Shawn Dailey
- Producer
- 3 on MovieCove
What are Shawn Dailey's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Shawn Dailey's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Shawn Dailey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Bar(2025)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
Midcredits score: 89th percentile of all films (provisional, few ratings)
Citizen Penn(2020)
Midcredits score: 55th percentile of all films
Career shape
A full career of 3 titles from 2020 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Shawn Dailey's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
2 of their 3 titles are Divisive.
- Divisive2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Shawn Dailey work with?
People who share at least 2 of Shawn Dailey's MovieCove titles, grouped by what they did on them; Don Hardy shares the most, 3.
Directors
- Don HardyShared titles: Bar (2025), Linda Perry: Let It Die Here (2024), Citizen Penn (2020)See all 3 shared titles with Don Hardy
Cinematographers and editors
- Camille GetzShared titles: Bar (2025), Linda Perry: Let It Die Here (2024)See all 2 shared titles with Camille Getz
- Mike AbelaShared titles: Bar (2025), Linda Perry: Let It Die Here (2024)See all 2 shared titles with Mike Abela
- Richard BakewellShared titles: Linda Perry: Let It Die Here (2024), Citizen Penn (2020)See all 2 shared titles with Richard Bakewell
Producers
- Ellen FairShared titles: Bar (2025), Linda Perry: Let It Die Here (2024), Citizen Penn (2020)See all 3 shared titles with Ellen Fair
- Kim TramelShared titles: Bar (2025), Linda Perry: Let It Die Here (2024), Citizen Penn (2020)See all 3 shared titles with Kim Tramel
- Justin LevyShared titles: Bar (2025), Linda Perry: Let It Die Here (2024)See all 2 shared titles with Justin Levy
Mixed roles
- Linda PerryShared titles: Linda Perry: Let It Die Here (2024), Citizen Penn (2020)See all 2 shared titles with Linda Perry
