Pooja Desai

What are Pooja Desai's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pooja Desai's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, on Netflix (3).

• Netflix3 titles, browse their movies on this service
  • Mujhse Fraaandship Karoge (2011) · writer, producer
  • Mere Dad Ki Maruti (2013) · writer, producer
  • Luv Ka the End (2011) · producer

Subscription and free streaming for Pooja Desai's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Mere Dad Ki Maruti(2013)

  Producer · Writer

  Midcredits score: 58th percentile of all films58^th
• 

  Luv Ka the End(2011)

  Producer

  Midcredits score: 21st percentile of all films21^st
• 

  Mujhse Fraaandship Karoge(2011)

  Producer · Writer

  Midcredits score: 78th percentile of all films78^th
• 

  99(2009)

  Producer

  Midcredits score: 88th percentile of all films88^th

Career shape

Across a limited sample of 4 MovieCove titles from 2009 to 2013.

Biggest box office

99 (2009)

$2M worldwide

Highest rated

99 (2009)

Midcredits 88^th

How do Pooja Desai's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 64^th percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Crowd Pleasers.

31

• Crowd Pleaser3
• Mixed1

Most divisive · producer

Luv Ka the End (2011)

71^st percentile spread · 38% rated it 4 or lower

Most loved · producer

99 (2009)

Midcredits 88^th · 80% liked

Reviewers score the dialogue 66/100 and the plot and story 49/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Pooja Desai work with?

People who share at least 2 of Pooja Desai's MovieCove titles, grouped by what they did on them; Ashish Patil shares the most, 3.