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Etienne Comar

Etienne Comar

Producer and writer, also director · Born January 25, 1965 (61) · Paris, France

Étienne Comar (born 25 January 1965) is a French film producer, screenwriter and film director. He is known for producing the films Of Gods and Men (2010) and Timbuktu (2014), for which he won the César Award for Best Film as producer in 2011 and 2015. In 2017, his directorial debut Django was selected to open the 67th Berlin International Film Festival. Source: Article "Étienne Comar" from Wikipedia in English, licensed under CC-BY-SA.

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Biography from TMDB.

Born
January 25, 1965 (61)
From
Paris, France
Works as
Producer and writer, also director
Titles
17 on MovieCove · 28 credits in all
TMDB popularity, last 37 days to Oct 26Down 23% in 30 days

What are Etienne Comar's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 4 · Dark 9

Grounded 12 · Stylized 5 · Heightened 0

A split, not a type: Gentle 5 · Charged 4 · Intense 8

A split, not a type: Steady 8 · Shifting 9 · Whiplash 0

Straight-faced 11 · Some laughs 6 · Funny 0

Slow burn 12 · Even-paced 5 · Relentless 0

Casual 7 · Engaged 8 · Full focus 2

A split, not a type: Easy watch 5 · Affecting 4 · Heavy 8

Resolved 10 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
7
Melancholic
8
Tense
7
Hopeful
7
Contemplative
5
Other
9

How their films end · 2 with a twist

  • Happy1
  • Bittersweet12
  • Tragic1
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Etienne Comar's films?

As of October 24, 2026, 9 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Etienne Comar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 17 with a MovieCove page.

  • Furcy, né libre(2025)

    Producer · Writer

    Midcredits score: 61st percentile of all films
  • Singing Jailbirds (not in the MovieCove catalog yet)(2022)

    Director · Writer

  • Midcredits score: 53rd percentile of all films
  • To the Ends of the World(2018)

    Co-Producer · Producer

    Midcredits score: 52nd percentile of all films
  • Girls of the Sun(2018)

    Producer

    Midcredits score: 72nd percentile of all films
  • Midcredits score: 36th percentile of all films
  • Faces Places(2017)

    Co-Producer

    Midcredits score: 97th percentile of all films
  • Django(2017)

    Director · Co-Producer · Screenplay

    Midcredits score: 56th percentile of all films
  • My King(2015)

    Associate Producer · Screenplay

    Midcredits score: 84th percentile of all films
  • The Price of Fame(2014)

    Producer · Screenplay

    Midcredits score: 27th percentile of all films
  • Timbuktu(2014)

    Producer

    Midcredits score: 87th percentile of all films
  • Haute Cuisine(2012)

    Producer · Screenplay

    Midcredits score: 58th percentile of all films
  • Paris-Manhattan(2012)

    Producer

    Midcredits score: 37th percentile of all films
  • Midcredits score: 79th percentile of all films
  • Of Gods and Men(2010)

    Producer · Writer

    Midcredits score: 87th percentile of all films
  • The Key (not in the MovieCove catalog yet)(2007)

    Associate Producer

  • One Fine Day (not in the MovieCove catalog yet)(2006)

    Producer

  • The Do-Gooders (not in the MovieCove catalog yet)(2005)

    Producer

  • Papa(2005)

    Producer

    Midcredits score: 64th percentile of all films
  • Dédales(2003)

    Producer

    Midcredits score: 73rd percentile of all films
  • 24 Hours in the Life of a Woman (not in the MovieCove catalog yet)(2002)

    Producer

  • Midcredits score: 89th percentile of all films
  • Gamer (not in the MovieCove catalog yet)(2001)

    Producer

  • Highway Melody (not in the MovieCove catalog yet)(2000)

    Producer · as Pompier 2

  • Superlove (not in the MovieCove catalog yet)(1999)

    Producer

  • 1999 Madeleine (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Zonzon (not in the MovieCove catalog yet)(1998)

    Producer

  • Mektoub (not in the MovieCove catalog yet)(1997)

    Producer

Career shape

A full career of 25 titles from 1997 to 2026.

By role

only this rolewith another role
Acting1 of 25: 0 only acting, 1 with another roleDirecting2 of 25: 0 only directing, 2 with another roleWriting8 of 25: 2 only writing, 6 with another role · typical Midcredits score58thProducing22 of 25: 16 only producing, 6 with another role · typical Midcredits score76th

25 titles, 7 with more than one role — producing and writing overlap on 5 of them.

By decade

1990s4 · crew2000s7 · 1 acting · 7 crew2010s12 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Etienne Comar's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 17

Approval · how many liked their films

65thpercentile
Typical film, the median of 17

Reach · how many have seen their films

78thpercentile
Typical film, the median of 17

Midcredits score across 17 titles, by percentile

  • 75th and up6
  • 50th to 74th8
  • 25th to 49th3

Shape of the crowd

8 of their 17 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser8
  • Broadly Agreed5
  • Mixed2

Reviewers score the dialogue 50/100 and the plot and story 51/100 in their films, across 17 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Etienne Comar's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 58 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Etienne Comar work with?

People who share at least 2 of Etienne Comar's MovieCove titles, grouped by what they did on them; Monica Coleman shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers