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Pablo Diez

Pablo Diez

Cinematographer, also producer · Born November 5, 1973 (52) · Barcelona, Catalonia, Spain

Pablo Diez was born on 5 November 1973 in Barcelona, Catalonia, Spain. Pablo is a cinematographer and producer, known for Welcome to Eden (2022), Elite (2018) and Turn of the Tide (2023).

Biography from IMDb.

Born
November 5, 1973 (52)
From
Barcelona, Catalonia, Spain
Works as
Cinematographer, also producer
Titles
18 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Pablo Diez's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Action5 titlesTypical Midcredits score: 17th percentile
: browse their Action movies
Drama4 titlesTypical Midcredits score: 27th percentile, at or above their average across these genres
: browse their Drama movies
Horror3 titlesTypical Midcredits score: 13th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
28%
Survival
26%
Morality
24%
Power
9%
Bonds
8%
Society
5%
Identity6 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeGrief2 titles, browse their movies with this themePower2 titles, browse their movies with this themeViolence4 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 4 · Dark 8

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 6 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 10 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 10 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 9 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 6 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
7
Melancholic
9
Thrilling
7
Contemplative
3
Other
8

How their films linger

Unsettling11 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy3
  • Bittersweet11
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pablo Diez's films?

As of October 24, 2026, 17 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Also on these channels

Subscription and free streaming for Pablo Diez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 18 with a MovieCove page.

  • The Map of Longing(2026)

    Show Cinematographer

    Midcredits score: 53rd percentile of all shows

  • Killer Book Club(2023)

    Cinematographer

    Midcredits score: 6th percentile of all films

  • Til Death Do Us Part(2023)

    Cinematographer

    Midcredits score: 37th percentile of all films

  • Holy Family(2022)

    Show Cinematographer

    Midcredits score: 34th percentile of all shows

  • Welcome to Eden(2022)

    Show Cinematographer

    Midcredits score: 14th percentile of all shows

  • My True Fairytale(2021)

    Cinematographer

    Midcredits score: 64th percentile of all films

  • The Call(2020)

    Cinematographer

    Midcredits score: 13th percentile of all films

  • Studio City(2019)

    Show Cinematographer · Producer

    Midcredits score: 82nd percentile of all shows (provisional, few ratings)

  • The Outsider(2019)

    Cinematographer

    Midcredits score: 36th percentile of all films

  • Final Shot(2018)

    Cinematographer

    Midcredits score: 7th percentile of all films

  • The Final Wish(2018)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • 33 & Beyond: The Royal Art of Freemasonry(2017)

    Cinematographer

    Midcredits score: 45th percentile of all films

  • American Violence(2017)

    Cinematographer

    Midcredits score: 14th percentile of all films

  • Gangster Land(2017)

    Cinematographer

    Midcredits score: 17th percentile of all films

  • Hickok(2017)

    Cinematographer

    Midcredits score: 17th percentile of all films

  • Traded(2016)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • WEAPONiZED(2016)

    Cinematographer

    Midcredits score: 11th percentile of all films

  • 4Got10(2015)

    Cinematographer

    Midcredits score: 6th percentile of all films

Career shape

Across their 18 MovieCove titles from 2015 to 2026.

Biggest box office

The Call (2020)

$1.6M worldwide

Highest rated

My True Fairytale (2021)

Midcredits 64th

Most popular right now

The Map of Longing (2026)

By role

only this rolewith another role
Producing1 of 18: 0 only producing, 1 with another roleCinematography18 of 18: 17 only cinematography, 1 with another role · typical Midcredits score22nd

By decade

2010s11 · crew2020s7 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Pablo Diez's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 16th percentile for acclaim.

Acclaim · how much people like their films

16thpercentile
Typical film, the median of 14

Approval · how many liked their films

19thpercentile
Typical film, the median of 14

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 14

Midcredits score across 18 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th6
  • Below 25th9

Shape of the crowd

10 of their 18 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Loved with Detractors1
  • Divisive1
  • Cult Classic3
  • Broadly Agreed1
  • Mixed10

Most divisive · cinematographer

33 & Beyond: The Royal Art of Freemasonry (2017)

95th percentile spread · 29% rated it 4 or lower

Most loved · cinematographer

My True Fairytale (2021)

Midcredits 64th · 95% liked

Reviewers score the cinematography 49/100 in their films, across 13 reviewed titles; fans 66, detractors 32. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pablo Diez's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles50–78 · median 69 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles15–55 · median 45 · moderateheavier than most filmsMedian of all films: 32
Profanity7 titles52–69 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 46 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 60 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Pablo Diez work with?

People who share at least 2 of Pablo Diez's MovieCove titles, grouped by what they did on them; Timothy Woodward Jr. shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers