Alejandro Arenas Azorín

What are Alejandro Arenas Azorín's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alejandro Arenas Azorín's films?

As of October 24, 2026, 14 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Timbuktu (2014) · producer · free
  • The Guardians (2017) · producer · free
  • After Love (2016) · producer · free
  • The Grandmother (2021) · producer · free
• The Roku Channel3 titles, browse their movies on this service
  • The Sower (2017) · producer · free
  • The Nun (2013) · producer · free
  • Evolution (2015) · producer · free
• AMC+2 titles, browse their movies on this service
  • The Treasure (2015) · producer
  • Evolution (2015) · producer
• Fandor1 title, browse their movies on this service
  • After Love (2016) · producer
• MUBI1 title, browse their movies on this service
  • Jauja (2014) · producer
• Prime Video1 title, browse their movies on this service
  • The Guardians (2017) · producer
• Shudder1 title, browse their movies on this service
  • Evolution (2015) · producer

Subscription and free streaming for Alejandro Arenas Azorín's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 22 with a MovieCove page.

• 

  Quiet Life(2024)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  The Other Way Around(2024)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  The Grandmother(2021)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Delete History(2020)

  Producer

  Midcredits score: 29th percentile of all films29^th
• 

  Happy Birthday(2019)

  Producer

  Midcredits score: 37th percentile of all films37^th
• 

  Litigante(2019)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  The Whistlers(2019)

  Producer

  Midcredits score: 51st percentile of all films51^st
• 

  Quién te cantará(2018)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  To the Ends of the World(2018)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  The Guardians(2017)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  The Sower(2017)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  After Love(2016)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Staying Vertical(2016)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Evolution(2015)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Rabin, the Last Day(2015)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  The Treasure(2015)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Valley of Love(2015)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  Jauja(2014)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Timbuktu(2014)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Stranger by the Lake(2013)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  The Nun(2013)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  When Evening Falls on Bucharest or Metabolism(2013)

  Producer

  Midcredits score: 48th percentile of all films48^th

Career shape

Across their 22 MovieCove titles from 2013 to 2024.

Biggest box office

Timbuktu (2014)

$7.2M worldwide

Highest rated

Timbuktu (2014)

Midcredits 87^th

Most popular right now

Stranger by the Lake (2013)

How do Alejandro Arenas Azorín's films land?

Their typical MovieCove film has a Midcredits score in the 57^th percentile, the median of all 22; across their 22 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

9 of their 22 titles are Crowd Pleasers.

976

• Crowd Pleaser9
• Broadly Agreed7
• Mixed6

Most divisive · producer

Rabin, the Last Day (2015)

62^nd percentile spread · 23% rated it 4 or lower

Most loved · producer

Timbuktu (2014)

Midcredits 87^th · 73% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alejandro Arenas Azorín's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alejandro Arenas Azorín work with?

People who share at least 2 of Alejandro Arenas Azorín's MovieCove titles, grouped by what they did on them; Sylvie Pialat shares the most, 22.