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Charles Miller

Producer

Charles Miller is a New York based film and television producer. A graduate of Ithaca College, he began his career at Red Wagon Entertainment and Groundswell Productions, which led to working with Academy Award-winning producer Anthony Katagas. During his time with Katagas, Miller was involved in such films as Steve McQueen's "Twelve Years a Slave," James Gray's "The Immigrant" and John Hillcoat's "Triple Nine". He Co-Produced Michael Almereyda's "Cymbeline," and Ariel Schulman/Henry Joost's "Nerve", and Production Supervised James Gray's "Lost City of Z". After his time with Katagas, Miller has Co-Produced Jim Mckay's "En el Séptimo Día", Nicholas Pesce's "Piercing", and Aaron Sorkin's "The Trial of the Chicago 7". Executive Produced Reinaldo Marcus Green's "Monsters and Men", Sara Colangelo's "Worth", and Neil Burger's "The Marsh King's Daughter. And Produced Mattson Tomlin's "Mother/Android", Neil Burger's "Inheritance" and Julio Torres' forthcoming HBO TV Show "Fantasmas".

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Biography from IMDb.

Works as
Producer
Titles
17 on MovieCove · 19 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 29% in 30 days

What are Charles Miller's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Drama4 titlesTypical Midcredits score: 21st percentile
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 40th percentile, at or above their average across these genres
: browse their Crime movies
Comedy2 titlesTypical Midcredits score: 47th percentile, at or above their average across these genres
: browse their Comedy movies
Horror2 titlesTypical Midcredits score: 36th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
26%
Survival
23%
Society
18%
Morality
14%
Self
14%
Power
4%
Identity4 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeGuilt2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 3 · Serious 2 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 4 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 5 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 8 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 8 · Full focus 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 8 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Dread
6
Melancholic
5
Absurd
3
Contemplative
3
Other
8

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy1
  • Bittersweet8
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Miller's films?

As of October 24, 2026, 16 of their 17 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Charles Miller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 17 with a MovieCove page.

  • The Comebacker (not in the MovieCove catalog yet)(2027)

    Executive Producer · Unit Production Manager

  • Samo Lives (not in the MovieCove catalog yet)(2026)

    Executive Producer · Unit Production Manager

  • The Death of Robin Hood(2026)

    Executive Producer · Unit Production Manager

    Midcredits score: 45th percentile of all films

  • Bunny(2025)

    Executive Producer

    Midcredits score: 64th percentile of all films

  • Until Dawn(2025)

    Executive Producer · Unit Production Manager

    Midcredits score: 29th percentile of all films

  • Inheritance(2025)

    Producer

    Midcredits score: 33rd percentile of all films

  • Fantasmas(2024)

    Show 6 episodes · Producer

    Midcredits score: 43rd percentile of all shows

  • The Marsh King's Daughter(2023)

    Executive Producer · Unit Production Manager

    Midcredits score: 40th percentile of all films

  • Mother/Android(2021)

    Producer

    Midcredits score: 12th percentile of all films

  • Worth(2020)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • The Trial of the Chicago 7(2020)

    Co-Producer

    Midcredits score: 97th percentile of all films

  • Can You Keep a Secret?(2019)

    Executive Producer · Unit Production Manager

    Midcredits score: 29th percentile of all films

  • Josie & Jack(2019)

    Producer

    Midcredits score: 11th percentile of all films

  • Monsters and Men(2018)

    Executive Producer · Unit Production Manager

    Midcredits score: 47th percentile of all films

  • Boarding School(2018)

    Line Producer

    Midcredits score: 39th percentile of all films

  • En el séptimo día(2017)

    Co-Producer

    Midcredits score: 81st percentile of all films

  • Piercing(2018)

    Producer

    Midcredits score: 33rd percentile of all films

  • Nerve(2016)

    Co-Producer

    Midcredits score: 65th percentile of all films

  • Cymbeline(2014)

    Producer

    Midcredits score: 3rd percentile of all films

Career shape

A full career of 16 titles, 14 of them dated from 2016 to 2026.

Biggest box office

Until Dawn (2025)

$54M worldwide

Highest rated

En el séptimo día (2017)

Midcredits 81st

Most popular right now

The Death of Robin Hood (2026)

By role

only this rolewith another role
Producing16 of 16: 9 only producing, 7 with another role · typical Midcredits score44thOther crew7 of 16: 0 only other crew, 7 with another role · typical Midcredits score40th

16 titles, 7 with more than one role — producing and other crew overlap on 7 of them.

By decade

2010s5 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Charles Miller's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 16; across their 13 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 13

Approval · how many liked their films

30thpercentile
Typical film, the median of 13

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 13

Midcredits score across 17 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th9
  • Below 25th3

Shape of the crowd

11 of their 17 titles are Mixed.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed11

Most divisive · producer

Fantasmas (2024)

70th percentile spread · 17% rated it 4 or lower

Most loved · producer

The Trial of the Chicago 7 (2020)

Midcredits 97th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles Miller's work okay for kids?

Across up to 9 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles25–89 · median 73 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity9 titles16–55 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity7 titles27–65 · median 47 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles9–42 · median 27 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles25–89 · median 64 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Charles Miller work with?

People who share at least 2 of Charles Miller's MovieCove titles, grouped by what they did on them; Pat Scola shares the most, 3.

Directors

Cinematographers

Producers