Skip to content
MovieCove

Duncan Johnson

Cinematographer and producer

Works as
Cinematographer and producer
Titles
10 on MovieCove

What are Duncan Johnson's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 1 · Dark 3

Grounded 8 · Stylized 2 · Heightened 0

Gentle 2 · Charged 7 · Intense 1

Steady 1 · Shifting 9 · Whiplash 0

Straight-faced 5 · Some laughs 5 · Funny 0

A split, not a type: Slow burn 5 · Even-paced 3 · Relentless 2

Casual 7 · Engaged 2 · Full focus 1

Resolved 9 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Hopeful
4
Dread
3
Melancholic
3
Warm
2
Other
7

How their films end · 3 with a twist

  • Happy5
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Duncan Johnson's films?

As of October 24, 2026, all 10 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Duncan Johnson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Karma: Death at Latigo Springs(2024)

    Cinematographer

    Midcredits score: 5th percentile of all films
  • Murder at Hollow Creek(2024)

    Cinematographer

    Midcredits score: 2nd percentile of all films
  • Caralique(2022)

    Cinematographer

    Midcredits score: 74th percentile of all films (provisional, few ratings)
  • Hunt Club(2022)

    Cinematographer

    Midcredits score: 2nd percentile of all films
  • If I Could Ride(2022)

    Cinematographer

    Midcredits score: 63rd percentile of all films
  • Death Link(2021)

    Cinematographer

    Midcredits score: 3rd percentile of all films
  • Just Swipe(2021)

    Cinematographer · Producer

    Midcredits score: 12th percentile of all films
  • The Shipment(2021)

    Cinematographer

    Midcredits score: 58th percentile of all films
  • Midcredits score: 46th percentile of all films
  • Jean(2016)

    Cinematographer

    Midcredits score: 70th percentile of all films

Career shape

Across their 10 MovieCove titles from 2016 to 2024.

By role

only this rolewith another role
Producing1 of 10: 0 only producing, 1 with another roleCinematography10 of 10: 9 only cinematography, 1 with another role · typical Midcredits score29th

By decade

2010s2 · crew2020s8 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Duncan Johnson's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 10

Approval · how many liked their films

42ndpercentile
Typical film, the median of 10

Reach · how many have seen their films

38thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 50th to 74th4
  • 25th to 49th1
  • Below 25th5

Shape of the crowd

4 of their 10 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Loved with Detractors2
  • Divisive2
  • Mixed4

Reviewers score the cinematography 49/100 in their films, across 6 reviewed titles; fans 73, detractors 22. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Duncan Johnson work with?

People who share at least 2 of Duncan Johnson's MovieCove titles, grouped by what they did on them; Isabella Blake-Thomas shares the most, 8.

Directors

Writers

Actors

Composers and editors

Producers