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Son Lux

Son Lux

Composer

Oscar nominee · BAFTA Award nominee

Son Lux is a geographically and culturally diverse band, with Rafiq Bhatia, Ian Chang, and Ryan Lott each bringing their unique sonic approach to create an otherworldly whole. Son Lux's balancing of raw emotional intimacy and meticulous electronic constructions, coupled with the act of distilling their varied influences, has most strongly shaped their identity. What began as a solo project for Lott expanded in 2014, thanks to a kinship with Chang and Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored Everything Everywhere All at Once for A24. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

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Biography from IMDb.

Works as
Composer
Titles
4 on MovieCove

What are Son Lux's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
47%
Self
20%
Survival
16%
Morality
6%
Society
6%
Ideas
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 1 · Stylized 2 · Heightened 1

Gentle 0 · Charged 0 · Intense 4

A split, not a type: Steady 0 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

A split, not a type: Slow burn 0 · Even-paced 3 · Relentless 1

A split, not a type: Casual 0 · Engaged 3 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 3

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
3
Absurd
1
Triumphant
2
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Son Lux's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Son Lux's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2026.

By role

only this rolewith another role
Music4 of 4: 4 only music, 0 with another role

By decade

2010s1 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

Awards

2 major nominations and no wins, 2023.

  1. 2023
    • Oscar, nominated · Best Achievement in Music Written for Motion Pictures (Original Score)
    • BAFTA Award, nominated · Original Score

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Son Lux's films land?

Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 89th percentile for acclaim.

Acclaim · how much people like their films

89thpercentile
Typical film, the median of 4

Approval · how many liked their films

87thpercentile
Typical film, the median of 4

Reach · how many have seen their films

95thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Reviewers score the sound and music 71/100 in their films, across 4 reviewed titles; fans 76, detractors 60. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Son Lux's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 63 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 10 · minimalMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.