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Joe Eszterhas

Joe Eszterhas

Writer, producer and actor · Born November 23, 1944 (81) · Csakanydoroszlo, Hungary

József Antal Eszterhás (Hungarian: [ˈjoːʒɛf ɒntɒl ˈɛstɛrhaːʃ]; born November 23, 1944), credited as Joe Eszterhas, is a Hungarian-American writer. Born in Hungary, he grew up in Cleveland, Ohio, in the United States. After an early career as a journalist and editor, he entered the film industry. His first screenwriting credit was for the film F.I.S.T. (1978). He co-wrote the script for Flashdance, which became one of the highest-grossing films of 1983, and set off a lucrative and prolific run for his career. By the early 1990s, he was known as the highest-paid writer in Hollywood, and noted for his work in the erotic thriller genre. He was paid a then-record $3 million for his script Love Hurts, which was produced as Basic Instinct (1992), and following its success, news outlets reported he earned seven-figure payouts solely on the basis of two-to-four page outlines. Eszterhas' screenwriting career experienced a decline over the rest of the decade, with films such as Showgirls (1995), Jade (1995), and An Alan Smithee Film: Burn Hollywood Burn (1997), the latter receiving negative reviews and performing poorly at the box office. He mostly withdrew from Hollywood afterward, though he has since authored several books. His publications include American Rhapsody (2000), and two volumes of memoirs: Hollywood Animal (2004), an autobiography, and Crossbearer (2008), which detailed his adulthood return to the Catholic faith he was raised in. Description above from the Wikipedia article Joe Eszterhas, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Biography from TMDB.

Born
November 23, 1944 (81)
From
Csakanydoroszlo, Hungary
Works as
Writer, producer and actor
Titles
18 on MovieCove · 23 credits in all
TMDB popularity, last 37 days to Oct 26Up 46% in 30 days

What are Joe Eszterhas' films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 6 · Dark 7

A split, not a type: Grounded 12 · Stylized 2 · Heightened 4

A split, not a type: Gentle 5 · Charged 4 · Intense 9

Steady 3 · Shifting 13 · Whiplash 2

Straight-faced 12 · Some laughs 5 · Funny 1

Slow burn 4 · Even-paced 14 · Relentless 0

Casual 5 · Engaged 11 · Full focus 2

Resolved 12 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
8
Cold
5
Hopeful
4
Absurd
3
Other
13

How their films end · 4 with a twist

  • Happy6
  • Bittersweet7
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joe Eszterhas' films?

As of October 24, 2026, 8 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Joe Eszterhas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 18 with a MovieCove page; 5 appearances as themselves are hidden until asked for.

  • Carolco, un rêve hollywoodien (not in the MovieCove catalog yet)(2026)

    Actor

  • Prüdes Hollywood - Laster, Lust und Leidenschaft im Film (not in the MovieCove catalog yet)(2025)

    Actor

  • The Impact (not in the MovieCove catalog yet)(2022)

    Writer

  • Midcredits score: 1st percentile of all films
  • Children of Glory(2006)

    Screenplay

    Midcredits score: 76th percentile of all films
  • Basic Instinct 2(2006)

    Characters

    Midcredits score: 6th percentile of all films
  • Jackie Chan: My Story(1998)

    Thanks · as Self - Showgirls' Writer

    Midcredits score: 68th percentile of all films
  • An Alan Smithee Film: Burn Hollywood Burn(1997)

    Producer · Writer · as Joe Eszterhas

    Midcredits score: 3rd percentile of all films
  • Telling Lies in America(1997)

    Screenplay

    Midcredits score: 45th percentile of all films
  • Jade(1995)

    Executive Producer · Writer

    Midcredits score: 21st percentile of all films
  • Showgirls(1995)

    Writer

    Midcredits score: 27th percentile of all films
  • Sliver(1993)

    Executive Producer · Screenplay

    Midcredits score: 14th percentile of all films
  • Nowhere to Run(1993)

    Screenplay · Story

    Midcredits score: 33rd percentile of all films
  • Basic Instinct(1992)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Music Box(1989)

    Executive Producer · Screenplay

    Midcredits score: 91st percentile of all films
  • Checking Out (not in the MovieCove catalog yet)(1988)

    Writer

  • Betrayed(1988)

    Executive Producer · Writer

    Midcredits score: 54th percentile of all films
  • Hearts of Fire(1987)

    Writer

    Midcredits score: 17th percentile of all films
  • Big Shots(1987)

    Writer

    Midcredits score: 45th percentile of all films
  • Jagged Edge(1985)

    Screenplay

    Midcredits score: 61st percentile of all films
  • Flashdance(1983)

    Screenplay

    Midcredits score: 53rd percentile of all films
  • F.I.S.T.(1978)

    Screenplay · Writer

    Midcredits score: 59th percentile of all films
  • Untitled Basic Instinct Reboot (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 22 titles, 21 of them dated from 1978 to 2026.

By role

only this rolewith another role
Acting3 of 22: 2 only acting, 1 with another roleWriting19 of 22: 14 only writing, 5 with another role · typical Midcredits score45thProducing4 of 22: 0 only producing, 4 with another roleOther crew1 of 22: 1 only other crew, 0 with another role

22 titles, 5 with more than one role — writing and producing overlap on 4 of them.

By decade

1970s1 · crew1980s7 · crew1990s8 · 1 acting · 8 crew2000s2 · crew2020s3 · 2 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Joe Eszterhas' films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 18

Approval · how many liked their films

43rdpercentile
Typical film, the median of 18

Reach · how many have seen their films

86thpercentile
Typical film, the median of 18

Midcredits score across 18 titles, by percentile

  • 75th and up3
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th6

Reviewers score the dialogue 36/100 and the plot and story 36/100 in their films, across 17 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Joe Eszterhas' work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles39–89 · median 61 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles40–82 · median 64 · intenseheavier than most filmsMedian of all films: 32
Profanity9 titles57–84 · median 70 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles30–78 · median 43 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles23–78 · median 65 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Joe Eszterhas work with?

People who share at least 2 of Joe Eszterhas' MovieCove titles, grouped by what they did on them; Richard Marquand shares the most, 3.

Directors

Actors

Cinematographers and editors

Producers