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet4
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniela Ceselli's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Daniela Ceselli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 6 with a MovieCove page.

La versione di Anita (not in the MovieCove catalog yet)(2025)
Midcredits score: 82nd percentile of all films
Life is (Not) a Game (not in the MovieCove catalog yet)(2023)

Where I've Never Lived(2017)
Midcredits score: 44th percentile of all films
La mia casa e i miei coinquilini - Il lungo viaggio di Joyce Lussu (not in the MovieCove catalog yet)(2016)

And They Call It Summer(2012)
Midcredits score: 9th percentile of all films
Vincere(2009)
Midcredits score: 77th percentile of all films
Fallen Heroes (not in the MovieCove catalog yet)(2008)

The Spectator (not in the MovieCove catalog yet)(2004)

Good Morning, Night(2003)
Midcredits score: 85th percentile of all films
My Mother's Smile (not in the MovieCove catalog yet)(2002)
Today is a Beautiful Day (not in the MovieCove catalog yet)(2002)
A Thread of Passion (not in the MovieCove catalog yet)(2000)
Nina (not in the MovieCove catalog yet)(2000)
The Choir Master (not in the MovieCove catalog yet)(2000)

The Nanny(1999)
Midcredits score: 60th percentile of all filmsPiccolina bella (not in the MovieCove catalog yet)
Career shape
A full career of 16 titles, 15 of them dated from 2000 to 2025.

Biggest box office
Vincere (2009)

Highest rated
Good Morning, Night (2003)

Most popular right now
Kidnapped: The Abduction of Edgardo Mortara (2023)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniela Ceselli's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 6 titles are Crowd Pleasers.
- Crowd Pleaser4
- Mixed2
Reviewers score the dialogue 49/100 and the plot and story 57/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniela Ceselli work with?
People who share at least 2 of Daniela Ceselli's MovieCove titles, grouped by what they did on them; Marco Bellocchio shares the most, 4.
Directors
- Marco BellocchioShared titles: Kidnapped: The Abduction of Edgardo Mortara (2023), Vincere (2009), Good Morning, Night (2003), The Nanny (1999)See all 4 shared titles with Marco Bellocchio

- Paolo FranchiShared titles: Where I've Never Lived (2017), And They Call It Summer (2012)See all 2 shared titles with Paolo Franchi

Writers
- Rinaldo RoccoShared titles: Where I've Never Lived (2017), And They Call It Summer (2012)See all 2 shared titles with Rinaldo Rocco

Actors
- Pier Giorgio BellocchioShared titles: Vincere (2009), Good Morning, Night (2003), The Nanny (1999)See all 3 shared titles with Pier Giorgio Bellocchio

- Corrado InvernizziShared titles: Kidnapped: The Abduction of Edgardo Mortara (2023), Vincere (2009)See all 2 shared titles with Corrado Invernizzi

- Fabrizio GifuniShared titles: Kidnapped: The Abduction of Edgardo Mortara (2023), Where I've Never Lived (2017)See all 2 shared titles with Fabrizio Gifuni

- Fausto Russo AlesiShared titles: Kidnapped: The Abduction of Edgardo Mortara (2023), Vincere (2009)See all 2 shared titles with Fausto Russo Alesi

Composers and editors
- Francesca CalvelliShared titles: Kidnapped: The Abduction of Edgardo Mortara (2023), Vincere (2009), Good Morning, Night (2003), The Nanny (1999)See all 4 shared titles with Francesca Calvelli

- Alessio DoglioneShared titles: Where I've Never Lived (2017), And They Call It Summer (2012)See all 2 shared titles with Alessio Doglione
- Carlo CrivelliShared titles: Vincere (2009), The Nanny (1999)See all 2 shared titles with Carlo Crivelli

