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Mario Kassar

Mario Kassar

Producer, also actor · Born October 10, 1951 (75) · Beirut, Lebanon

Mario F. Kassar (Arabic: ماريو قصار; born October 10, 1951) is a Lebanese-American film producer and industry executive who produced the first three films of the Rambo series, Terminator 2: Judgment Day, Total Recall, The Doors, Angel Heart, Jacob's Ladder, Rambling Rose, Basic Instinct, Universal Soldier, Chaplin, Showgirls, and Stargate, among other films. He founded the now-defunct Carolco Pictures with Andrew G. Vajna. Description above from the Wikipedia article Mario Kassar, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
October 10, 1951 (75)
From
Beirut, Lebanon
Works as
Producer, also actor
Titles
40 on MovieCove · 43 credits in all

What are Mario Kassar's films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 35 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 8 · Dark 21

Grounded 9 · Stylized 17 · Heightened 9

Gentle 2 · Charged 10 · Intense 23

Steady 5 · Shifting 27 · Whiplash 3

Straight-faced 27 · Some laughs 6 · Funny 2

Slow burn 8 · Even-paced 18 · Relentless 9

Casual 8 · Engaged 23 · Full focus 4

Easy watch 10 · Affecting 14 · Heavy 11

Resolved 26 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
27
Thrilling
17
Dread
9
Melancholic
13
Contemplative
5
Other
24

How their films end · 7 with a twist

  • Happy9
  • Bittersweet20
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mario Kassar's films?

As of October 24, 2026, 25 of their 40 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Subscription and free streaming for Mario Kassar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

43 credits, 40 with a MovieCove page; 9 appearances as themselves are hidden until asked for.

  • Foxtrot Six(2019)

    Executive Producer · Producer

    Midcredits score: 37th percentile of all films
  • Terminator Salvation(2009)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • Basic Instinct 2(2006)

    Producer

    Midcredits score: 6th percentile of all films
  • Midcredits score: 52nd percentile of all films
  • I Spy(2002)

    Producer

    Midcredits score: 18th percentile of all films
  • Lolita (not in the MovieCove catalog yet)(1997)

    Producer

  • Cutthroat Island(1995)

    Executive Producer

    Midcredits score: 34th percentile of all films
  • Showgirls(1995)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Last of the Dogmen(1995)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Stargate(1994)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Heaven & Earth(1993)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Cliffhanger(1993)

    Executive Producer · Presenter

    Midcredits score: 61st percentile of all films
  • Chaplin(1992)

    Producer

    Midcredits score: 90th percentile of all films
  • Light Sleeper(1992)

    Executive Producer

    Midcredits score: 79th percentile of all films
  • Universal Soldier(1992)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Basic Instinct(1992)

    Executive Producer · Presenter

    Midcredits score: 80th percentile of all films
  • Aces: Iron Eagle III(1992)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • Rambling Rose(1991)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • Terminator 2: Judgment Day(1991)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • The Doors(1991)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • L.A. Story(1991)

    Executive Producer

    Midcredits score: 72nd percentile of all films
  • Jacob's Ladder(1990)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Narrow Margin(1990)

    Executive Producer

    Midcredits score: 64th percentile of all films
  • Repossessed(1990)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Air America(1990)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • Total Recall(1990)

    Executive Producer · Presenter

    Midcredits score: 94th percentile of all films
  • Mountains of the Moon(1990)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Johnny Handsome(1989)

    Executive Producer

    Midcredits score: 46th percentile of all films
  • DeepStar Six(1989)

    Executive Producer · Presenter

    Midcredits score: 19th percentile of all films
  • Red Heat(1988)

    Executive Producer

    Midcredits score: 47th percentile of all films
  • Rambo III(1988)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • Extreme Prejudice(1987)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • Angel Heart(1987)

    Executive Producer

    Midcredits score: 87th percentile of all films
  • Rambo: First Blood Part II(1985)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • First Blood(1982)

    Executive Producer · Presenter

    Midcredits score: 96th percentile of all films
  • Superstition(1982)

    Executive Producer

    Midcredits score: 39th percentile of all films
  • The Amateur(1981)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Midcredits score: 5th percentile of all films
  • Victory(1981)

    Co-Producer

    Midcredits score: 70th percentile of all films
  • The Changeling(1980)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • The Silent Partner(1978)

    Presenter

    Midcredits score: 93rd percentile of all films
  • Audition (not in the MovieCove catalog yet)

    Producer

  • The Gunfighter (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 43 titles, 41 of them dated from 1978 to 2019.

By role

only this rolewith another role
Acting1 of 43: 1 only acting, 0 with another roleProducing41 of 43: 36 only producing, 5 with another role · typical Midcredits score62ndOther crew6 of 43: 1 only other crew, 5 with another role · typical Midcredits score87th

43 titles, 5 with more than one role — producing and other crew overlap on 5 of them.

By decade

1970s1 · crew1980s13 · 1 acting · 12 crew1990s22 · crew2000s4 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mario Kassar's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 40; across their 35 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 35

Approval · how many liked their films

63rdpercentile
Typical film, the median of 35

Reach · how many have seen their films

94thpercentile
Typical film, the median of 35

Midcredits score across 40 titles, by percentile

  • 75th and up14
  • 50th to 74th10
  • 25th to 49th10
  • Below 25th6

Shape of the crowd

19 of their 40 titles are Crowd Pleasers.

  • Universally Loved5
  • Universally Panned1
  • Crowd Pleaser19
  • Broadly Agreed7
  • Mixed8

Reviewers score the acting 67/100 in their films, across 34 reviewed titles; fans 75, detractors 43. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mario Kassar's work okay for kids?

Across up to 29 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore25 titles49–92 · median 78 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity29 titles13–69 · median 33 · mildnear the median of all filmsMedian of all films: 32
Profanity26 titles32–83 · median 66 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs22 titles10–62 · median 31 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense23 titles22–80 · median 63 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mario Kassar work with?

People who share at least 2 of Mario Kassar's MovieCove titles, grouped by what they did on them; Andrew G. Vajna shares the most, 21.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers