- Producer and editor
- 3 on MovieCove
What are Albert Tholen's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 2 · Dark 1
Grounded 0 · Stylized 3 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Albert Tholen's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).
Subscription and free streaming for Albert Tholen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Happyend(2024)
Midcredits score: 82nd percentile of all films
Ryuichi Sakamoto: Opus(2023)
Midcredits score: 98th percentile of all films
Bruiser(2022)
Midcredits score: 60th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2022 to 2024.
How do Albert Tholen's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Reviewers score the pacing 56/100 in their films, across 3 reviewed titles; fans 59, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Albert Tholen work with?
People who share at least 2 of Albert Tholen's MovieCove titles, grouped by what they did on them; Neo Sora shares the most, 2.
Directors
- Neo SoraShared titles: Happyend (2024), Ryuichi Sakamoto: Opus (2023)See all 2 shared titles with Neo Sora
Composers and cinematographers
- Bill KirsteinShared titles: Happyend (2024), Ryuichi Sakamoto: Opus (2023)See all 2 shared titles with Bill Kirstein
- Lia Ouyang RusliShared titles: Happyend (2024), Bruiser (2022)See all 2 shared titles with Lia Ouyang Rusli
Producers
- Aiko MasubuchiShared titles: Happyend (2024), Ryuichi Sakamoto: Opus (2023)See all 2 shared titles with Aiko Masubuchi
- Eric NyariShared titles: Happyend (2024), Ryuichi Sakamoto: Opus (2023)See all 2 shared titles with Eric Nyari