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Ana Remón

Editor

Works as
Editor
Titles
7 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 10% in 30 days

What are Ana Remón's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Self.

Themes

share of theme weight
Society
35%
Self
34%
Survival
16%
Bonds
7%
Power
4%
Ideas
4%
Community3 titles, browse their movies with this themeMemory2 titles, browse their movies with this themeObsession2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 1 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 1 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 0 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Contemplative
4
Tense
3
Joyful
2
Dread
2
Other
3

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet1
  • Tragic1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ana Remón's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Netflix (2).

Also on these channels

Subscription and free streaming for Ana Remón's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 7 with a MovieCove page.

  • Street Wanderers (not in the MovieCove catalog yet)(2026)

    Editor

  • The Virgin of the Quarry Lake(2025)

    Editor

    Midcredits score: 53rd percentile of all films

  • Big Shadow (not in the MovieCove catalog yet)(2024)

    Assistant Director · Associate Producer

  • Reas (not in the MovieCove catalog yet)(2024)

    Editor

  • Where the Trees Bear Meat (not in the MovieCove catalog yet)(2024)

    Editor

  • Elena Knows(2023)

    Editor

    Midcredits score: 28th percentile of all films

  • The Castle (not in the MovieCove catalog yet)(2023)

    Editor

  • Pornomelancholia (not in the MovieCove catalog yet)(2023)

    Editor

  • Community Squad(2023)

    Show 4 episodes · Editor

    Midcredits score: 79th percentile of all shows

  • A Mother (not in the MovieCove catalog yet)(2022)

    Editor

  • The Moon Represents My Heart (not in the MovieCove catalog yet)(2022)

    Editor

  • Luminum (not in the MovieCove catalog yet)(2022)

    Editor · Writer

  • Lina from Lima(2019)

    Editor

    Midcredits score: 46th percentile of all films

  • Jesús López (not in the MovieCove catalog yet)(2022)

    Editor

  • Santa Evita(2022)

    Show Editor

    Midcredits score: 48th percentile of all shows

  • Seeing Red (not in the MovieCove catalog yet)(2020)

    Editor

  • La vida dormida (not in the MovieCove catalog yet)(2020)

    Editor · Writer

  • Golondrinas (not in the MovieCove catalog yet)(2020)

    Editor

  • Rafa, His Dad and Me (not in the MovieCove catalog yet)(2020)

    Editor

  • Manifiesto (not in the MovieCove catalog yet)(2019)

    Editor · Producer

  • Hell and Back (not in the MovieCove catalog yet)(2019)

    Editor

  • One night alone (not in the MovieCove catalog yet)(2019)

    Editor

  • Candelaria (not in the MovieCove catalog yet)(2018)

    Editor

  • Theatre of War(2018)

    Editor

    Midcredits score: 83rd percentile of all films

  • The Dread(2017)

    Editor

    Midcredits score: 79th percentile of all films

  • Por la ventana (not in the MovieCove catalog yet)(2017)

    Editor

  • Being Awake (not in the MovieCove catalog yet)(2017)

    Editor

  • Soldier (not in the MovieCove catalog yet)(2017)

    Editor

  • La siesta del tigre (not in the MovieCove catalog yet)(2016)

    Editor · Writer

  • The Black Frost (not in the MovieCove catalog yet)(2016)

    Editor

  • La niña de tacones amarillos (not in the MovieCove catalog yet)(2015)

    Editor

  • Mandarin Diamond (not in the MovieCove catalog yet)(2015)

    Editor

  • La Salada (not in the MovieCove catalog yet)(2014)

    Editor

  • En crítica (not in the MovieCove catalog yet)(2014)

    Editor

  • El lobo (not in the MovieCove catalog yet)(2013)

    Show 8 episodes · Editor

  • Germania (not in the MovieCove catalog yet)(2013)

    Editor

  • Another Silence (not in the MovieCove catalog yet)(2011)

    Editor

  • Untitled (Letter to Serra) (not in the MovieCove catalog yet)(2011)

    Editor

  • Liverpool (not in the MovieCove catalog yet)(2008)

    Editor

Career shape

A full career of 38 titles from 2008 to 2026.

Biggest box office

The Virgin of the Quarry Lake (2025)

$16K worldwide

Highest rated

Theatre of War (2018)

Midcredits 83rd

Most popular right now

Community Squad (2023)

By role

only this rolewith another role
Writing3 of 38: 0 only writing, 3 with another roleProducing2 of 38: 0 only producing, 2 with another roleEditing37 of 38: 33 only editing, 4 with another role · typical Midcredits score66thOther crew1 of 38: 0 only other crew, 1 with another role

38 titles, 5 with more than one role — editing and writing overlap on 3 of them.

By decade

2000s1 · crew2010s19 · crew2020s18 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ana Remón's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 5

Approval · how many liked their films

51stpercentile
Typical film, the median of 5

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th3

Shape of the crowd

4 of their 7 titles are Mixed.

  • Crowd Pleaser3
  • Mixed4

Most divisive · editor

Santa Evita (2022)

52nd percentile spread · 13% rated it 4 or lower

Most loved · editor

Theatre of War (2018)

Midcredits 83rd · 72% liked

Reviewers score the pacing 32/100 in their films, across 3 reviewed titles; fans 50, detractors 17. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ana Remón work with?

People who share at least 2 of Ana Remón's MovieCove titles; Gema Juarez Allen shares the most, 3.