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Piero Bianchi

Composer

Works as
Composer
Titles
3 on MovieCove

What are Piero Bianchi's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
38%
Self
19%
Power
19%
Ideas
10%
Morality
8%
Society
6%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 0

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
2
Warm
2
Hopeful
1
Joyful
1
Melancholic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Piero Bianchi's films?

As of October 26, 2026, none of Piero Bianchi's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Piero Bianchi's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Marias(2024)

    Composer

    Midcredits score: 71st percentile of all films (provisional, few ratings)
  • Salomé(2024)

    Composer

    Midcredits score: 67th percentile of all films
  • Fiebre(2022)

    Composer

    Midcredits score: 42nd percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2022 to 2024.

By role

only this rolewith another role
Music3 of 3: 3 only music, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Piero Bianchi's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 3

Approval · how many liked their films

49thpercentile
Typical film, the median of 3

Reach · how many have seen their films

49thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th2
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Piero Bianchi work with?

People who share at least 2 of Piero Bianchi's MovieCove titles; Mateus Alves shares the most, 2.