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Dolores Redondo

Dolores Redondo

Writer · Born February 1, 1969 (57) · San Sebastián, Spain

Born
February 1, 1969 (57)
From
San Sebastián, Spain
Works as
Writer
Titles
4 on MovieCove

What are Dolores Redondo's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 0 · Intense 3

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 0 · Engaged 0 · Full focus 3

Easy watch 0 · Affecting 0 · Heavy 3

Resolved 0 · Open-ended 3 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dolores Redondo's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Subscription and free streaming for Dolores Redondo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

Career shape

A full career of 4 titles from 2017 to 2024.

By role

only this rolewith another role
Writing4 of 4: 4 only writing, 0 with another role

By decade

2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Dolores Redondo's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 3

Approval · how many liked their films

52ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

89thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Reviewers score the dialogue 40/100 and the plot and story 32/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dolores Redondo's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 56 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 51 · moderateMedian of all films: 32
Frightening / Intense3 titlesmedian 64 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Dolores Redondo work with?

People who share at least 2 of Dolores Redondo's MovieCove titles, grouped by what they did on them; Fernando González Molina shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers