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Penny Lane

Penny Lane

Director, writer, editor and producer, also actor and cinematographer · Born March 6, 1978 (48) · Lynn, Massachusetts, USA

Sundance award winner

nonfiction films for over a decade, including 8 feature documentaries. Some of these titles are HAPPY AND YOU KNOW IT, CONFESSIONS OF A GOOD SAMARITAN, LISTENING TO KENNY G, HAIL SATAN?, NUTS! and OUR NIXON. Her films have premiered at Sundance, Toronto, Tribeca, SXSW and Rotterdam, and have been financed and/or distributed by partners like HBO, Hulu, Magnolia Pictures, Netflix, Anonymous Content, Fremantle, Impact Partners, Sandbox Films, Concordia and Jigsaw.

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Biography from TMDB.

Born
March 6, 1978 (48)
From
Lynn, Massachusetts, USA
Works as
Director, writer, editor and producer, also actor and cinematographer
Titles
9 on MovieCove · 30 credits in all
TMDB popularity, last 155 days to Oct 26Up 17% in 30 days

What are Penny Lane's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Society and Morality.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 2 · Dark 1

Grounded 6 · Stylized 2 · Heightened 1

Gentle 5 · Charged 4 · Intense 0

Steady 6 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 6 · Funny 1

Slow burn 6 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 6 · Full focus 0

Resolved 4 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
5
Absurd
6
Warm
3
Hopeful
4
Melancholic
3
Other
3

How their films end

  • Happy1
  • Bittersweet4
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Penny Lane's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Penny Lane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 9 with a MovieCove page.

  • Wild Inside(2026)

    Director

    Midcredits score: 94th percentile of all films (provisional, few ratings)
  • Manhood(2026)

    Executive Producer

    Midcredits score: 88th percentile of all films (provisional, few ratings)
  • Happy and You Know It(2025)

    Director · Writer

    Midcredits score: 64th percentile of all films
  • Dis-Ease (not in the MovieCove catalog yet)(2024)

    Consulting Editor

  • Confessions of a Good Samaritan(2023)

    Director · Writer · as Self

    Midcredits score: 86th percentile of all films
  • Time Bomb Y2K(2023)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Listening to Kenny G (not in the MovieCove catalog yet)(2021)

    Director

  • Hail Satan?(2019)

    Director · as Self - Interwiever (voice) (uncredited)

    Midcredits score: 87th percentile of all films
  • Watching the Pain of Others (not in the MovieCove catalog yet)(2019)

    Thanks · as Herself

  • The Pleasure Principle (not in the MovieCove catalog yet)(2019)

    Director

  • Normal Appearances (not in the MovieCove catalog yet)(2018)

    Director

  • Nellie Bly Makes the News (not in the MovieCove catalog yet)(2018)

    Director · Editor · Writer

  • The Pain of Others(2018)

    Director · Editor

    Midcredits score: 10th percentile of all films (provisional, few ratings)
  • Just Add Water: The Story of the Amazing Live Sea-Monkeys (not in the MovieCove catalog yet)(2016)

    Director · Writer · as Narrator

  • Nuts!(2016)

    Director · Cinematographer · Editor · Producer

    Midcredits score: 83rd percentile of all films
  • Our Nixon(2013)

    Director · Producer · Screenplay

    Midcredits score: 70th percentile of all films
  • The Silent Majority (not in the MovieCove catalog yet)(2011)

    Director · Editor

  • How to Write an Autobiogaphy (not in the MovieCove catalog yet)(2010)

    Director

  • The Voyagers (not in the MovieCove catalog yet)(2010)

    Director · Writer

  • The Commoners (not in the MovieCove catalog yet)(2009)

    Director · Writer

  • Nobody listens to a hysterical woman (not in the MovieCove catalog yet)(2009)

    Director

  • Sometimes I get lossy (not in the MovieCove catalog yet)(2009)

    Director

  • The Wren (not in the MovieCove catalog yet)(2008)

    Director

  • Sittin' on a Million (not in the MovieCove catalog yet)(2008)

    Director

  • Men Seeking Women (not in the MovieCove catalog yet)(2007)

    Director

  • She Used to See Him Most Weekends (not in the MovieCove catalog yet)(2007)

    Director

  • The Abortion Diaries (not in the MovieCove catalog yet)(2005)

    Director · Editor

  • We Are the Littletons: A True Story (not in the MovieCove catalog yet)(2004)

    Director · Writer · Actor

  • Connect (not in the MovieCove catalog yet)(2002)

    Director

  • Mrs. America (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 30 titles, 29 of them dated from 2002 to 2026.

By role

only this rolewith another role
Acting2 of 30: 0 only acting, 2 with another roleDirecting26 of 30: 15 only directing, 11 with another role · typical Midcredits score85thWriting7 of 30: 0 only writing, 7 with another roleProducing4 of 30: 2 only producing, 2 with another roleEditing4 of 30: 0 only editing, 4 with another roleOther crew2 of 30: 2 only other crew, 0 with another role

30 titles, 11 with more than one role — directing and writing overlap on 7 of them.

By decade

2000s10 · 1 acting · 10 crew2010s12 · 1 acting · 12 crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

1 major award from 3 major nominations, 2016–2019.

WinNomination
  1. 2019
    • Sundance award, nominated · Documentary
  2. 2016
    • Sundance award, won · Documentary
    • Sundance award, nominated · Documentary

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Penny Lane's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 9

Approval · how many liked their films

75thpercentile
Typical film, the median of 9

Reach · how many have seen their films

44thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Reviewers score the atmosphere 74/100 and the pacing 58/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Penny Lane work with?

People who share at least 2 of Penny Lane's MovieCove titles, grouped by what they did on them; Gabriel Sedgwick shares the most, 7.

Composers, cinematographers and editors

Producers