Leng Yi
- Producer
- 3 on MovieCove
What are Leng Yi's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 1 · Dark 0
A split, not a type: Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leng Yi's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Leng Yi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.

My People, My Homeland(2020)
Midcredits score: 53rd percentile of all films
Looking Up(2019)
Midcredits score: 47th percentile of all films
Devil and Angel(2015)
Midcredits score: 8th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2015 to 2020.
How do Leng Yi's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leng Yi work with?
People who share at least 2 of Leng Yi's MovieCove titles, grouped by what they did on them; Baimei Yu shares the most, 3.
Directors
- Baimei YuShared titles: My People, My Homeland (2020), Looking Up (2019), Devil and Angel (2015)See all 3 shared titles with Baimei Yu

- Chao DengShared titles: My People, My Homeland (2020), Looking Up (2019), Devil and Angel (2015)See all 3 shared titles with Chao Deng

Actors
- Chao LiangShared titles: Looking Up (2019), Devil and Angel (2015)See all 2 shared titles with Chao Liang

Cinematographers and editors
- Max Da-Yung WangShared titles: My People, My Homeland (2020), Looking Up (2019), Devil and Angel (2015)See all 3 shared titles with Max Da-Yung Wang

- Ballu SalujaShared titles: My People, My Homeland (2020), Looking Up (2019)See all 2 shared titles with Ballu Saluja

Producers
- Jing WuShared titles: My People, My Homeland (2020), Looking Up (2019)See all 2 shared titles with Jing Wu

- Lan JiangShared titles: My People, My Homeland (2020), Looking Up (2019)See all 2 shared titles with Lan Jiang
- Liu ZhongweiShared titles: My People, My Homeland (2020), Looking Up (2019)See all 2 shared titles with Liu Zhongwei
- Peter ZhengShared titles: My People, My Homeland (2020), Looking Up (2019)See all 2 shared titles with Peter Zheng
