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Paul Stamper was born in Windsor, CT on November 10, 1993. Paul's career professionally began in 2010 with the start in a film production program at Real Art Ways in Hartford, CT. Having made a feature film in high school, Paul went to Fitchburg State University and received a B.S. in Communications: Film/Video/Theater. Paul went on to become a professional cinematographer, editor, and visual effects artist for music videos, commercials, social media videos, and short/feature film projects.

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Biography from IMDb.

Works as
Editor, cinematographer, director and producer
Titles
4 on MovieCove

What are Paul Stamper's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 0

Grounded 4 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 1 · Shifting 3 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Tense
2
Hopeful
3
Dread
1
Contemplative
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Stamper's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Paul Stamper's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • The Roaring Game(2025)

    Editor

    Midcredits score: 42nd percentile of all films (provisional, few ratings)
  • Creepypasta(2023)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 1st percentile of all films
  • Midcredits score: 57th percentile of all films
  • Junkyard Dogs(2022)

    Editor

    Midcredits score: 4th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2022 to 2025.

By role

only this rolewith another role
Directing1 of 4: 0 only directing, 1 with another roleProducing1 of 4: 0 only producing, 1 with another roleCinematography1 of 4: 0 only cinematography, 1 with another roleEditing4 of 4: 3 only editing, 1 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Paul Stamper's films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 9th percentile for acclaim.

Acclaim · how much people like their films

9thpercentile
Typical film, the median of 4

Approval · how many liked their films

29thpercentile
Typical film, the median of 4

Reach · how many have seen their films

38thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th1
  • 25th to 49th1
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul Stamper work with?

People who share at least 2 of Paul Stamper's MovieCove titles, grouped by what they did on them; Chad Verdi Jr. shares the most, 3.

Actors

Cinematographers

Producers

Mixed roles