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Daniela Ceselli

Writer · Born February 18, 1968 (58) · Rome, Italy

Born
February 18, 1968 (58)
From
Rome, Italy
Works as
Writer
Titles
6 on MovieCove · 17 credits in all

What are Daniela Ceselli's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 4

Grounded 1 · Stylized 4 · Heightened 1

A split, not a type: Gentle 1 · Charged 2 · Intense 3

Steady 2 · Shifting 4 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 5 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 4 · Full focus 2

Easy watch 0 · Affecting 1 · Heavy 5

Resolved 1 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
6
Contemplative
3
Bittersweet
2
Elegiac
1

How their films end

  • Bittersweet4
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniela Ceselli's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Daniela Ceselli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 6 with a MovieCove page.

  • La versione di Anita (not in the MovieCove catalog yet)(2025)

    Screenplay

  • Midcredits score: 82nd percentile of all films
  • Life is (Not) a Game (not in the MovieCove catalog yet)(2023)

    Writer

  • Where I've Never Lived(2017)

    Screenplay

    Midcredits score: 44th percentile of all films
  • La mia casa e i miei coinquilini - Il lungo viaggio di Joyce Lussu (not in the MovieCove catalog yet)(2016)

    Actor

  • And They Call It Summer(2012)

    Screenplay

    Midcredits score: 9th percentile of all films
  • Vincere(2009)

    Screenplay

    Midcredits score: 77th percentile of all films
  • Fallen Heroes (not in the MovieCove catalog yet)(2008)

    Screenplay

  • The Spectator (not in the MovieCove catalog yet)(2004)

    Screenplay

  • Good Morning, Night(2003)

    Assistant Director · Co-Writer · Screenplay

    Midcredits score: 85th percentile of all films
  • My Mother's Smile (not in the MovieCove catalog yet)(2002)

    First Assistant Director

  • Today is a Beautiful Day (not in the MovieCove catalog yet)(2002)

    Writer

  • A Thread of Passion (not in the MovieCove catalog yet)(2000)

    Writer

  • Nina (not in the MovieCove catalog yet)(2000)

    Writer

  • The Choir Master (not in the MovieCove catalog yet)(2000)

    Writer

  • The Nanny(1999)

    Writer

    Midcredits score: 60th percentile of all films
  • Piccolina bella (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 16 titles, 15 of them dated from 2000 to 2025.

By role

only this rolewith another role
Acting1 of 16: 1 only acting, 0 with another roleWriting14 of 16: 13 only writing, 1 with another role · typical Midcredits score77thOther crew2 of 16: 1 only other crew, 1 with another role

By decade

2000s9 · crew2010s3 · 1 acting · 2 crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Daniela Ceselli's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 6

Approval · how many liked their films

63rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

66thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Reviewers score the dialogue 49/100 and the plot and story 57/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daniela Ceselli work with?

People who share at least 2 of Daniela Ceselli's MovieCove titles, grouped by what they did on them; Marco Bellocchio shares the most, 4.

Directors

Writers

Actors

Composers and editors