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Lok-Hang Au

Composer

Works as
Composer
Titles
3 on MovieCove

What are Lok-Hang Au's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
47%
Survival
17%
Ideas
17%
Society
13%
Power
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 2 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 0 · Even-paced 3 · Relentless 0

A split, not a type: Casual 2 · Engaged 0 · Full focus 1

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Hopeful
2
Thrilling
2
Warm
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lok-Hang Au's films?

As of October 26, 2026, none of Lok-Hang Au's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Lok-Hang Au's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Cold War 1994(2026)

    Composer

    Midcredits score: 55th percentile of all films
  • Night King(2026)

    Composer

    Midcredits score: 74th percentile of all films
  • A Guilty Conscience(2023)

    Composer

    Midcredits score: 85th percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 2023 to 2026.

By role

only this rolewith another role
Music3 of 3: 3 only music, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Lok-Hang Au's films land?

Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 3

Approval · how many liked their films

72ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

84thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th2

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lok-Hang Au work with?

People who share at least 2 of Lok-Hang Au's MovieCove titles, grouped by what they did on them; Kwan-Ho Tse shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers